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Guarding the Spirit of Our Ancestor, Genghis Khan

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For eight centuries, my people, the Darkhad, have protected the relics of the Mongol Son of Heaven.


I am one of the Darkhad people of the Inner Mongolia Autonomous Region, and I am a guardian of Genghis Khan. For nearly 800 years, my people have guarded the spirit of the greatest Mongol emperor. Mine is the 36th generation to have this honor.
I am now 48 years old. When I was a very young man, my father always reminded me of what it meant to be a Darkhad, and how important it was to carry on the sacred duty our forefathers had bequeathed us: guarding the eight white yurts that house the Great Khan’s relics. His fourth son, Tolui, first had these portable mausoleums built on the Mongolian grasslands. 
People have always been curious about where Genghis Khan’s final resting place is located. Every few years, the media jumps on a new story reporting the discovery of his tomb. However, these stories only underline the outside world’s limited understanding of Mongol culture.  
Traditional Mongolian shamanism espouses that every living being has a soul. When a person dies, their soul does not die with them; instead, it lives on in the objects they used during their lifetime. Therefore, we the Darkhad believe we guard the living soul of the Son of Heaven.
It is said that as Genghis Khan lay on his deathbed, a shamanic doctor plucked a hair from the forehead of a white male camel and placed it in his mouth. After the fur absorbed Genghis Khan’s last breath, the shaman placed it in a bag as a token of his soul. In Mongolian, we call this event the cindariin hurrcag.
However, we are not sure whether the strand of camel hair is actually contained within the eight white yurts. The Darkhad have never fully opened the box to check, as we believe that doing so is to court disaster. We may only open the box a tiny crack on the fifth day of our Spring Festival sacrifice, and then we must shut it again. 
Easily transported, the eight white yurts are a testament to our nomadic lifestyle, to Mongolian spiritualism, and to the local environment. They ensure that people across the steppe can continue offering sacrifices to their ancestors. Their mobility also allows the Darkhad to respond flexibly in times of disaster or threat.
Genghis Khan is not only a deity in the minds of the Mongolian people; to the Chinese as well, he is a highly respected ruler. The Yuan dynasty of the 13th and 14th centuries, established by Genghis Khan’s grandson, Kublai, is accepted as a period of so-called native Chinese rule, despite the fact that its imperial line originally hailed from the steppes beyond the country’s northern border. For his part, Genghis united the disparate Mongolian tribes and captured a vast swath of northern China from the enervated Jin dynasty.
During the Second Sino-Japanese War, the Japanese attempted to commandeer the yurts as a means to subdue China’s Mongolian population, but they were met with fierce resistance. To protect the holy relics from destruction, the Darkhad people asked the ruling Nationalist government to move the yurts westward.
For the Darkhad, the Ordos region’s recent flourishing economy is a blessing from Genghis Khan’s spirit.
In 1939, the government dispatched a military escort to relocate the coffin and its relics to Gansu province in northwestern China. During their passage through Yanan, a Communist Party stronghold, people from all political backgrounds participated in a mass memorial service. They even constructed a memorial hall complete with a personal dedication from Chairman Mao himself.
After 14 years which saw the reunification of China under Communist Party rule, the relics of Genghis Khan were sent back to the Ordos region of Inner Mongolia. With the completion of the official Mausoleum of Genghis Khan in 1956, relics from across Ordos, including portraits, spear-shaped sulde totems, swords, and saddles, were gathered in the city of the same name. This made the once-mobile sacrificial customs performed by the Darkhad and the Golden Family — Genghis Khan’s direct descendants — fixed, centralized, and open to the public.
No matter the course that history has taken, the Darkhad people have always been entrusted with protecting Genghis Khan’s spirit through the ages. When his mausoleum was built, the local authorities delegated eight Darkhad people to organize daily offerings of food, alcohol, and incense, and to watch over the relics. In return, they received food and money. Today, the mausoleum remains primarily under the supervision of the Ordos tribe of the Mongol ethnic group, with Darkhad members in leadership positions.
For the Darkhad, the Ordos region’s recent flourishing economy is a blessing from Genghis Khan’s spirit. It signifies that our regional leaders have paid Genghis Khan due respect through their offerings. In return, his spirit is allowing the Ordos people to prosper.
However, economic prosperity brings its own problems, particularly through conflict with traditional culture. Today, Ordos relies on the cultural resources of Genghis Khan’s mausoleum to foster the development of the tourism industry. As a result, his mausoleum — sacred ground to the Mongolian people — has naturally become a popular stomping ground for visitors.
But non-Mongolians come to the area only for travel, and they often don’t understand the full significance of Genghis Khan to us. Sometimes, when they see us in traditional dress making real sacrificial offerings, they think it’s all for show.
We can only insist on hosting the rituals for Genghis Khan. These include daily and monthly offerings, weekday sacrifices of mutton and goat meat, larger festivals during the Year of the Dragon or the Year of the Snake, and other diverse, rich ceremonies.
Day after day, the Darkhad work tirelessly at the mausoleum. My role is to lead the rituals. I oversee use of the various sacrificial vessels, prepare and arrange the ceremony, and chant the traditional odes in homage to Genghis Khan.
We have the highest regard for all those who have visited the cemetery of Genghis Khan, but religious believers and ordinary travelers are treated differently. The former enter the mausoleum free of charge, with their status ranked according to the type and size of their offerings. The latter, meanwhile, have to pay for tickets. Preferential treatment — such as priority in making offerings, chanting blessings, and so on — is given to Ordos residents.
Price alone does not determine the value of the offering. For instance, a bottle of good maotai liquor costs far more than an entire sheep, but liquor does not merit the same blessings because Mongolians regard a whole sheep as a higher form of ceremony meant only for grand occasions. Mutton also doubles as food that the Ordos tribe — especially those of Darkhad lineage — serves only to distinguished guests.
Of course, we all recognize that times are changing. Of the approximately 6,000 Darkhad people alive today, many are no longer guardians. Instead, we are academics, government officials, farmers, herdsmen, private landowners, and much more. However, for some of us, certain things are constant: We try to remain steadfast in our beliefs and to worship our gods in the hope that they will bless us as their loyal subjects.


(Header image: The traditional winter ceremony at the Mausoleum of Genghis Khan in Ordos, Inner Mongolia Autonomous Region, Nov. 14, 2015. Courtesy of the Mausoleum of Genghis Khan)

New discoveries unearthed at Terracotta Warriors site

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By Bi Nan | chinadaily.com.cn | Updated: 2016-11-25



New discoveries unearthed at Terracotta Warriors site
Emperor Qinshihuang's mausoleum [File Photo]
Stone helmets, armor and the remains of thousands of animals and relics related to animals are among the latest archaeological finds at Emperor Qinshihuang's mausoleum in Shaanxi province, according to CCTV.com.
The items were found in excavations at the celebrated site, which is home to China's iconic Terracotta Warriors.
More than 400 pits, stone helmets and armor discovered
Zhou Tie, the head engineer of the Emperor Qinshihuang's Mausoleum Site Museum, said that during a recent excavation, the archaeological team learned the general structure of the mausoleum and a large number of pits were discovered. More than 400 pits were found in the mausoleum and dozens of small pits and tombs were found around the site.
A large number of stone helmets and armor were found surrounding the mausoleum.. Experts believe these were not used in actual war, but their real function still needs to be researched.
New discoveries unearthed at Terracotta Warriors site
Terracotta warriors and horses in the Emperor Qinshihuang's Mausoleum Site Museum [File Photo]
An "animal world" discovered in the mausoleum
Ancient people of the time used animals as burial objects and the emperor's mausoleum was no exception.
The new archaeological findings reveal that thousands of animal-related relics have been found in the mausoleum; that makes it the tomb in China with the most animal species so far.
"Different animal species were unearthed in Emperor Qinshihuang's mausoleum, including real animals and those made of pottery or iron," Wu Lina, from Emperor Qinshihuang's Mausoleum Site Museum said. During the Qin Dynasty (221-206 BC) people gradually grasped animals' habits and learned the skills necessary to raise and train them to some extent.
According to preliminary statistics, the most unearthed animal in the mausoleum is horse. Horses come in many forms: pottery, copper, horse bones unearthed from stable pits. Other animals unearthed include rare birds and beasts and water fowl. Yet to be identified are animal bones.
Wu Lina said that after years of excavation, the animals unearthed from the mausoleum include deer, muntjac deer, figures of copper fowl, such as cranes, swans and swan goose, plus the bones of sheep, chicken, fish and turtles, as well as shellfish ornaments.
Animal and human beings have existed side by side since ancient times, and the concept of biodiversity should be advocated even vigorously nowadays, Hou Ningbin, the museum's head, said.
New discoveries unearthed at Terracotta Warriors site
A stable pit at the Emperor Qinshihuang's Mausoleum Site Museum [Photo/sanqin.com]



Lecture: Achaemenid and Sassanian themes in Qajar tilework and related themes

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27 November 2016
Friday 2 December at 5.30 at the AIIT: Jennifer Scarce (University of Dundee): "Qajar nostalgia: Achaemenid and Sassanian themes in Qajar tilework and related themes"

Iran has always been aware of her pre- Islamic past and its impressive pictorial record. The dramatic rock and stone sculptured reliefs of the Achaemenids, Parthians and Sassanids spanning the 6th century B.C. to the 7th century A.D. are permanent evidence of the achievements of the rulers, their courts and occupations. Later the Sassanian rulers, as transformed into romantic heroes in the Shahnameh of Ferdausi, the Iranian national epic are portrayed in various media such as painted ceramics and manuscripts illustrations from the 13th century onwards.
The Qajar shahs of the 19th century were well aware of the glorious past which they interpreted through a revival of monumental rock sculptures which, for example, depicted Fath Ali Shah (1797-1834) in the guise of a Sassanian ruler and later through the medium of glazed tilework of the late 19th century which concentrated on narrative panels inspired by the Achaemenid imagery of Persepolis.

This lecture will survey and analyse the main themes of this Qajar revival in terms of the choice of images and the techniques used to illustrate them including polychrome tilework, and the innovations of lithography and photography.

Terracotta Warriors: An Army for the Afterlife

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Terracotta Warriors: An Army for the Afterlife
Thousands of terracotta warriors guard the tomb of the first emperor of China.
Credit: meanmachine77 / Shutterstock.com

Chinese workers digging a well in 1974 made a startling discovery: thousands of life-size terracotta figures of an army prepared for battle. Now called the Terracotta Army or Terracotta Warriors, the figures are located in three pits near the city of Xi'an in China's Shaanxi province. After the warriors were discovered, the site became a museum and a UNESCO World Heritage Site in 1987. 
The pits are situated less than one mile to the northeast of a pyramid-shaped mausoleum constructed for the first emperor of China, Qin Shi Huang (259 B.C. – 210 B.C.). According to UNESCO World Heritage Center, archaeologists suspect that the unexcavated tomb could contain an entire replica of the city of Xi'an, which the warriors guard. The three pits (a fourth pit was unfinished) contain an estimated 8,000 life-size terracotta figures of which about 2,000 have been excavated. The figures were created to serve the emperor in the afterlife and include a mix of chariots, cavalry, armored soldiers and archers. There are high-ranking officers (including nine generals found so far) and one of the pits, No. 3, actually served as a command post for the army and contains an honor guard and ornate chariot for the force's chief commander. All three pits are active archaeological sites and visitors can see excavations taking place. [Gallery: Ancient Chinese Warriors Protect Secret Tomb]
The details of the warriors are so intricate and individualized that it has been hypothesized that they were based on real soldiers who served in the emperor's army. Each warrior has uniquely styled hair and features; some have topknots while others have goatees; some have caps and loose tunics while others have armored vests and braided hair. They have different builds, expressions and postures. Another key feature is that the warriors were decorated in bright colors, which contributed to the individuation. New conservation techniques, performed on recently excavated figures, allow some of these patterns to be discerned. Every warrior contains a stamp of the name of the foreman in charge of his creation, so that mistakes could be tracked, according to the Field Museum
Curiously, when the emperor created this army he had it face east, not toward the frontiers of his empire but rather toward the territories he had already taken. Why he did this is a mystery, it could be because of the topography around his mausoleum or it could because he felt the real threat came from the lands he had conquered.

An army of clay warriors guards the tomb of China's first emperor, Qin Shi Huang, who died in 210 BC. The tomb is still under excavation near Xi'an, China.
An army of clay warriors guards the tomb of China's first emperor, Qin Shi Huang, who died in 210 BC. The tomb is still under excavation near Xi'an, China.
Credit: Clara Moskowitz/LiveScience 

His birth name was Ying Zheng and he was born at a time when China was divided into a number of warring states. One of these states, named Qin, was located in the western portion of ancient China and had been expanding for some time. 
An army of clay warriors guards the tomb of China's first emperor, Qin Shi Huang, who died in 210 BC. The tomb is still under excavation near Xi'an, China.
When Zheng's father, King Zhuangxiang, died in 246 B.C., Zheng took the throne at the age of 13. Over the next three decades he initiated a series of military campaigns that would see Qin conquer the other states and unify China for the first time. After the unification was complete in 221 B.C., Zheng took on the title of Qin Shi Huang which means, in essence, the "First Emperor of Qin." After his death in 210 B.C., his dynasty quickly collapsed with a new group of rulers known as the "Han Dynasty" coming to power.
According to the Field Museum, Qin Shi Huang spent a significant portion of his rule preparing for the afterlife, and even began construction of his mausoleum before he was coronated. It is estimated that the terracotta warriors themselves took more than 10 years to complete. 
In this ensuing period, the emperor's terracotta army may not have been looked upon kindly. Archaeologist Yuan Zhongyi writes in his book "China's Terracotta Army and the First Emperor's Mausoleum" (Homa and Sekey, 2011) that pit two was "partially burnt down," possibly by a rebel army that arose shortly after the first emperor's death.
Another researcher, Chen Shen, curator of a massive Terracotta Warriors show that appeared recently in New York, notes that historical records are silent about the warriors. Sima Qian, a Han Dynasty historian who lived about a century after the first emperor's time, doesn't talk about the warriors despite covering 3,000 years of Chinese history in his "Shiji" (Records of the Grand Historian). That could be because he didn't want to highlight the first emperor's achievement.
"Because the historian served an emperor whose ancestors overthrew the First Emperor's brief dynasty, he had to be conscious of presenting the past in a way that would not distress his ruler with unflattering comparisons," Shen writes in his exhibition book "The Warrior Emperor and China's Terracotta Army" (Royal Ontario Museum Press, 2010).
Indeed while terracotta figures were made by later Chinese rulers, none of them attempted to produce a large army of life-sized figures ever again.
Pit One, the largest pit, is rectangular and covers 14,000 square meters (150,000 square feet) of space, the size of almost three football fields.
"The floor of the passage ways and the surrounding corridors is paved with grey bricks. The roof is supported by thick and sturdy wood blocks, one closely next to another, on which is covered with mats, and upon that loess [a sediment]," writes Zhongyi in his book.
The portions excavated so far are filled with warriors. A map that University of London researcher Lucas Nickel published in his book "First Emperor: China's Terracotta Army" (British Museum Press, 2007) illustrates their formation.
At the front of Pit One is a vanguard of un-armored standing archers, three rows deep, which Zhongyi writes were mainly equipped with bow and arrows. Behind them, separated by earthen mounds, are 11 straight lines of figures, many of them armored warriors who would have been equipped with melee weapons such as the halberd. Interspersed with these armored warriors are war chariots that were made of wood (now decayed) with four terracotta horses each. Each of these chariots has a driver (wearing extra-long armor for protection) along with two warriors armed with either melee weapons or bows.
Zhongyi writes that this arrangement of a fast-moving vanguard, equipped with long-range weapons, which in turn is followed by a heavier force, is not an accident. He points out that the ancient Chinese military strategist Sun Tzu wrote in his book the "Art of War" that the "the tip (vanguard) must be hard-hitting while the body must be overwhelming," a lesson the first emperor appears to have applied in the afterlife.

Emperor Qin Shi Huang was buried with everything he needed for the afterlife, including an army complete with life-size clay horses.
Emperor Qin Shi Huang was buried with everything he needed for the afterlife, including an army complete with life-size clay horses.
Credit: Clara Moskowitz/LiveScience 

Pit Two is located just to the north of Pit One and is about half its size and roughly square (with a bulging area in the northeast where the force's vanguard is located).
Emperor Qin Shi Huang was buried with everything he needed for the afterlife, including an army complete with life-size clay horses.
Like Pit One, its vanguard is made up largely of archers, in this case mainly carrying crossbows (again the wooden part is decayed). The figures in the front rows are un-armored and standing up, while the ones behind are kneeling. Again this is no accident, as Zhongyi points out that it takes time for an archer to load a new bolt for his crossbow. By having one line firing, and another kneeling to reload, a steady stream of fire could be kept up on the enemy.
The main force of Pit Two, the part meant to overwhelm the enemy, includes about 80 war chariots. Each has two riders and a charioteer and there are also some armored troops, equipped with melee weapons, intermixed.
Newly introduced in Pit Two is a squadron of cavalry. Located in the northwest of the pit, the saddled horses are male, life-size and each carries a rider. Zhongyi notes the armor of the riders stops short of the waist, that way "the lap won't touch the horse when the rider is seated." The riders would have been equipped with both bows and melee weapons.
At the front of the horse squadron are six "assistant chariots," as Zhongyi calls them. They have a charioteer with only one warrior, the empty space reserved for an officer.

Thousands of terracotta warriors guard the tomb of the first emperor of China.
Thousands of terracotta warriors guard the tomb of the first emperor of China.
Credit: meanmachine77 / Shutterstock.com

 Pit Three: Command post
By far the smallest of the pits is Pit Three, used as a command post. It has an honor guard consisting of armored warriors holding long poles. At center is a grand command chariot manned by four warriors (including a charioteer). The "beautifully painted vehicle body was crowned by a round ornamented canopy indicating that this chariot had a special function," Lucas Nickel writes. "It may have been designed to carry the commander of the army."
The army commander is not included among the terracotta figures and researchers do not know his identity. One possibility is that the commander is no less than the emperor himself, who still lies buried in his tomb.
Non-military terracotta figures have been discovered in other pits. Like the army, they were meant for the afterlife and include terracotta civil servants, equipped with knives and bamboo tablets for writing, and even a group of terracotta acrobats meant for entertainment.
"According to the way they [the acrobats] perform we speculate they are not indigenous to central China, but probably come from the south — probably the Burma area," said archaeologist Duan Qingbo, who was in charge of excavations at the Terracotta Army pits, in translated comments that appeared in "The Independent" (UK).
For the first emperor's afterlife, nothing was spared. He had a large army in proper military formation and even entertainment brought in from afar.
For decades, archaeologists have pondered the techniques ancient artisans used to make thousands of individualized warriors in a relatively short period of time. According to National Geographic, some have suspected that a single artisan produced each warrior; others hold that the individualized faces were achieved by attaching a unique mix of pre-determined ears, noses, mouths, etc. to the heads, a la Mr. Potato Head. One recent theory suggests that they were inspired by Greek sculpture techniques they learned from travelers on the Silk Road, according to New Historian. Still others hypothesize that the warriors were created on an assembly line of convicts and conscripts. In this model, according to the Field Museum, workers used molds for the body parts and heads, adding individual flourishes before sending the sculpture into the kiln. At least 10 different head molds have been identified.
In 2014, a group of researchers at University College London analyzed 30 ears from the warriors to determine how different they were from each other. They theorized that if the warriors were supposed to portray real people, they should have distinct ears (forensic scientists can use ear-shapes to identify people, similarly to fingerprints). According to Smithsonian Magazine, no two ears analyzed were alike, though thousands more need to be assessed before archaeologists draw any specific conclusions. But it supports the theory that the warriors were based on a real army. 
The warriors are even more impressive when you consider that they are just one small part of Qin Shi Huang's mausoleum. Scientists have used remote sensing, core sampling and radar to discover that the tomb complex is almost 38 square miles (98 square kilometers). They suspect it contains a replica of the city of Xi'an, as well as its rivers and streams. In addition to clay inhabitants — warriors, acrobats, etc. — thousands of real people were also buried with their emperor. Many were craftsman and convicts who died building the mausoleum. Hundreds of concubines were also buried there, possibly to accompany their emperor to the afterlife, or possibly as part of an elaborate court intrigue, according to National Geographic
Sima Qian's writings describe the contents of the tomb complex: "The tomb was filled with models of palaces, pavilions and offices as well as fine vessels, precious stones and rarities." Rivers and streams were made of mercury, hills and mountains of bronze, and precious stones represented the sun, moon, and stars. According to National Geographic, tests on the dirt at the tomb reveal high levels of mercury, supporting Sima Qian's description. 
But we may never know for sure what lies beneath the tomb. Sima Qian warned that it was booby trapped, and modern archaeologists are kept away by the risk of damaging the site. Some artifacts could disintegrate rapidly if the tombs were opened. 
Additional reporting by Live Science Contributor Jessie Szalay, who toured the site in 2016.
Additional resources

Sogdian Buddhists and Buddhist Sogdian Texts

Susan Whitfield Lecture: “Beyond Scrolls and Codices: Manuscript Formats on the Eastern Silk Road”

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This Mellon Sawyer seminar is an interdisciplinary collaboration dedicated to mapping cultural exchanges across Eurasia from roughly 400-1450 CE, by focusing on the development, distribution and sharing of manuscript technologies.

Schedule of Public Lectures

Mellon Sawyer lectures are open to the public and will take place on the University of Iowa campus, Iowa City. Note that UCC refers to University Capitol Center and IMU refers to the Iowa Memorial Union.


Friday 2 December 2016 – 8:30am-4:45pm / 166 IMU Iowa Theater (Iowa Memorial Union)
William Johnson
Classical Studies, Duke University
“From Bookroll to Codex”
This talk will, first, offer an overview of the literary bookroll in ancient Greece and Rome, with deep dives into how technical details of form interact with production (writers, scribes) and consumption (readers, society). That overview will be foundational for the second part of the lecture, in which we will turn to the much discussed issue of the transition from bookroll to codex. There too an overview will be offered— with, however, a focus not so much on the question of “why?” but on what this transition might  say about instability and changes in the larger cultural matrix, and, more specifically, how this shift in the idea of the book might relate to changing attitudes towards authorship and writing practices on the one hand, and use and reading practices on the other.

Susan Whitfield
Director, International Dunhuang Project, British Library
“Beyond Scrolls and Codices: Manuscript Formats on the Eastern Silk Road”
Manuscripts in the tens of thousand have been excavated from first millennium AD sites of the eastern Silk Road. On various local media — birchbark, wood, palm leaf, silk, paper and others — and in over twenty languages and scripts, they reflect the diversity of the cultures in this period and place. This paper introduces the range of manuscript formats, materials, languages and scripts, and discuss their diffusion along the Silk Road. It also considers the lack of diffusion of some unique formats used in specific contexts and only found for relatively brief periods.

Marina Rustow
Khedouri A. Zilkha Professor of Jewish Civilization in the Near East, Princeton University
“Fatimid State Documents, Serial Recyclers and the Cairo Geniza”Among the many unexpected finds the Cairo Geniza has yielded are hundreds—possibly thousands—of medieval documents of state in Arabic script. Among these are decrees, rescripts, petitions, tax receipts and fiscal accounts from period of the Fatimid caliphs in Egypt and Syria (969–1171). Most of these Fatimid state documents were reused for Hebrew-script texts, hence their survival in the discarded manuscript chamber of a medieval Egyptian synagogue. In most cases, we can only speculate on the path they took from the government offices where they were produced to the synagogue where they were preserved. Nonetheless—and perhaps paradoxically given that they did not survive in an archive—they offer glimpses of the complexity and sophistication of medieval Middle Eastern techniques of archiving and deacquisition, as well as informal scribal habits in one of the largest and best documented Jewish communities of the Middle Ages.

Myriam Krutzsch
Aegyptisches Museum, Berlin
“Papyrus as an Ancient Writing Material: Its Structure, Production and Classification”
This lecture touches on the history of  ancient Egyptian papyrus, its production and use as a writing material. The structure of the papyrus sheet is explained, from the source materials [fibers, leaf shapes] to the making the papyrus roll. Special emphasis is focused on the diverse typology and classification of sheet joins, the places where individual papyrus sheets are connected to form a roll or scroll. Knowledge of these typologies not only gives us insight into ancient production technologies, but also can be used as a valuable tool for determining previously uncertain provenance and dating.

Mark Barnard
Senior Conservator Emeritus, British Library
“The Dunhuang Diamond Sutra of AD 868: A Conservation Approach That Goes Back to the Original”The Diamond Sutra of AD 868 is the world’s earliest dated printed ‘book’. This paper scroll was one of 6,000 items that came from Dunhuang’s cave 17 during Marc Aurel Stein’s 2nd expedition of 1911 to Western China. Brought back to the British Museum, London in 1914 its importance was soon recognized as it was put on display in 1914 along with other treasures from Dunhuang. From early images, its condition looked poor, with heavy staining and paper loss. It had also been repaired in antiquity. We believe that it had been restored up to three times before by 1972 when it was transferred to the New British Library. This presentation will chart a 20-year conservation project that involved ground-breaking research and a fundamental reassessment of traditional East Asian scroll mounting, and developed a new approach to the conversation about and preservation of the Dunhuang archive.

The ancient Asian treasures of two Americans in Paris

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Visual arts: The ancient treasures of two Americans in Paris



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Montreal has an exhibition of ancient jade, porcelain, fabrics and sculpture that is a world premiere, thanks to a curator who has created exhibitions for the Pointe-À-Callière museum. 
Jean-Paul Desroches, along with museum director Francine Lelièvre, discovered a collection of 5,000 works of Asian art accumulated over half a century by an American couple who have lived in Paris since 1966.
About 450 pieces — the best in the collection, according to Filippo Salviati, a lecturer in Chinese and Korean Art at the University of Rome — are in the exhibition From the Lands of Asia: The Sam and Myrna Myers Collection.
The exhibition is also a testament to how “old school collectors” follow their passions over many years, buying art they love and learning about what they had through study and consultation with scholars and dealers.
“The Myers were discreet collectors,” said Saliviati, who organized an exhibition of the couple’s jade collection in 2000. “No dealers or museum people knew the extent of their collection. ”



Prime minister’s coat (Gyu-lu che), a 17th century Tibetan tapestry. Assembled from different pieces of Chinese fabric, this garment was worn during important ceremonies. According to tradition, it represented the clothing worn by the ancient Tibetan kings who ruled Northwest China under the Xia dynasty (1032–1227). THIERRY OLLIVIER /  SAM AND MYRNA MYERS COLLECTION

The Myers were interested in Greek and Roman antiquity, but soon found themselves drawn to the jades, porcelains and silks of East Asia.
The collection of jade, which Salviati described in an interview as one of the three best private collections in the world, includes ceremonial weapons from Neolithic times — as early as 3300 BCE. The Chinese ascribed magical properties to jade, and dragons made of the material were intermediaries between heaven and earth.



A painted wood Noh actor, from Japan's Momoyama period (1573–1603).
A painted wood Noh actor, from Japan’s Momoyama period (1573–1603).THIERRY OLLIVIER/  SAM AND MYRNA MYERS COLLECTION

Part of the exhibition focuses on Buddhism, and the Myers’ collection starts with 4th-century stone figures from its origins in Northern India, and continues with objects of wood and bronze from China, Tibet, Korea and Japan. There is a marble lion — whose roar could awaken the world to the Buddha’s teaching — from China’s Tang dynasty (618-907) and a life-size painted wood Bodhisattva about 900 years old.
Another section of the exhibition is devoted to costumes from the 16thto the 19th centuries, a basis for the Myers’ education about the customs of societies throughout Asia. Silk fabrics reflected the wearer’s wealth and social status in China, and the colour and decoration changed from dynasty to dynasty. There are kimonos from Japan, samurai tunics that fit over armour, and the flamboyantly colourful garments of Uzbek traders.
There is also a large collection tracing the development of porcelain over 500 years, much of it recovered from shipwrecks. Some of the pieces were underwater for centuries, yet have retained their lustre.
Sam Myers recalled in an interview being frustrated by the breadth of the subject: “What makes this porcelain an object of the 17th century rather than the 19th?



A polychromed wood sculpture of Bodhisattva from China's Song dynasty, circa 1125. This divinity is associated with compassion and mercy. Artists from this time were expressing the body's sensuality while at the same time renouncing worldly things.
A polychromed wood sculpture of Bodhisattva from China’s Song dynasty, circa 1125. This divinity is associated with compassion and mercy. Artists from this time were expressing the body’s sensuality while at the same time renouncing worldly things. THIERRY OLLIVIER /  SAM AND MYRNA MYERS COLLECTION

“It took two years to learn the difference between blue and white porcelain,” he said. “Then you go beyond that, to the 12th to 15thcenturies. It’s a continual learning process, the experience of which is what makes collecting enjoyable.”
After they purchased their first pieces, Myrna Myers went to the École du Louvre as a student, where she met Desroches, curator of this exhibition.
“After they bought, they learned about it,” Salviati said. “They had the eyes of collectors; they could recognize quality and then they refined their knowledge.
“Shopping is the easy way to buy,” he said. “You just need money. The Myers had limited means and when the price was too high, they just walked away.”
The Myers sought advice from scholars as they continued to collect, Salviati said. “Old-school collectors cultivated relationships with scholars and dealers. This is the first time they have shared their passion with a much larger audience.”
Salviati noted that many museum shows serve to generate interest for a future auction: “Not this show. The Myers live with their art.”
“We can appreciate the beauty of much art, but we didn’t buy anything we didn’t want to live with,” Sam Myers said. “That’s true of everything we acquired.”
Myers said the movers were in his house for two weeks packing objects.



A porcelain kendi in the form of a phoenix, 16th century China. This phoenix kendi is especially remarkable because it is a rare combination of function and mystery, a kind of hybrid beast for which China has been known since Antiquity.
A porcelain kendi in the form of a phoenix, 16th century China. This phoenix kendi is especially remarkable because it is a rare combination of function and mystery, a kind of hybrid beast for which China has been known since Antiquity. THIERRY OLLIVIER /  SAM AND MYRNA MYERS COLLECTION

“I saw the empty spaces and felt bad, so the exhibition will travel no more than two years,” he said. “I am a lawyer, but I have one law book on my bookshelves. The rest is about art, and the row of porcelain objects on the top shelf is no longer there.”
When you search for quality, the value will rise over 50 years, not five months, Salviati said. The Myers acquired objects that would cost millions today. 
“Acquiring an object always begins with our reaction to it,” Sam Myers said. “You feel the mystery, the beauty and the power in the piece.”
From the Lands of Asia: The Sam and Myrna Myers Collection continues to March 19, 2017 at Pointe-à-Callière, the Montreal Archeology and History Complex, 350 Place Royale. More information: pacmusee.qc.ca.

Genghis Khan goes global

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China Daily
By Wang Kaihao and Yuan Hui | China Daily | 2016-12-06

Genghis Khan goes global
Baljinnyam and his wife, Zhang Jixia, read one of the books about Genghis Khan they've collected during their travels around the world over the past few decades. [Photo provided to China Daily]
For Baljinnyam, a man from the Mongolian ethnic group, rummaging through the world's bookshelves for the legends of his "emperor lord" is a pilgrimage.
The 78-year-old, who lives in the Inner Mongolia autonomous region's capital, Hohhot, has collected about 12,000 copies of books in 58 languages, from home and abroad, related to Genghis Khan (1162-1227), the Mongol ruler who established a mighty Eurasian empire.
"Everyone in the Mongolian ethnic group admires Genghis Khan and treats him like a god," Baljinnyam says.
"But many of us don't know much about him as an individual. My impression of him was limited until I began to collect the written material."
In 1998, Baljinnyam retired from his job at a local newspaper. After that when he went to visit his younger daughter in Shanghai, he read a Washington Post story that quoted a public poll as saying Genghis Khan was "the most important man of the last millennium".
Many people in the West call the Mongol emperor a conqueror and an invader, so Baljinnyam says he was surprised to read such a "positive comment" in the Post.
"That inspired me to have a complete view of Genghis Khan."
Genghis Khan goes global
Baljinnyam's collection includes 12,000 copies of books in 58 languages. [Photo provided to China Daily]
He and his wife, Zhang Jixia, an ethnic Han, have traveled to more than 40 countries, starting from Japan, where their eldest daughter used to live.
They often gave popular tourist destinations a miss, instead focusing on local bookstores, libraries and flea markets for references about Genghis Khan.
"You cannot imagine how excited we were when we found a Bengali version of Genghis Khan's biography at an old book market in Bangladesh after days of looking around in vain," he recalls of their trip to Dhaka in 2012.
They were also surprised to find four different kinds of books on Genghis Khan in a small bookstore in Cape Town, South Africa, in 2013.
But not everywhere gave Baljinnyam what he was looking for.
He searched for such books in Cuba during one of his trips, but returned to China empty-handed. He later found out that Cuba, too, had books on Genghis Khan.
A son-in-law of Baljinnyam from Pakistan helped him get more than 100 such books from the Arab world.
Genghis Khan goes global
Publications about Genghis Khan and the history of Mongols written in Mongolian. [Photo provided to China Daily]
"Genghis Khan has become a cultural phenomenon across the globe," he says. "The books I've collected show that many overseas scholars have abandoned stereotypes in recent years and have gradually come to consider him an early advocate of globalization, which echoes with modern times."
In 2003, Baljinnyam published his first book, Genghis Khan in the Eyes of the World's Famous Figures, to summarize different opinions on the ruler. But he says it is more important to have original viewpoints rather than just echoing other people's thoughts.
He has published 12 books so far, and several are on his own explanation of The Secret History of the Mongols, which was written for Mongol royal families after Genghis Khan's death and is generally regarded as the most significant native Mongolian record of the emperor's life.
In 2013, he opened a private museum in Hohhot to exhibit his collection.
Baljinnyam says both his daughters are busy running their own businesses, and have little time for this.
But he acknowledges his daughters' focus on their careers helped to sponsor his travels abroad.
He has reached an agreement to move most of his collection to the new Genghis Khan Literature Museum.
Genghis Khan goes global
Publications about Genghis Khan and the history of Mongols written in Mongolian. [Photo provided to China Daily]
The 2,000-square-meter museum in Xilinhot-another city in Inner Mongolia, some 600 kilometers from Hohhot-is open to the public from 8 am to 9 pm daily.
"I have to get more people involved," Baljinnyam says of his endeavor.
According to Gao Mingrui, director of the museum, more books on the subject have been donated or bought as exhibits other than Baljinnyam's own collection.
More than 16,000 copies on Genghis Khan are now housed in the museum, which has attracted 37,000 visitors since its opening in June.
"We will begin research on the books, and are considering some of them as applicants for the national list of precious ancient books," Gao says.
The oldest book in the museum was published in 1573 during the Ming Dynasty (1368-1644).
Gao also says they are planning to hold a special exhibition on Genghis Khan in Taiwan in the future.



Archaeology sheds light on Mongolia’s uncertain nomadic future

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As a herding lifestyle practiced for millennia is threatened by contemporary climate change, archaeology offers a long-term perspective

Herders tend their flock in the midst of a winter storm.

 Herders tend their flock in a winter storm. Dry summers and cold, snowy winters linked with climate change have resulted in rising livestock death toll in winters, often numbering in the millions. Photograph: Orsoo Bayarsaikhan


Wednesday 7 December 2016

Around the world, traditional subsistence practices provide a resilient source of ecological knowledge that improves humanity’s ability to respond to environmental crises. In Central Asia, a herding lifestyle practiced for millennia is increasingly threatened by the speed and magnitude of climate change.
Although the global mean temperature is predicted to rise by 2C over the coming century, this trend will likely be more severe in high altitude and high latitude environments. In the subarctic steppes of Mongolia, nearly one-third of the population makes their living through migratory herding of livestock – sheep, goat, horse, cattle, camel, and yak. For these herders, the effects of climate change have been immediate and dramatic. Mongolia has experienced summer droughts, extreme winter weather, pasture degradation, a shrinking water supply, and desertification, leading to seasonal herd die-offs. These processes have a cascading effect, reinforcing other issues caused by human activity and globalisation. 
How will nomadic society respond to these obstacles? Archaeology offers a long-term perspective on the relationship between people and the environment.
In comparison to other parts of the continent, the grasslands of Mongolia are dry, cold, and inhospitable. Precipitation is infrequent and seasonal, making pastures susceptible to overgrazing. Horses, which can open snow-covered winter pastures for other livestock and move quickly over long distances, would have helped to mitigate the challenges of life in the Mongolian steppe.

In many areas of Mongolia, including Gobi-Altai province where this photo was taken, increasing numbers of livestock must be watered at fewer and fewer wells.
Pinterest
 In many areas of Mongolia, including Gobi-Altai province where this photo was taken, increasing numbers of livestock must be watered at fewer wells. Photograph: Caleb Pan/University of Montana

Archaeologists have long been aware of the ecological advantages to horse herding and riding, and used them to develop explanations for the origins of nomadic cultures made infamous by Genghis (Mongolian: Chinggis) and Khubilai Khan. One popular archaeological theory championed by Russian scholar Anatoly Khazonov1 argues that more sedentary herders developed horseback riding and seasonal migration as a way to cope with prolonged drought during the late second millennium BCE. If mobile herding societies first coalesced during a centuries-long dry spell, contemporary climate trends might not seem such a fatal threat to nomadic life. 
However, as researchers have acquired detailed record of ancient climate conditions, a different pattern has started to emerge –a link between wet, productive grasslands and the success of nomadic empires. Because water is the limiting factor for life in the Eastern Steppe, rain has a direct impact on the number of livestock an area can support. A recent investigation of paleoclimate records from the Tarim Basin of western China revealed that the great Mongol empire flourished during an anomalously wet period, linked to hemispheric cooling. “Increased carrying capacity for livestock translates into increased carrying capacity for herders,” says study co-author Dave Putnam of the University of Maine. 
Putnam and colleagues argue that cooler, wetter conditions prompted the southern expansion of grasslands and made long-distance military travel on horseback through arid regions easier – favouring the spread of pastoralism, and facilitating the Mongol conquests.
Putnam cautions that their work only demonstrates a correlation, and more data is needed to demonstrate causality. However, other recent work implies that this pattern is far older than the Mongol empire. 

Across the Mongolian steppe, bronze age standing stones are surrounded by dozens of small stone mounds, each containing the remains of a sacrificed horse. Study of these horses shows evidence for the region’s first nomadic horse culture circa 1200 BCE.
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 Across the Mongolian steppe, bronze age standing stones are surrounded by dozens of small stone mounds, each containing the remains of a sacrificed horse. Study of these horses shows evidence for the region’s first nomadic horse culture circa 1200 BCE. Photograph: Jean-Luc Houle/Western Kentucky University.

The first direct evidence for widespread mobile pastoralism in Mongolia dates to the late bronze age, around 1200 BCE. Researcher Jean-Luc Houle at Western Kentucky University studied this early nomadic period, and found little evidence for ecological stress. Instead, he argued that these herders, who may have practiced the first horseback riding in Mongolia, seemed to have a healthy diet and an economy with enough surplus animals to conduct conspicuous ritual sacrifices – at some sites, the number of animals killed reaching into the thousands. Houle’s current studies suggest that the Xiongnu (another early empire known for prompting construction of parts of the Great Wall) also rose to power during a wetter interval at the end of the first millennium BCE.

Archaeologists excavate the skull of a 3,000-year-old domestic horse, buried next to a deer stone as part of a ritual sacrifice by early nomadic horsemen.
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 Archaeologists excavate the skull of a 3,000-year-old domestic horse, buried next to a deer stone as part of a ritual sacrifice by early nomadic horsemen. Photograph: Julia Clark/American Center for Mongolian Studies

So if the first mobile herding societies (and many nomadic empires thereafter) developed and spread under a wetter climate, what does this mean for contemporary nomads facing unprecedented warming and desertification? 
The answer may be surprisingly complex. One man I spoke with, Jantsankhorloo, lives near Terelj national park not far from Mongolia’s capital Ulaanbaatar. He has seen many new challenges in his seven decades as a herder, many of them caused by human activity rather than climate. He notes that urban expansion, fencing, increased animal populations, and more traffic near the park have damaged grasslands and made subsistence more difficult. In mineral-rich areas, mining has also depleted local water sources. More than dry summers and difficult winters, he worries most about the loss of traditional knowledge among the younger generation. Many young people have left the countryside for the city, and no longer learn the skills of horsemanship and animal husbandry. In the coming years, the success or failure of Mongolian nomadic life may depend in large part on how people respond to and mitigate these anthropogenic problems. 

A herder on motorcycle in Bayankhongor province, Central Mongolia.
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 A herder on motorcycle in Bayankhongor province, Central Mongolia. Photograph: William Taylor

Modern technology has also impacted herding. Many herders living in the drier, flatter Gobi regions have abandoned horses for Chinese motorbikes – enabling them to move farther distances with their animals, and cope with easily overgrazed pastures. Critics denounce the practice as “lazy” and un-Mongolian, expressing concerns about the effect it may have on the environment and livestock health. Even as technology helps herders cope with changing ecological parameters, it may also have unintended consequences.
With this whirlwind of social and technological change occurring alongside the changing climate, it’s unclear exactly how the future may play out for nomads in eastern Eurasia. Nonetheless, it seems unlikely that wet and productive environment that accompanied the emergence of horse culture in the region – and some of its greatest nomadic empires – will characterise the near future. As arid conditions stretch further northward, Putnam sees many herders “caught between a desert and a cold place” – with less biomass translating into reduced forage, and a narrowing window for nomadic life. As climate change endangers Mongolia’s herding traditions, it also threatens ecological knowledge essential to our collective resilience to environmental disaster. 
Further reading:
Houle, Jean-Luc. 2010. Emergent complexity on the Mongolian Steppe: mobility, territoriality, and the development of early nomadic polities. PhD dissertation, University of Pittsburgh.
Khazanov, Anatoly. 1984. Nomads and the Outside WorldMadison, University of Wisconsin Press, pp. 89-97
Putnam, A et al. 2016. Little Ice Age wetting of interior Asian deserts and the rise of the Mongol EmpireQuaternary Science Reviews 131: 33-50.

The Old Man and the Book

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Xin Wen, Ph.D. candidate in the Committee on Inner Asian and Altaic Studies, describes manuscripts discovered in the Dunhuang caves that tell us about one man’s personal experience of the fall of the Tang Dynasty.
On the eighth day of April in 905 (1st day of the 3rd month), an un-named, 82-year-old man copied the Chinese version of the Diamond Sūtra onto a small codex (Figure 1). This copy is the earliest one in a group of at least a dozen similar copies of Diamond Sūtra made by this same man between 905 and 911. In the early 11th century, all of these codices were sealed in the “library cave” of Dunhuang, an oasis town on the edge of eastern Central Asia, and re-discovered in 1900.
Figure 1: The end and the colophon of the 905 copy of “Diamond Sūtra” (Stein 5534). Image courtesy of British Library’s International Dunhuang Project
Around the same time, one thousand miles away, the Tang dynasty (618–907) fell. This event marks not only the official end of an imperial world system that ruled much of Eastern Eurasia for the previous three centuries, it is also a key moment in the seismic “Tang-Song transition” in the political as well as cultural histories of China. Was this man aware of the fall of the Tang? Did the great medieval cultural transition of China leave any traces in his life or the books he copied?
There is indeed no reason to assume that the fall of the Tang would have any impact on him. Physical distance was not the only thing that separated this man from Chang’an, the capital of the Tang. As a late 10th century Dunhuang geographical manuscript titled A Path to India (西天路竟) shows, the trip from central China to Dunhuang (see Figure 2) would take one through various towns in modern Ningxia and Gansu provinces. None of these places, in the early 10th century, were under the direct rule of the declining Tang empire. Many of them, such as the Uyghur state of Ganzhou, were ruled by non-Chinese regimes. So even though the state of Dunhuang still adhered to nominal vassal status, it was in no way under the control of the Tang.
Figure 2: First Section of “A Path to India”
Yet in the copies of the Diamond Sūtra by this man, the fall of the Tang does find the subtlest of expressions. Such expression is only clear when one understands how he perceived of time according to official Tang rules. Because of the distance between Dunhuang and the capital Chang’an, the news of a new reign name of the Tang — the standard system of dating in pre-modern China — often reaches him very slowly. The copy shown above, for instance, was written “in the 5th year of the Tianfu reign.” But the Tianfu reign only officially lasted for four years, and the year 905, according to the official Tang government, should have been the 2nd year of the Tianyou reign. Between this first copy and the second copy he made 53 days later (Figure 3), however, he became aware of this change in reign names, and switched the year to the “2nd year of the Tianyou reign.”
Figure 3: The second copy of Diamond Sūtra (Stein 5444). Image courtesy of British Library’s International Dunhuang Project
In 907, he abandoned the use of reign names altogether, and switched to the apolitical ganzhi system (a way of reckoning time using sixty unique combinations of terms). Importantly, this action occurred a few months before the dethronement of the last Tang emperor by Zhu Wen (852–912) and the official end of the Tang. The news of Zhu’s new dynasty therefore could not have been the reason for this change. Why did he make this change? Did he already sense the imminent fall of the Tang a few months before it actually occurred? There is no way for us to know the answer. The last time residents of Dunhuang switched to the ganzhi system en masse as their method of dating was when the Tibetan empire conquered Dunhuang in the late 8th century. Therefore, from this small change, it appears that this man in Dunhuang may have been cognizant of the political drama unfolding in Central China. He was connected to Central China in ways we cannot know.
Another way he was connected to Central China is hinted at in his colophons. According to his own notes, this man made the copies of the Diamond Sūtra on the basis of “an authentic version printed by the Guo family in Xichuan (modern western Sichuan) 西川過家印真本” (See Figure 1). As the 868 copy of Diamond Sūtra (Or.8210/P.2) — often seen as the earliest extant printed book in the world — shows, this text was already printed in Dunhuang in the mid-9th century. Yet this man used the print imported from Sichuan, some 1300 miles away. This Sichuan version is no longer extant, but judging from the copies this man made on its basis, this version must have been in codex form, and contained a different set of mantra (zhenyan 真言, Buddhist hymn) at the end of the text. The man might have found this text more appealing for these reasons, or perhaps the 868 copy or similar copies printed in Dunhuang were simply unavailable to him?
Whatever the reason for copying from an imported print, his copies show that the transition from manuscript to printing — a significant component of the broader cultural shifts in the “Tang-Song transition” — is a lot more complicated than is sometimes assumed. In a manner that seems to reverse technological progress, he used printed texts and made them into manuscripts. Interestingly, however, he did identify the printed version as “authentic (印真本 or 真印本),” perhaps recognizing the apparent stability of printed text in comparison to the variability of manuscript. This model of the dissemination of books in the era of transition, in which printed texts were being disseminated trans-regionally, while manuscripts were copied locally, might help raise new questions about the social impact of printing in Middle Period China.
But perhaps more important than complicating our existing historiographical narratives about the era, this series of copies of the Diamond Sūtra offers some rare glimpses into the life of an ordinary person that are sometimes profoundly touching. He prayed in later colophons that his old ox will be reborn in the pure land of the west, and will not suffer being reborn as an animal again (Stein 5544). He prayed too for his enemies and debtors, so that their offenses as severe as defiling a monastery might be absolved (Stein 5450). At the end of a 906 copy, he left the following colophon (Figure 4):
八十三老翁刺血和墨,手寫此經,流布沙州一切信士,國土安寧,法輪常轉,以死寫之,乞早過世,餘無所願。
This 83-year-old man mixed blood with ink, and copied this sutra by hand in order that it be distributed to all the faithful ones in Shazhou (Dunhuang). May the land of the state be peaceful, and the wheel of the dharma turn in perpetuity. I copied it with (the wish for) death. Other than a swift departure from the world, there is nothing more that I desire.
Figure 4: Pelliot chinois 2876. Image courtesy of British Library’s International Dunhuang Project
The apparently resolute wish for the other world and his sensitive perception about this world are not necessarily contradictory. By mixing his blood with the ink and stressing that the text was copied by hand, his own body became deeply entangled in the process of making this text. Hence, although a copy of the Diamond Sūtra, this text differed fundamentally from mass-produced printed texts made by the Dunhuang government at the time. Perhaps only in this way could he hope to compete with the well-funded projects of printing in the race for merit?

Xin Wen previously spent a summer researching at the British Library’s Asian and African Studies center, funded by Harvard’s Fairbank Center. Read his account on Manuscripts and Digital Humanities at the British Library.

Ocean Explorers, wonderful exhibition at the Arab World Institute in Paris

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Exhibitions

Ocean Explorers

From Sindbad to Marco Polo
  • An exhibition organised in collaboration with the MuCEM, the Museum of European and Mediterranean Civilizations in Marseilles.

"Kitab-i Bahriye (Le Livre de la mer) de Piri Reis vers 1670, Turquie ottomane Nour Foundation 

Guided by the legendary Sindbad the Sailor, the geographer al-Idrīsī, the explorer Ibn Baṭṭūṭah, and many others, set sail—with the Arabs, the masters of the seas, and the great European sailors who sailed on their maritime routes—on a wonderful voyage of discovery extending from the Mediterranean to the Indian Ocean. From the beginning of Islam to the dawn of the seventeenth century, it is a maritime adventure that visitors can see and experience in an exceptional immersive itinerary that combines sound effects, images, and optical devices.

Extraordinary travel diaries have related the fruitful maritime exchanges that flourished in the seas of the Old World. Visitors will be able to view these wonderful accounts—the common thread of the exhibition—in the most famous travel diaries. These accounts will take the exhibition’s visitors on a journey at the crossroads of African gold and Western silver, Greek coins and Golconda diamonds, glassware from Alexandria, Venice, and Bohemia, and porcelains, silks, and spices from China and the Moluccas.

Set sail with Sindbad, the sailor in The Arabian Nights, on a voyage to discover the strange and terrifying world of the sea, over which flies the formidable roc (legendary bird). It is inhabited by sea monsters, represented in the wonderful miniatures from the ’Aja’ib (the Wonders of Creation), by the Persian scholar al-Qazwīnī. Statuettes, paintings, ex-votos, and Latin and Arab miniatures will be presented to highlight the mystical dimension, in religious traditions, of the dangers of the sea. Maritime travel was a divine—and very real—undertaking. This is attested by the accounts of the Arab geographer and traveller from Andalusia, Ibn Jubayr (1145–1217), who describes the terrible sinking of a vessel, against a backdrop of images of storms.

Sailors had to learn to master the sea before setting sail. In a relaxed atmosphere, under the guidance of the sailor and cartographer Ibn Majid (1432–1500), visitors will learn about the art of sailing, see wonderful navigation instruments, and discover the development of vessels, in a journey of discovery complemented by many models. Thanks to the development of cartography, sailors were able to better master the seas, as attested by the author of a famous map of the world: the geographer al-Idrīsī (circa 1100–1165), against a backdrop of medieval Latin and Arab cosmographies, maps and portolanos, world maps, and other astronomical treatises, and beneath a didactic and interactive sky. 

Our guides on this journey are Marco Polo (1254–1324), the famous Italian merchant, and Ibn Baṭṭūṭah (1304–1377), one of the greatest explorers in the Middle Ages; the latter’s adventures on the seas will be related to visitors in a shadow theatre. These three figures will enable us to appreciate the extraordinary history of maritime exchanges, from the time of the caliphs to the dominance of the trading cities. From the outset of Islam, the Arabs took control of the maritime routes, from the Arabian-Persian Gulf to China. Items found in the Belitung shipwreck, the exceptional remains of an Arab vessel discovered in Indonesia, ceramics, objets d’art, manuscripts, and various coins will illustrate this chapter in history. This was followed by a period of European expansion and the beginning of globalisation, which is evoked by the last guides on our journey, the Chinese navigator and diplomat Zheng He (1371–1433) and the Portuguese navigator Vasco da Gama (c.1460–1524). Major maritime trading companies then emerged. This is where our journey draws to an end ...

Findings Show the Maritime Silk Road is Far From a New Idea

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Findings Show the Maritime Silk Road is Far From a New Idea

Archeologists working in suburban Shanghai have unearthed findings that show the shipping center was a Maritime Silk Road trading hub over 1,000 years ago. 
The findings were discovered in the ruins of Qinglong Town in the Qingpu District of Shanghai and include 6,000 porcelain artifacts and hundreds of thousands of porcelain fragments that originated from Fujian, Jiangxi, Zhejiang, and provinces in south China. The artifacts date back to the Tang (618-907) and Song (960-1279) Dynasties. Today, the Maritime Silk Road, which is officially designated the Twenty First Century Maritime Silk Route Economic Belt, refers to a strategic initiative by the Chinese to increase investment and improve collaboration between users of the historic Silk Road.
Director of the archaeologist institute at the Shanghai Museum, Chen Jie, who led the excavation team, said in a press conference: “After comparison, we found the unearthed porcelain goods from Fujian at the Qinglong ruins were very similar to those discovered in the Korean Peninsula and Japan. This shows the porcelain was transported to Qinglong from south China kilns and then exported to the Korean Peninsula and Japan by sea.” The unearthed porcelain also confirms historical records that indicate Qinglong Town played the role of a port on the maritime Silk Road. 
At the site, archeologists also discovered a Buddhist tower foundation constructed between 1023 and 1032. Under the foundation they discovered a mysterious box which contained a statue of the founder of Buddhism, Sakyamuni, along with a number of ancient coins. Excavation of the ruins is ongoing, and Shanghai also intends to apply for state heritage protection status for the site.
During the early Qing Dynasty (1644-1911) Qinglong town (azure dragon town) was once surrounded by sweet wormwoods and located along the main road connecting the historic economic powerhouse Shanxi province with Inner Mongolia. The town prospered after troops participating in a rebellion left a cache of military supplies in the home of a family named Wang, as they were fleeing Beijing.
Extensive records regarding Qinglong town were discovered among other historical Shanghai documents prior to the site being unearthed during a project to dredge the river during the late 1980s. According to local folklore, the leader of the Wu Kingdom constructed warships known as Green Dragons at the port there and then used them to defeat the Wei Kingdom during the Three Kingdoms Period (220-280 CE). Suzhou Creek, as the river is known today, was called Green Dragon River, or Qinglong River at the time. Between the seventh and twelfth centuries, Qinglong town was a port connecting the Yangtze River and the East China Sea and would have exported numerous ceramic works. As the river filled with silt, causing the estuary to shift east, Qinglong town’s strategic location was gradually lost, causing its decline starting in the fourteenth century. The town center also moved eastward, and gradually grew into what is today modern Shanghai’s old city center.

A Tang Shipwreck and Early Trade in Asia

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Asia Society Museum Presents 'Secrets of the Sea: A Tang Shipwreck and Early Trade in Asia'

NEW YORK; December 9, 2016 - Asia Society Museum in New York presents a selection of 76 artifacts from the wreck of an Arab merchant ship discovered in Southeast Asian waters. On view for the first time in the United States, the artifacts and exhibition explore the robust exchange of goods, ideas, and culture among ancient China, Southeast Asia, and the Islamic Middle East. Secrets of the Sea: A Tang Shipwreck and Early Trade in Asia is on view from March 7 through June 4, 2017.
"The contents of the Belitung shipwreck testify to the scale and sophistication of contact between ancient Islamic and Buddhist peoples more than a thousand years ago. Secrets of the Sea: A Tang Shipwreck and Early Trade in Asia presents some of the most important archeological revelations of the twentieth century,” said Boon Hui Tan, Asia Society Vice President for Global Arts & Cultural Programs and Director of Asia Society Museum. “By shining a light on the rich cultural and commercial links among Asia’s disparate ancient empires hundreds of years before the arrival of the Europeans to the region, this exhibition challenges widely held Eurocentric conceptions of globalization, migration, and trade in the region. It is proof that globalization is a very old concept in Asia.”
Secrets of the Sea: A Tang Shipwreck and Early Trade in Asia features precious cargo—bound for the Abbasid Caliphate, an empire that included present-day Iran and Iraq, and produced in China during the Tang dynasty (618–907)—including ceramics, gold and silver vessels, bronze mirrors, and other artifacts. Discovered in 1998 off of Belitung Island, Indonesia, the ship’s contents were miraculously protected from erosion and breakage by tight and ingenious packing as well as the conditions of the silty floor of the Java Sea. Until the discovery of this ship, it was believed that the Tang traded primarily through Central Asian land routes, mainly on the Silk Road. The discovery of the ship’s cargo confirmed the significant maritime trade route. Most of the works in the exhibition have never traveled outside Asia.
Highlights in the exhibition include a magnificent ewer and other glazed stoneware objects with copper green splashes over white slip, which were highly desirable in the Middle East, from the largest cache of this type of ware recorded to date. A Chinese blue-and-white stoneware dish, with a lozenge motif that was common in the Middle East, is one of three from the shipwreck, all of which were created around 830 and thus are some of the earliest known complete examples of Chinese blue-and-white ceramics. The cobalt-blue pigments used, imported from the Abbasid Caliphate, had previously been found only in the Middle East and had not yet appeared in China. The exhibition also boasts rare and imperial-quality silver boxes and gold vessels, which were likely used in trade negotiations and as diplomatic gifts.
“The artifacts exhibited will expose American audiences to the rich narratives of the two great trading powers of the ninth century—Tang China and the Abbasid Caliphate—and highlight ancient Asia’s early advances into industrial production for the export market,” noted Kennie Ting, Director of the Asian Civilisations Museum, Singapore.
Exhibition organization
The exhibition begins with an exploration of the shipwreck’s 1998 discovery—by fishermen in shallow waters—that includes color photography of the wreck and documentary video footage. The show goes on to consider the rise of early global trade in Chinese goods, particularly blue-and-white ceramics, and advances in mass production, as well as the appetite in Southeast Asia and the Middle East for luxury exports from China.
Secrets of the Sea: A Tang Shipwreck and Early Trade in Asia is jointly organized by Asia Society and the Asian Civilisations Museum, Singapore. Objects are from the Khoo Teck Puat Gallery, Asian Civilisations Museum, Singapore. The Tang Shipwreck Collection was made possible by the generous donation of the Estate of Khoo Teck Puat in honor of the late Khoo Teck Puat. A fully-illustrated catalogue by the Asian Civilisations Museum accompanies the exhibition, and includes scholarly essays on the background and historical context of the Belitung and other shipwrecks in Southeast Asia, China’s maritime exports in the late Tang period, and the role of Arab traders along the Spice Route during the late first millennium. The curator of the New York exhibition is Adriana Proser, John H. Foster Senior Curator for Traditional Asian Art at Asia Society.
Related programs
A number of related programs have been organized to coincide with Secrets of the Sea, including:
• “The Belitung Shipwreck: Sojourns in Tang Dynasty History and Art,” symposium on April 22 at the Tang Center for Early China at Columbia University. Keynote presentation on April 21 at Asia Society.
• “Connecting Empires: Shipwrecks, Ceramics, and Maritime Trade in Ninth-Century Asia,” Asia Society Members Lecture on March 7 by Stephen Murphy, curator at the Asian Civilizations Museum, Singapore.
• Special family day developed in conjunction with the exhibition bringing the discovery and cargo of the shipwreck to Asia Society’s youngest visitors.
Exhibition support
Secrets of the Sea: A Tang Shipwreck and Early Trade in Asia is made possible by the generous support of Oscar Tang and Agnes Hsu-Tang, Ph.D. Major support for this exhibition is provided by the Mary Griggs Burke Fund and the National Heritage Board, Singapore.
Support for Asia Society Museum is provided by the Asia Society Global Council on Asian Arts and Culture, Asia Society Friends of Asian Arts, Arthur Ross Foundation, Sheryl and Charles R. Kaye Endowment for Contemporary Art Exhibitions, Hazen Polsky Foundation, Mary Livingston Griggs and Mary Griggs Burke Foundation, and New York State Council on the Arts.
About the Asian Civilisations Museum
Located by the historic Singapore River, the Asian Civilisations Museum (ACM) is devoted to preserving the cultural heritage of Asia, especially the ancestral cultures of Singaporeans. These include China, Southeast Asia, India, and the Islamic world. More recently, the museum has focused on the long historical connections between cultures. As one of the National Museums of Singapore under the National Heritage Board, the Asian Civilisations Museum seeks to promote a better appreciation of the rich history that has created Singapore’s multi-ethnic society. For more information, visit www.acm.org.sg.
About Asia Society Museum
Asia Society Museum presents a wide range of traditional, modern, and contemporary exhibitions of Asian and Asian American art, taking new approaches to familiar masterpieces and introducing under-recognized arts and artists. The Asia Society Museum Collection comprises a traditional art collection that includes the initial bequests of Mr. and Mrs. John D. Rockefeller 3rd, and a contemporary art collection. Through exhibitions and public programs, Asia Society provides a forum for the issues and viewpoints reflected in both traditional and contemporary Asian art, and in Asia today.
Founded in 1956, Asia Society is a nonprofit, nonpartisan, educational institution headquartered in New York with state-of-the-art cultural centers and gallery spaces in Hong Kong and Houston, and offices in Los Angeles, Manila, Mumbai, San Francisco, Seoul, Shanghai, Sydney, Washington, D.C., and Zurich.
Asia Society Museum is located at 725 Park Avenue (at 70th Street), New York City. The Museum is open Tuesday through Sunday from 11:00 A.M. to 6:00 P.M. and Friday from 11:00 A.M. to 9:00 P.M. Closed on Mondays and major holidays. General admission is $12, seniors $10, students $7; and free for members and persons under 16. Free admission Friday evenings, from 6:00 P.M. to 9:00 P.M. The Museum is closed Fridays after 6:00 P.M. in July and August. 

New Jack Weatherford: Genghis Khan and the Quest for God

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Genghis Khan and the Quest for God: How the World's Greatest Conqueror Gave Us Religious Freedom


Hardcover – 25 Oct 2016




Review in the New York Times by Simon Winchester  9 December 2106

Empire of Tolerance


Genghis Khan seated on his throne with his wife, as depicted in a 15th-century Persian work.CreditDeAgostini/Getty Images 
GENGHIS KHAN AND THE QUEST FOR GOD
How the World’s Greatest Conqueror Gave Us Religious Freedom
By Jack Weatherford
407 pp. Viking. $28.
Thirty-one years ago, while on a railway journey between London and Hong Kong, I stopped off in Mongolia and to a briefly illustrative encounter.
At the time the British had the sole Western embassy in Ulan Bator — at 30 Peace Street, if I remember — and I thought I might interview the ambassador and present him, as it was early December and he was said to cut a lonesome and homesick figure, with a Christmas plum pudding. I rang the mission’s doorbell and must have looked faintly taken aback when it was opened by a young man of evidently Caribbean origin.
“Don’t be startled,” he said cheerfully, in a broad Welsh accent. “I’m Trevor Jones, first secretary. From Cardiff. I think I’m the only black man in the diplomatic service, and look see, they pack me off to bloody Ulan Bator!”
Continue reading the main story
Back in 1985 that set the tone. Mongolia. Utterly out there. Grass. Ponies. Wrestling. Forgotten. Of no importance. Genghis Khan maybe. A brute. Otherwise, a place consigned to geographical oblivion in the minds of most.
That was then. Now, thanks in large part to the restored reputation of Genghis and the many successor Khans — a restoration achieved in no small part thanks to the literary diligence of Jack Weatherford — Mongolia has come roaring back, being currently a highly modish place to visit (tourism has tripled in the last decade), a place to revere, be amazed by and in awe of. As a minuscule country that for a few shining centuries — rather like Britain, six hundred years later — expanded and held sway around a goodly part of the globe, from Vietnam, Burma and China to Hungary, Thrace and Poland.
Weatherford (an anthropologist whose fathomless wellsprings of curiosity once led him to clerk in a Capitol Hill porn store to write a book that remains discreetly unlisted on the Also By page here) would like us to believe that those centuries of Mongol rule did indeed shine, and were, as far as imperial adventures go, among the best of their kind.
It was in an earlier best-selling volume that Weatherford persuasively argued that the 25-year blitzkrieg mounted by Genghis and his cavalries — who, in “the most extensive war in world history” beginning in 1206, swept mercilessly and unstoppably over the Altai Mountains to their west and the Gobi Desert to their south — brought civilization, fairness, meritocracy and avuncular kindliness to legions of undeserving satrapies across Eurasia. Those who believed Genghis to be a tyrant of monstrous heartlessness have thus lately come to think otherwise: Weatherford’s writings present us revisionist history on a grand scale, but one as scrupulously well researched (with ample endnotes) as such an intellectual overhaul needs to be.
Now, with “Genghis Khan and the Quest for God” he has taken his thesis still further, arguing with equal fervor and conviction that the Khan, though godless himself, favored total religious freedom for his subjugated millions. While his empire encompassed “Muslims, Buddhists, Taoists, Confucians, Zoroastrians, Manichaeans, Hindus, Jews, Christians and animists of different types” (Weatherford’s passions for lists can sometimes seem like stylistic overkill), he was eager that all should “live together in a cohesive society under one government.” No walls to be built, no immigration bans, no spiritual examinations.
To be reminded of such secular civility is one thing; but what is most remarkable about this fine and fascinating book is Weatherford’s central claim that the Great Khan’s ecumenism has as its legacy the very same rigid separation of church and state that underpins no less than the American idea itself. The United States Constitution’s First Amendment is, at its root, an originally Mongol notion.
Many might think this eccentric in the extreme, until we learn that a runaway 18th-century best seller in the American colonies was in fact a history of “Genghizcan the Great,” by a Frenchman, Pétis de la Croix, and that it was a book devoured by both Benjamin Franklin and Thomas Jefferson. Moreover, the quoted rubric of the Mongol and United States laws is uncannily similar: Among other passages, Mongol law forbids anyone to “disturb or molest any person on account of religion,” and Jefferson, after reading its strictures, went on to suggest in his Virginia Statute for Religious Freedom, a precursor of the First Amendment, that “no man shall . . . suffer on account of his religious opinions or belief.”
The link between Genghis and Jefferson may seem tenuous to the point of absurdity; but Weatherford argues his case very well — and in doing so offers further amplification of the notion that so many of the West’s claimed achievements in fact have their true origins in the East, and that countries like Mongolia, far from being, as those hapless British diplomats once believed, at the utter ends of the earth, are very much more central than most of us nowadays like to imagine. In a sense we are all Mongols; we are all one.

Buddhist Illuminated Scripts of Ancient Korea

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From: Ancient History Encyclopedia

by  
published on 20 November 2016
The Goryeo (Koryo) kingdom ruled ancient Korea from 918 CE to 1392 CE, and it oversaw a flourishing of the arts, literature, and architecture. One of these developments was the production of finely crafted illuminated Buddhisttexts. Painted laboriously by Buddhist monks, they spread the sacred texts of Buddhism and their production aided the monk's meditation and progression towards enlightenment. 
Amitabha Sutra Frontispiece

Buddhism made significant contributions to the arts in ancient Korea from sculpture to poetry, but one of the most time-consuming and meritorious was the hand-copying of sutras or sermons attributed to the Buddha. The two most popular choices of sutra were the Hwaomgyong or Avatamsaka sutra and the Pophwagyong or Lotus sutra. Such was the popularity of these scripts that a Royal Sutra Scriptorium (Sagyongwon) was established to meet demand in the 12th century CE. Here not only monks but professional calligraphers worked to produce these popular religious texts. Production was still going strong in the early 14th century CE when king Chungnyol (r. 1274-1308 CE) split the workload into two branches: the Kumjawon and Unjawon, Scriptoriums of Gold and Silver Letters, respectively.
BRIGHT DYES WERE USED & OFTEN EVEN SILVER & GOLD, ESPECIALLY ON THE SPECTACULAR FRONTISPIECE, WHERE THERE WAS A LARGE PANORAMIC IMAGE.
These illuminated manuscripts or sagyong formed scrolls and folded books. The art form was also present in China and Japan, but those produced in the Goryeo dynasty are particularly intricate and splendid such was the level of state endorsement of Buddhism. The scripts were written by monk-scribes expert in calligraphy, who gained great merit for their work in helping the spread of Buddha's teachings, as did the person who commissioned it. Both could expect a more promising future life because of their spiritual endeavour. They were written on hanji, the especially fine paper produced from the inner bark of the mulberry tree, which was considered the highest quality paper in Asia. The paper was usually dyed a deep indigo, but sometimes white or pale yellow hanji was used.
The text was written in Chinese characters (haeso), with 15-17 characters on each vertical line. Bright dyes were used and often even silver and gold, especially on the spectacular frontispiece, where there was a large panoramic image, typically of Buddha preaching alongside his followers in paradise. The scene is picked out in gold set along fine iron wiring and bordered by Buddhist symbols such as the cakra wheel (symbol of Buddhist Law) and the vajrathunderbolt (symbol of the power of Buddha's words).
Avatamsaka Sutra Frontispiece

The front and back covers were decorated with posang tangcho, large flowers known as 'precious visages.' The title of the text was written within a rectangular box down one edge of the front cover, usually written in gold lettering. As Buddha's words were contained within, the title was enclosed in a mantra corresponding to the siddham seed character om, meaning the 'lion's roar', ie: Buddha's own voice. The first page of the book indicated who had originally translated the Sanskrit or Pali text, and there is sometimes a royal inscription too. The last page indicates the date of writing and who commissioned the text and why. The motivation for composition ranged from such lofty and desperate aims as saving Korea from invasion to personal salvation, well-being, or even just to make money. Only rarely was the name of the monk who actually created the text noted.
Many illuminated sutras were carefully stored in specially-made boxes of decorated wood or bronze, and some were even placed in tombs or buried at the foot or within stone pagodas at temple sites. One example of the latter is the stone pagoda at Kuhwangni, Gyeongju, built in 692 CE by the Silla king Hyoso. An illuminated sutra was placed within the pagoda in 706 CE by King Seongdeok in memory of his predecessor and the Queen mother Sinmok.
Buddhist Illuminated Manuscript, Goryeo Period

A great many of the Goryeo illuminated scripts ended up abroad, for they were highly prized by the Chinese, Japanese, and Mongols. When the kingdom was obliged to pay tribute to China, illuminated scripts were often a part of it. The monks themselves were sometimes sent to work abroad too, as one passage in the 15th-century CE official Goryeo history Goryeosa (Koryo sa) indicates:
In March of the 16th year of King Chungnyol (1290), the Chinese emperor ordered the writing of gold and silver sutras, and selected excellent monk scribes, therefore 35 Korean monks were dispatched to the Yuan court...In April of the same year, 65 Koryo monks, sutra-writers, were dispatched to Yuan... (Portal, 88)
In Japan many illuminated sutras were kept in their own Buddhist temples, indeed the oldest surviving example, dating to 1006 CE, resides in the Bunkacho in Tokyo. Besides those remaining in Korea, the British Museum in London has a particularly fine example of the Amitabha sutra. The frontispiece shows a panoramic scene where Buddha and bodhisattvas welcome new souls to paradise. It is painted in silver and gold and dates to 1341 CE, as indicated on its inscription. The text also notes that it was written by a monk called Chonggo for his mother. 
This article was made possible with generous support from the British Korean Society.

ABOUT THE AUTHOR

Mark Cartwright
Mark holds an M.A. in Greek philosophy and his special interests include ceramics, the ancient Americas, and world mythology. He loves visiting and reading about historic sites and transforming that experience into free articles accessible to all.

In Charlotte USA from Nov. 19, 2016- April 30, 2017 exhibition about Genghis Khan

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In Discovery Place Science in Charlotte USA is an exhibition called Genghis Khan from November 19, 2016 till April 30, 2017.
The following article from Charlotte Magazine is about this exhibition.

PHOTOGRAPHS BY ANDY SMITH
THE NEWEST EXHIBIT at Discovery Place takes viewers 10,000 years in the past, with a figure that can either divide or seem obscure to audiences, depending on the country. Genghis Khan (running through April 30) chronicles the life of the conqueror, the broader Mongol Empire, and the several ways he influenced the world. His empire popularized the concepts of paper money, tactics in war, passports, pants, forks, and even chopped meat.


The exhibit is curated by revered paleontological figure Don Lessem, known primarily for his work in writing and discussing dinosaurs. Lessem was an advisor on the first Jurassic Park film, as well as Disney properties that also deal with the Mesozoic beasts. In a Q&A with the magazine, Lessem talks about the origins of Genghis Khan.
(Writer’s note: I’ve been an armchair paleontologist since I was a child, and I’ve followed Dino Don for decades, so there’s going to be a bit of biased nerdiness in this one. My apologies.)
Charlotte Magazine: My understanding is that this exhibit is rooted in visiting Mongolia for dinosaur digs. Can you tell me about that?
Don Lessem: 
The first trip I took to Mongolia was back in 1990, and it’s full of dinosaurs, but it’s also the place where Genghis Khan is revered as a god-like figure. For me, I grew up with no education about him; I just thought he was a barbarian. So the contrast with the Genghis Khan that they know with the one we don’t know was so fascinating to me that I thought, I have to find a format for this. I saw so many artifacts that were fascinating to me there, too. So it was only a matter of seven years to put together an exhibit around it. (Laughs.)
CM: When you’re preparing something that’s more paleontological than archeological and with human artifacts, what is it like to work with recorded history?
DL:
 We had the curators from the Smithsonian and Mongolian experts. And then there’s the politics of it; they all fight with each other. You have to sort out among all the different opinions to find the story. But it’s exciting and it was challenging, to say the least, to deal with the Mongolian government, which changes about every week.
CM: When you’re dealing with objects that are 10,000 years old, how do you prepare those things for an exhibit?
DL:
 Well, Mongolia is a third-world country, so there’s very preservation done with objects. I would go in and see mummies that were sitting a trailer with no work done on them at all. We had to bring the experts in to repack everything, and we tried to send them back to Mongolia when their time was up in a much-better preserved state than when we got them. You owe it to them to do that. But that’s actually true with dinosaurs, as well, when you get them from third-world countries in a cardboard box, and they shouldn’t travel that way.
We received a mummy for this exhibit, and it arrived in a cardboard box without a head. We received a telegram that a head was arriving in another box. And then they changed governments again and wanted the mummy back.
CM: How does the feel to hold these objects, whether they’re 10,000 years old or 65 million years old? Do you feel the same reverence for both?
DL:
 It’s hair-raising. Because this is new to me, I actually have more excitement in holding these things that I know are part of an important history of a country. I feel like I’m more part of a mission, because he is so misunderstood, and so key to our world history and we don’t know it.
Dinosaurs have lots of proponents and people love them, so I’m already helping a cause. Here, I’m hoping to start one.

Women in Mongol Iran: The Khatuns, 1206-1335

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Women in Mongol Iran: The Khatuns, 

1206-1335

Hardcover – 28 Feb 2017


The Old Uyghur Agama Fragments Preserved in the Sven Hedin Collection

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Prehistoric silk found in Henan

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By Shi Baoyin and Qi Xin in Zhengzhou | China Daily USA | Updated: 2016-12-28 
Scientists have found evidence of silk dating back 8,500 years after testing soil samples from a Neolithic site in Henan province. 
The discovery greatly advances the study of the material's history and Neolithic cultures, according to a report released on Monday by the University of Science and Technology of China. 
Gong Decai, a professor with the college's scientific archaeology department, spent almost six years completing the research, which he also included in a recent article for Plos One, an international academic journal. 
He said his team found evidence of prehistoric fibroin, an insoluble protein found in silk, in soil samples collected from three tombs at Jiahu, a Neolithic site in Henan's Wuyang county that had settlers as early as 7,000 BC. 
Compared with other ancient relics such as pottery and bone or stone tools, which are often found in archaeological digs, textiles are highly susceptible to degradation, meaning it's rare they are preserved for thousands of years. 
Gong said earlier studies had found proof of weaving skills and tools in the Neolithic period, such as spinning wheels, but until now, there had been a lack of direct evidence proving the existence of silk. 
"The direct biomolecular evidence shows the existence of prehistoric silk fibroin, which was found in 8,500-year-old tombs," he said, adding that rough weaving tools and bone needles were also excavated, supporting the theory that Jiahu settlers possessed basic weaving and sewing skills. 
The site is famous for the discovery of the earliest playable musical instrument, the bone flute; the earliest mixed fermented beverage of rice, honey and fruit; and the earliest domesticated rice in northern China. 
"The archaeological discoveries are endless," Gong said. "With the application of science and technology, more methods have contributed to discoveries, which boost our knowledge of Neolithic civilizations step by step." 
Zhu Lixin contributed to this story.
From: PLOS ONE:

Biomolecular Evidence of Silk from 8,500 Years Ago



Abstract


Pottery, bone implements, and stone tools are routinely found at Neolithic sites. However, the integrity of textiles or silk is susceptible to degradation, and it is therefore very difficult for such materials to be preserved for 8,000 years. Although previous studies have provided important evidence of the emergence of weaving skills and tools, such as figuline spinning wheels and osseous lamellas with traces of filament winding, there is a lack of direct evidence proving the existence of silk. In this paper, we explored evidence of prehistoric silk fibroin through the analysis of soil samples collected from three tombs at the Neolithic site of Jiahu. Mass spectrometry was employed and integrated with proteomics to characterize the key peptides of silk fibroin. The direct biomolecular evidence reported here showed the existence of prehistoric silk fibroin, which was found in 8,500-year-old tombs. Rough weaving tools and bone needles were also excavated, indicating the possibility that the Jiahu residents may possess the basic weaving and sewing skills in making textile. This finding may advance the study of the history of silk, and the civilization of the Neolithic Age.

Introduction

Located in the middle of Henan Province, China, Jiahu is one of the most representative early Neolithic Age ruins in central China. Twenty 14C dates indicate that the settlement developed over three sub-periods: 9,000 BP to 8,500 BP, 8,500 BP to 8,000 BP, and 8,000 BP to7,500 BP [12] (no isotope dates have been obtained directly from the tombs; however, they should fall into these three categories). The site is famous for the discovery of the earliest playable musical instrument (bone flutes) [2], the earliest mixed fermented beverage of rice, honey and fruit [3], the earliest domesticated rice in northern China [4], and possibly the earliest Chinese pictographic writing [5]. The excavated biological remains, including pollen, phytoliths and soil micromorphology, indicate that Jiahu’s warm and humid climate not only favoured the growth of mulberry trees, which feed the silkworm, but also enabled Jiahu inhabitants to settle and develop agriculture [6].
Evidence indicates that the earliest clothes made from animal skin were produced approximately 70,000 years ago or more [7]. Wild flax fibres were made into textiles approximately 30,000 years ago [8]. As a unique material, silk was not used to produce textiles until a much later time; the first use of silk textile is estimated to be only 5,000 years ago [9]. Although previous findings have provided important evidence of silk-making activities, such as figuline spinning wheels and osseous lamellas with traces of filament winding [10], a lack of direct evidence remains a challenge for demonstrating the existence of silk (derived from silkworm) during the Neolithic Age. Silk fibre is a polymer composed of sericin and fibroin, which are two types of proteins. Sericin comprises a series of globular proteins that are unstable and can be damaged rapidly after long-term degradation [1113]. Fibroin contains highly ordered structural entities that are aggregated by intra- and intermolecular hydrogen bonds. A light chain (approximately 26 kDa) and a heavy chain (approximately 390 kDa) are the two subunits that constitute the fibroin. A heavy chain molecule was identified with twelve domains from the crystalline regions, that containing several Gly-X repeats, with X being Ala, Thr, Ser or Val. A thermodynamically stable structure that ensures the heavy chain’s resistance to water, mild acidity or alkalinity and other degradation factors, was generated due to the strong hydrogen bonds and Van der Waals forces in the crystalline regions [1017]. Whereas the light chain only connected to the heavy chain by a few disulfide bonds, and is an independent sub-unit that shows less stable properties, for instance more hydrophilic character, higher degradation rate and water uptake ability [1719]. Hence silk-based cultural relics cannot be easily preserved in their original shape.
Much effort has been made to overcome these difficulties. Credible peptide data obtained in our previous studies provided biomolecular evidence that silk fibroin could be preserved for more than 3,000 years and could be identified in soil with only the trace of textile [20]. We subsequently reported the results of a study whose aim was to distinguish archaeological silk remains from modern silk fibres [21]. In this report, we continue this line of research and focus on identifying the invisible products of silk degradation using mass spectrometry (MS), which is a high-sensitivity, high-accuracy protein identification method. The results showed direct biomolecular evidence of silk fibroin in the soils obtained from 8,500-year-old tombs, which to our knowledge, is the first finding of its kind. Also excavated were rough weaving tools and bone needles, indicating that the detected silk may have been woven or sewn into clothing textiles.

Methods

Samples

As shown in Table 1, the samples were taken from three tombs in Jiahu: M436, M451 and M466. The owner of M436 was a female and appeared to be of a lower class, i.e. she had few funerary objects. M451, a “Mother and Child sharing the grave” tomb type had more burial objects, indicating that its occupants were presumably wealthier. A bone needle was found in this tomb. The owner of M466 was a male, only two burial objects were excavated from this tomb. As shown in Fig 1, the soil samples were collected from beneath the skeletal pelvis, where a semi-closed space is formed that limits the introduction of contaminants. Fabric residue, such as silk protein, from garments worn on the upper and lower body is most likely to be found here. In addition, soil was collected near the tombs for use in control samples (sampling location is marked in Fig 1). All samples were collected simultaneously with the archaeological excavation by experienced investigators to avoid contamination, and were kept sealed in the laboratory prior to the experiments. No permit was required for the described study. The three soil samples (M436, M451, M466) were stored in the Basic Research Center of Heritage Conservation Science, Department of History of Science and Scientific Archaeology, University of Science and Technology of China, which locates at 96 Jinzhai Road, Hefei, P.R. China. These samples are accessible to other interested researchers.
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Fig 1. Tombs M436 (a), M451 (b), and M466 (c).
The positions where the relic body soil samples were collected are indicated by the arrows and shown in the separate images. The four black dots indicate the locations where the control samples were collected.

Reagents

The chemicals used in the experiments before the digestion (calcium chloride and ethanol) were purchased from Sangon Biotech Co. Ltd, Shanghai, China. Chymotrypsin was supplied by Thermo Fisher Scientific. MeOH and FA were purchased from Sigma—Aldrich (St. Louis, MO).

Experiments

Sample preparation.

A soil sample was weighed to 100 g and pulverized, then dissolved in a 150 mL ternary solution (CaCl2:H2O:C2H5OH molar ratio 1:8:2) at 95°C for 30 min [22]. The fibroin solution was obtained and placed into 14000 MWCO dialysis filter (Sangon Biotech, Shanghai) to dialyze against 2000 mL deionized water for 48 h with the water renewed every 8 h. After dialysis, the precipitation was removed via membrane separation using syringe filters (pore size 0.45 μM). The concentration was carried out with Amicon Ultra-15 centrifugal filter (Millipore, MWCO = 10 kDa) at 6000 rpm to obtain 100 μL concentrated fibroin solution. The same methods were repeated for each sample.

Digestion.

A 50 μL concentrated solution of each sample was incubated with 1 μg chymotrypsin at 37°C for 20 h in a new Eppendorf tube (digestion buffers: 10 mM calcium chloride and 500 mM Tris•HCl, pH 8.0). Then the solution was diluted with 0.1% formic acid for MS measurements. The procedure of breaking the disulfide bonds followed by methylation was omitted. As per the explanation in our previous study [21], this does not affect the results.

Nano LC-MS/MS.

Online reversed-phase (RP) nanoscale capillary liquid chromatography (nano LC) was employed in separating all digested peptide mixtures, and nano-electrospray ionization tandem mass spectrometry (NESI MS/MS) was used in analysing. They were performed on a LC device that connected with an LTQ-Qrbitrap XL mass spectrometer and equipped with a nano-electrospray ion source (Thermo Fisher Scientific). The samples were injected into a 10-cm reversed-phase, fused-silica capillary column (inner diameter 100 μm, packed in-house with a 5-μm Jupiter 300 Å C18, Phenomenex U.S.A.) using an Accela 600 pump (Thermo Fisher Scientific, U.S.A.). The peptides were separated by applying 155-min gradient elution from 10% to 90% solvent B in 80 min. Solvents A and B were HPLC-grade H2O with 0.1% FA and LC-MS-grade MeOH respectively. A 10-μL sample solution was loaded at a flow rate of 60 μL/min and eluted at 600 nL/min. The LTQ-Orbitrap XL mass spectrometer was employed in Data-dependent acquisition, positive ion mode was selected. MS survey scans were acquired with a resolution of 60,000 in the Orbitrap, and each scan was recalibrated by an external standard. As many as 5 of the most intense ions per cycle were fragmented and analysed in the linear ion trap. Target ions previously selected for MS/MS were dynamically eliminated for every 90 s. To avoid cross-contamination, blank samples were inserted [20,23,24,25,26,27,28].

Database search and data analysis.

Automated analysis was performed by Proteome Discoverer 1.2 (Thermo Fisher Scientific) to extract peak lists from the LC-MS/MS data files. The SEQUEST algorithm was run on each of the datasets to match with sequences in both the Bmori.fasta and fibroin.fasta databases from the National Center for Biotechnology Information (NCBI—Bmori.fasta: release date 1st Oct, 2012; fibroin.fasta: release date 1st Oct, 2012), and uniprot-all.fasta database from UniProtKB (UniProtKB—uniprot-all.fasta: release date 11th May, 2016). For each run, the post-translational modifications of oxidation (M) and deamidation (N/Q) were selected. Each peptide mass tolerance was <3 0.1="" a="" accepted="" an="" and="" class="ref-tip" da.="" except="" fragment="" have="" href="http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0168042#pone.0168042.ref020" in="" instances="" mass="" of="" ppm="" rare="" required="" result="" score="" sequest="" style="box-sizing: border-box; color: #3c63af; line-height: inherit; text-decoration: none;" the="" to="" tolerance="" was="">203>
,23,25,27]. The detected peptides were then submitted to NCBI online to obtain BLASTp results.

Results

Peptides of silk fibroin were identified in the samples from M436 and M451 by analysing the data-dependent acquisition using nano LC-MS/MS. The sample from M466 and the control samples did not contain silk peptide. Figs 27 present the MS/MS spectrograms of the observed peptides listed in Table 2, which all originated from the heavy chain of silk fibroin. Another important common feature of the samples from M436 and M451 is the distinctive restriction fragment, peptide GAGAGAGY at m/z 623.27837 (Theo. mass), which belongs to the crystalline area of the fibroin. The MS/MS data and the accurately deduced sequence results of the GAGAGAGY peptide are presented in Figs 2 and 6. After chymotrypsin digestion (without missed cleavages) of the silk fibroin heavy chain, this octapeptide had as many as 51 copies in one molecule (gi164448672 from NCBI). As a typical peptide with the maximum amount of copies, it was relatively easier to preserve and identify. This peptide was clearly observed in Figs 2 and 6, and was used to deduce the amino acid sequence using the b-type and y-type ion fragments. Other fibroin peptides with similar features were also detected in both samples.
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Fig 2. MS/MS results of Peptide GAGAGAGY.
This figure shows data-dependent acquisition using the LTQ-Orbitrap XL for the peptide at m/z 623.27698 (GAGAGAGY) in Table 2 (M436 no. 1). The b- and y-type ion fragments of the peptide after CID in MS/MS.
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Fig 3. MS/MS results of Peptide GAGAGSGAGSGAGAGSGAGAGY.
This figure shows data-dependent acquisition using the LTQ-Orbitrap XL for the peptide at m/z 784.34058 (GAGAGSGAGSGAGAGSGAGAGY) in Table 2 (M436 no. 2). The b- and y-type ion fragments of the peptide after CID in MS/MS.
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Fig 4. MS/MS results of Peptide GAGVGAGY.
This figure shows data-dependent acquisition using the LTQ-Orbitrap XL for the peptide at m/z 651.30884 (GAGVGAGY) in Table 2 (M436 no. 3). The b- and y-type ion fragments of the peptide after CID in MS/MS.
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Fig 5. MS/MS results of Peptide GAGAGSGAGSGAGAGSGAGAGY.
This figure shows data-dependent acquisition using the LTQ-Orbitrap XL for the peptide at m/z 784.34003 (GAGAGSGAGSGAGAGSGAGAGY) in Table 2 (M451 no. 4). The b- and y-type ion fragments of the peptide after CID in MS/MS.
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Fig 6. MS/MS results of Peptide GAGAGAGY.
This figure shows data-dependent acquisition using the LTQ-Orbitrap XL for the peptide at m/z 623.27789 (GAGAGAGY) in Table 2 (M451 no. 5). The b- and y-type ion fragments of the peptide after CID in MS/MS.
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Fig 7. MS/MS results of Peptide GAGAGSGAASGAGAGAGAGAGTGSSGF.
This figure shows data-dependent acquisition using the LTQ-Orbitrap XL for the peptide at m/z 969.93207 (GAGAGSGAASGAGAGAGAGAGTGSSGF) in Table 2 (M451 no. 6). The b- and y-type ion fragments of the peptide after CID in MS/MS.

Discussion

Referring to our previous research [2021], which applied similar methods to ancient samples dated from 403BC-221BC, the results showed the disappearance of the light chain. Most of the detected peptides are characteristic of the crystalline regions of the fibroin heavy chain, and few peptides from amorphous areas were detected. However, abundant information has been obtained from previous research on silk fibroin peptide fragments, including the detection of light and heavy chain fragments in fresh silk fiber [2021]. The results indicate the decline and disappearance of detected peptide types through degradation. In this study, the data from the M436 and M451 samples shown in Table 2, indicate that most of the surviving peptides belonged to the heavy chain crystalline regions, which is consistent with our previous findings. However, there were also indications that degradation has occurred over a significantly longer time. Few remaining peptides of silk fibroin were identified in the M451 sample while fewer peptides were found in M436. The disappearance of light chain peptides, and the presence of heavy chain peptides in the crystallization regions with one in the amorphous region [17], indicated that the detected remains in the sample of M451 were those of Neolithic silk, and the M436 sample may probably contain silk protein as well.
In addition, no silk peptides were detected in the soil sample from M466, it was therefore considered as a negative sample. It is a possibility that no silk was used in this tomb. However, if silk had ever existed in M466, the result could be interpreted in several ways. The extremely low content is an important factor. The shallow-burial site could have resulted in changes in the burial environment during Jiahu’s second sub-period. These changes may have resulted in adverse preservation conditions for silk, including the introduction of extraneous matter that accelerated the degradation of the silk protein and the migration of organic remains that caused the loss or attenuation of residual silk peptides. Moreover, the negative result also eliminated the possibility that the protein came from other organisms present in the soil.

Conclusions

The invention of silk was significant not only to ancient China; but to all of Eurasia. As a typical early Neolithic archaeological site in China, Jiahu preserves some of the earliest evidence of human civilization. The results of this paper add silk to this list. The invisible products of the degradation of buried silk were identified in tomb soils using soil proteomics methods. The special peptides of silk protein were detected in two samples, which can be considered new and reliable evidence of the earliest silk fibre in human history. Prehistoric biomolecular evidence of silk in the early Neolithic Age discovered in the tombs of Jiahu; indicates that silk was used more than 8,500 years ago though such burial objects were not ubiquitous. If silk protein or the products of its degradation can survive in different buried environments, biomolecular data could be offered as practical and powerful evidence of the former presence of silk, reducing reliance on circumstantial evidence or guesswork based on archaeological typology. Moreover, these findings are valuable to the study of the history of silk, and advance researchers’ exploration of Neolithic Age civilization.

Supporting Information

S1 Table.docx
(DOCX)

S1 Table. The fragment peaks of detected peptides in M436.

doi:10.1371/journal.pone.0168042.s001
(DOCX)

S2 Table. The fragment peaks of detected peptides in M451.

doi:10.1371/journal.pone.0168042.s002
(DOCX)

Acknowledgments

We would like to express our sincere appreciation to Wenqi Liu and other researchers at Hefei National Laboratory for Physical Sciences at the Microscale, University of Science and Technology of China (USTC) for all technical supports. We also thank our colleagues at the Basic Research Center of Heritage Conservation Science, Department of History of Science and Scientific Archaeology, USTC.

Author Contributions

  1. Formal analysis: YG LL.
  2. Investigation: YG LL.
  3. Resources: JZ.
  4. Supervision: DG.
  5. Validation: HY.
  6. Writing – original draft: YG.
  7. Writing – review & editing: YG.

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Chinese Painting and its Audiences by Craig Clunas

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Chinese Painting and its Audiences (The A. W. Mellon Lectures in the Fine Arts) 

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