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Site of Kublai Khan's Yuan Dynasty imperial palace discovered in Beijing

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Chinese archaeologists solve mystery of Beijing’s Forbidden Palace

For the centuries, the location in Beijing of Kublai Khan’s Yuan dynasty palace remained a mystery. Experts at the Palace Museum now believe it was not near the Beijing’s most famous royal residence, but underneath it

South China Morning Post   Friday, 06 May, 2016

Chinese archaeologists believe they may have solved one of the great mysteries of antiquity in Beijing – the site of the imperial palace of the Yuan dynasty established by Kublai Khan in the 13th century.
And while the Yuan palace was always believed to have been located near the present Forbidden City, experts from the Palace Museum now think it was under their feet, literally, in the centre of China’s most famous royal residence, Youth.cn reports.
Announcing the rare found yesterday, the experts said they had uncovered the foundations of a royal residence seven centuries old at the bottom layer of an archaeological dig in the centre of the Forbidden City.
The sprawling complex, built between 1406 and 1420, was the imperial palace of the Ming dynasty (1368–1644) and then the Qing dynasty until 1912.


The exact site of the Yuan imperial palace had remained a mystery but was thought to be close to the Forbidden City.
However, Palace Museum experts started a series of archaeological digs at the centre of the complex in 2014 in the hope of learning more about its construction history.
One of the excavation sites, in the centre of the Forbidden City, revealed four layers of historic foundations – starting with Qing at the top, late Ming then early Ming, and finally the Yuan at the bottom.
Li Ji, director of the museum’s archaeology department, told the news website Youth.cn that workers from the Ming dynasty removed all the Yuan era buildings on the site before they started construction of the Forbidden City, so such a discovery was extremely rare.
Other recent discoveries nearby include the ruins of a garden palace for the emperor’s mother, as well as a refuse pit for abandoned Qing Dynasty porcelain.


Workshop Cultural Production, Exchange and Legacies in the Timurid Period

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University of Leiden 

26-27 May 2016: The Timurid Period: Cultural Production, Exchange and Legacies

Workshop organized within the Leiden Central Asia Initiative, funded by the research profile Asian Modernities and Traditions. The event will focus on cultural production, used here as a blanket term for various forms of literary and artistic production, in relation to patterns of cultural exchange in the Timurid period. Convened by Gabrielle van den Berg and Elena Paskaleva.


Dates

Thursday, 26 May
Friday, 27 May

Venue Gravensteen
Room 011
Pieterskerkhof 6
2311 SR  Leiden 

Registration
The event is free of charge, however seating is limited. If you would like to attend, please register at amt@leiden.edu
 Timur and his descendants created a complex aesthetic vocabulary based on their shared Turko-Mongol heritage. Yet this vocabulary was constantly replenished through a dynamic cultural exchange. The aim of the workshop is to map the interaction between imperial ideology, literary and artistic production in a diachronic and synchronic perspective, and to contextualize the process dynamics through textual and material analysis. The central question is how literary and artistic production, mapped, measured and analysed for different representatives of the Timurid dynasty and through a broad variety of media, related to the development of imperial ideology in the Turko-Persian world. How far was cultural production in the Timurid period the result of cultural exchange, and how did this unfold?

Themes

Rather than focusing on a single genre, medium or language of courtly literary production, the workshop will take a comparative and connective perspective. Questions that may be addressed include:

- Narratives: How does literary and artistic production relate to the development of an imperial ideology under the Timurids? How were didactic traditions used for the exaltation of noble origins and for the construction of genealogies?

- Aesthetics: How did culturally diverse artistic practices contribute to the development of a distinct Timurid visual morphology? How were visions of kingship articulated in the urbanscape and landscape of major Timurid cities?

- Beliefs: How was royal grandeur transformed through the diverse visual lexicon of local Islamic cult activities? How was the Timurid ideological pedigree influenced by orthodox Islam and Sufism? What was the impact of these complex theological interactions on the cultural production throughout the Timurid empire? 

- Legacies: How did the evolving imperial ideology serve the various legitimization projects of the consecutive ruling dynasties from India to Turkey? How did the legacy of Timurid royal patronage resonate with the Uzbeks, Mughals, Safavids and the Ottomans?

The themes of the workshop are broad on purpose, as we wish to welcome speakers from different disciplines and backgrounds.

Confirmed speakers/chairs

Beatrice Manz, Tufts University, USA
Charles Melville, Cambridge University, UK
Ron Sela, Indiana University Bloomington, USA
Michele Bernardini, University of Naples, Italy
Francis Richard, Centre National de la Recherche Scientifique (CNRS), France
Daniel C. Waugh, University of Washington Seattle, USA
Ashirbek Muminov, L.N. Gumilyov Eurasian National University, Kazakhstan 
Bakhrom Abdukhalimov, Vice-President, Uzbek Academy of Sciences
Amanulla Buriev, Uzbekistan
Maria Szuppe, Université de La Sorbonne Nouvelle - Paris 3, France
Firuza Abdullaeva, Cambridge University, UK
Yuka Kadoi, University of Edinburgh, UK
Evrim Binbas, Royal Holloway, University of London, UK
Nozim Khabibullaev, Uzbekistan
Khurshid Fayziev, Director Timurid Museum, Uzbekistan
Bakhtiyar Babadjanov, Uzbekistan
Sanjar Gulomov, Uzbekistan
Liesbeth Geevers, Leiden University, The Netherlands
Céline Ollagnier, Association "Sciences et Patrimoine" PACT, France
Sandra Aube, Centre National de la Recherche Scientifique (CNRS), France
Yusen Yu, University of Heidelberg, Germany
Jake Benson, Leiden University, The Netherlands
Gulchekhra Sultonova, Uzbek Academy of Sciences / Martin Luther Universität Halle Wittenberg
Dilnoza Duturaeva, Uzbek Academy of Sciences / Institute of Oriental and Asian Studies, University of Bonn
Gabrielle van den Berg, Leiden University, The Netherlands
Elena Paskaleva, Leiden University, The Netherlands

One of the goals of the Leiden Central Asia Initiative is to provide an academic platform to scholars from Central Asia. After the collapse of the Soviet Union, academic interactions across the region have been slow and sporadic. Leiden University would like to act as a platform for academic exchange between Western and Central Asian scholars working on the Timurid period. That is why, we are very glad that a substantial number of Uzbek colleagues have accepted our invitation. Their contributions will focus on epigraphy, codicology, genealogy, historiography and numismatics.

Palace Museum in China confirms ancient relics find from Yuan Period

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Maintenance work is carried out on a courtyard at the Palace Museum last month. ZHU WANCHANG/CHINA DAILY

 

From: HeritageDaily

THE PALACE MUSEUM IN BEIJING HAS CONFIRMED THE DISCOVERY 

OF RELICS FROM THE YUAN DYNASTY (1271-1368) THAT WERE BURIED

UNDERGROUND IN THE HEART OF THE CITY FOR MORE THAN 600 YEARS.

The museum, also known as the Forbidden City, said on Thursday that the relics had been found during maintenance work at the historic site.
The Forbidden City was home to China’s imperial palace from 1420 in the early Ming Dynasty (1368-1644) until the end of the Qing Dynasty (1644-1911).
Li Ji, head of the Archaeology Department at the museum’s affiliated academic research institutes, said the relics were found under the west wing of the museum during work on laying an electric cable last year, but it had taken months to appraise them and confirm their age.
“The broken tiles and porcelain pieces are direct evidence that they come from no later than the start of the Ming Dynasty.”
Li also said the foundations for construction work from the Ming and Qing dynasties were found above the Yuan relics.
“These three layers of relics indicate how layouts for buildings changed through time,” he said.
He added that no Yuan relics had been found previously because of “scrupulous urban construction work” in the Ming Dynasty.
“Our fieldwork shows that almost all previous construction foundations were cleared out when the Forbidden City was built, to provide impeccable detail for the new palaces.”
Li said the current studies are still at a preliminary stage and it is too early to analyze the original architecture.
“Basically, we can be sure it is from an important part of a Yuan Dynasty royal palace, but it’s hard to say if it was on the central axis of Beijing at that time,” he said, adding that the Forbidden City today stands on this axis.
He expects further studies to reveal how this axis has evolved through history.
Li said no large-scale archaeological work will be carried out on the relics, to minimize the impact on surviving ancient architecture.
“It’s like playing puzzles,” he explained. “We begin small-area excavations in different spots, and can obtain a panoramic view through comparative studies.”

Mummy of a young boy (12/13th C) found at the Zeleny Yar necropolis (northern Siberia)

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DNA tests to seek modern relatives of 800 year old mummified boy

Pictures show child from Middle Ages as he is unwrapped after his remains were 'accidentally preserved' close to Arctic.
DNA samples of the boy are being taken taken and will be compared with local indigenous Siberian groups to see if he has modern-day day relatives still in the region. Picture: Alexander Gusev
The images show scientists as they carefully peel away the cocoon - including birch bark and copper - which led to the  mummification of  a boy aged six or seven who lived close near to the modern town of Salekhard. The lower part of his face, including his teeth, become suddenly visible for the first time in around eight centuries. 
DNA samples of the boy are being taken taken and will be compared with local indigenous Siberian groups to see if he has modern-day day relatives still in the region.
The child's well preserved remains were found at the Zeleny Yar necropolis, previously seen as belonging to a mystery medieval civilization with links to Persia despite its position on the edge of the Arctic. 
Work is also underway to recreate the boy's face with the help of scientists in South Korea, and a discovery has been made that raw fish was integral to his diet. 
Professor Petr Slominsky, head of the Laboratory of Molecular Genetics of Hereditary Diseases at the Institute of Molecular Genetics, Moscow, told The Siberian Times:  'In June we will travel to places close to Zeleny Yar to gather DNA samples from the local indigenous population, and try to find the genetic connections between them and the people who lived in here in the Middle Ages.
Unwrapping the mummy

Unwrapping the mummy
As he was a boy, the facial bones were not formed fully, so they were separated during the long period the remains were buried in the ground. Pictures: Alexander Gusev
'We are interested in the Khanty and Nenets populations,  and also in an isolated group of Komi, who live near Lake Muzhi.'
Scientists are confident of obtaining sufficient DNA quality from the mummy, despite difficulties. 'We are working now on extracting the good samples of DNA from the probes we have taken,' he said. 
'It is quite complicated, because the body was wrapped in birch bark and the birch resin made a powerful blow to the tissues. Besides the body unfroze and refroze again for several times. The DNA we get is not very clean, and there is not very much of it. But at the moment we are working to clear the DNA and get more samples and as soon as we succeed we will start the analysis.
'First we will sequence the mitochondrial DNA to say to which ethnical group it related on the maternal line. The next step will be to analyse the nuclear DNA to find out his roots from paternal side.'
When they take modern-day samples with which to compare the ancient boy, they will seek locals who are known to be 'ethnically clean back to their great grandparents'. Luckily it is easier to find such people among indigenous people, than among, say, Russians, so I believe that we will gather enough samples for our research,' he said. 
'The main thing for us is to provide the clean probes. Actually we are the last generation who can gather such material, because after this cross-breeding will increase significantly.'
New Yamal mummy

Salekhard mummy

New Yamal mummy

New Yamal mummy
'He was buried at a cold time of the year and this may help the natural preservation of his body, along with the copper plates and cold climate. Pictures: Yamalo-Nenets regional Museum and Exhibition Complex 
Sergey Slepchenko, a fellow researcher of the Institute of the Problems of Northern Development, Tyumen, said: 'There is an agreement with Seoul University, and they plan to take probes and sequence DNA, check on stable isotopes, and then search for ectoparasites in the skins of animals found in the grave. 
'Yet the big and long project is our attempt to restore the face of the boy. It will be quite long, because first we need to restore the skull. As he was a boy, the facial bones were not formed fully, so they were separated during the long period the remains were buried in the ground. 
'The skin on the face is almost intact, but the bones are separated. That means that we need to go a more complicated way - using computer tomography we will put together the facial bones, and bones of the skull, and then reconstruct the face. This quite a long process and the most part it will be undertaken by Koreans.'
Intriguing results have been obtained already on analysis of the contents of the boy's intestines. 'We have made a small cut and took a probe of contents - totally about one gram. The first interesting result was that there was no pollen here, that means that the boy died in late autumn or in winter. 
'He was buried at a cold time of the year and this may help the natural preservation of his body, along with the copper plates and cold climate. The other interesting thing is that we have found opisthorchis.' In other words, he had worms. 
'That means that the boy at the age of 6 or 7 ate raw fish or half cooked fish. This tell us about the way of life of these people.' 
New Yamal mummy

New Yamal mummy
The items found with the body - the axe, pendant and rings - suggests 'this was not some poor boy'. Pictures: Yamalo-Nenets regional Museum and Exhibition Complex 
Previously from the same graveyard, evidence has been found of the parasitic disease opisthorchiasis among younger children. 'We studied samples taken from the burial of an infant, unearthed in 2014 at the same Zeleny Yar site. The age was from six months to one year, but even such a little baby had opisthorchiasis. 
'The children here were fed with raw fish from the very early age. The infant could be given a piece of a raw fish to suck or fish was provided as a paste or gruel. We plan to conduct the paleo-parasitology research further to obtain a more detailed picture of the eating habits of these people.'
He said it was too early to tell that the people were malnourished. 
Archaeologist Alexander Gusev, research fellow at the Centre for the Study of the Arctic, Salekhard, said: 'We have made a new base for the mummy and now keep it in special freezer. We are not going to preserve it with chemicals until scientists have taken all the probes they need.' 
Following the mummy's discovery, scientists announced last July that the remains date from the 12th or 13th centuries AD. Mr Gusev said at the time that the birch bark and copper coffin was 1.30 metres in length and 30 centimetres at its widest. 
At the time, they believed it was the remains of 'a child, maybe a teenager'. 'The mummification was natural,' said Mr Gusev. 'It was combination of factors: the bodies were overlain with copper sheets, parts of copper kettles and together with the permafrost, this it gave the preserving effect.'
New Yamal mummy

New Yamal mummy

New Yamal mummy
'The boy at the age of 6 or 7 ate raw fish or half cooked fish. This tell us about the way of life of these people.' Pictures: Yamalo-Nenets regional Museum and Exhibition Complex 
Previously, archeologists found 34 shallow graves at the medieval site, including 11 bodies with shattered or missing skulls, and smashed skeletons. Five mummies were found to be shrouded in copper, while also elaborately covered in reindeer, beaver, wolverine or bear fur.
Among the graves found so far is just one female, a child, her face masked by copper plates. Intriguingly, there are no adult women. Nearby were found three copper masked infant mummies - all males. They were bound in four or five copper hoops, several centimetres wide.
Similarly, a red-haired man was found, protected from chest to foot by copper plating. In his resting place, was an iron hatchet, furs, and a head buckle made of bronze depicting a bear. The feet of the deceased are all pointing towards the Gorny Poluy River, a fact which is seen as having religious significance. The burial rituals are unknown to experts.
Artifacts included bronze bowls originating in Persia, some 3,700 miles to the south-west, dating from the tenth or eleventh centuries. One of the burials dates to 1282, according to a study of tree rings, while others are believed to be older. 
The researchers found by one of the adult mummies an iron combat knife, silver medallion and a bronze bird figurine. These are understood to date from the seventh to the ninth centuries. 
mummified by accident, but who were these people?

Child mummy with the facial copper mask

mummified by accident - but who were they? mummies found in Salekhard

Face of mummified adult man
Five mummies were found to be shrouded in copper, while also elaborately covered in reindeer, beaver, wolverine or bear fur. Pictures: The SIberian Times, Natalya Fyodorova 
Unlike other burial sites in Siberia, for example in the permafrost of the Altai Mountains, or those of the Egyptian pharaohs, the purpose did not seem to be to mummify the remains, hence the claim that their preservation until modern times was an accident.
The soil in this spot is sandy and not permanently frozen. A combination of the use of copper, which prevented oxidation, and a sinking of the temperature in the 14th century, is behind the good condition of the remains today. 
Natalia Fyodorova, of the Ural branch of the Russian Academy of Sciences, said previously: 'Nowhere in the world are there so many mummified remains found outside the permafrost or the marshes. 
'It is a unique archaeological site. We are pioneers in everything from taking away the object of sandy soil (which has not been done previously) and ending with the possibility of further research.'
In 2002, archeologists were forced to halt work at the site due to objections by locals on the Yamal peninsula, a land of reindeer and energy riches known to locals as 'the end of the earth'.
The Institute of Molecular Genetics is part of the Russian Academy of Sciences. The Institute of the Problems of Northern Development is part of the Siberian Branch of the Russian Academy of Sciences.

International conference Islamabad 13-15 May: Recent Discoveries in Khyber Pakhtunkhwa and their impact on the history of the region

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Comprehensive policy implemented to introduce legislation to protect heritage.
Comprehensive policy implemented to introduce legislation to protect heritage
PESHAWAR: A three-day international conference titled ‘Recent Discoveries in Khyber Pakhtunkhwa and their impact on the history of the region’ will be held from May 13 to 15 at a hotel in Islamabad. The event is being organised under the patronage of Khyber-Pakhtunkhwa government and Directorate of Archaeology and Museums.
Speaking to The Express Tribune, Directorate of Archaeology and Museums Director Dr Abdul Samad said the aim of the conference is to discuss recent discoveries from archaeological excavations in the province.
Modus operandi
Samad said over 70 research papers will be presented at the conference. Besides archaeologists, researchers and students from different universities, federal and provincial departments of archaeology across the country, foreign delegations from US, UK, Germany, Italy, Korea and Afghanistan have been invited to participate.
He added the conference will present new archaeological findings and examine them in the light of ancient scroll records, the Scriptures and other historical sources.
“Our rich archaeological heritage and culture will be highlighted during the event and special place will be given to emerging scholars – more than ten PhD and MPhil scholars and newly-appointed archaeologists of K-P will be accommodated,” he added.
Ambassador of Republic of Korea to Pakistan Jong Hwan Song, British Council Director in Islamabad Kevin McLavel and Minister for Sports, Culture, Archaeology, Museums and Youth Affairs Mehmood Khan will address the inaugural session of the international event where Chief Minister Pervez Khattak will appear as chief guest at the closing ceremony of the conference.
Meeting goals
Mehmood Khan said a comprehensive policy has been implemented to introduce a legislative framework. Guidance of professionals working towards preserving cultural heritage in the province is being sought and various methods of scientific conservation are also being adopted.
“The conference will provide an opportunity to chalk out a plan to preserve and conserve archaeological sites across the province,” he said. “The K-P government is eager to promote the province’s rich archaeological heritage and culture.”
Published in The Express Tribune, May 12th, 2016.




INTERNATIONAL CONFERENCE ON 

Recent Archaeological discoveries in Khyber Pakhtunkhwa and their impact on history of the Region

13th to 15th May, 2016



CALL FOR PAPERS

The Directorate of Archaeology and Museums, Government of Khyber Pakhtunkhwa, Pakistan intends to organize a 3-Day international conference on the topic titled “REcent Archaeological discoveries in khyber pakhtunkhwa and their impact on history of the REGION” from 13th to 15th May 2016. In order to give a greater recognition to the conference and ensure effective participation of scholars from all over the country and abroad, we are having partners, LUMS , University of Peshawar, Hazara University Mansehra, Abdul Wali Khan University, Mardan, , Quaid e Azam University Islamabad, Shaheed Benazir Women University Peshawar, ACT 2, ISMEO (Italian Archaeological Mission in Pakistan) and British Council, Islamabad.



This conference will provide an excellent opportunity to this Directorate to share and promote excellent achievements in the field of archaeology at international level with archaeologists and scholars of international repute and experts of different disciplines. This will also facilitate and encourage universities and institutions across the country and international scholars to share their researches with the national and foreign archaeologists and scholars.



Several successive sessions will be planned, including some 25–30 speakers, both established and emergent researchers. One day shall be reserved for visit to Peshawar Museum and important archaeological sites of Takht-i-Bahi, Julian and Bhamala World Heritage Sites. The conference will have the following four major themes:



 1.       New discoveries in the field of archaeology in Pakistan in general and Khyber Pakhtunkhwa in particular and at large in South   Asia, Afghanistan and Iran and their relations or connection to Pakistan archaeology;



 2.        New researches in different disciplines of archaeology such as epigraphy, art including rock art, architecture, ethnology, museology, etc.;


 3.        Conservation (Preservation, restoration, rehabilitation and promotion) of cultural heritage.



 4.        Fresh information /knowledge and new developments as a result of research undertaken by Pakistani universities, institutions and international scholars on different aspects of Pakistan archaeology.


The Silk Road in Northern Europe

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3600-year-old Swedish axes from Cypriot copper

Bronze tools found in Sweden dating from 3,600 years ago were made using copper from the Mediterranean, archaeologists have shown. They now also believe that rock carvings of ships found in Bohuslän, Sweden were visual documentation of trade between ancient Scandinavia and the Mediterranean.
Most of the copper circulating in Bronze Age Europe apparently originated from Sicily, Sardinia, the Iberian peninsula – and Cyprus, going by isotope analysis. (Although there seems to have been some exploitation of the copper mines in Timna, ancient Israel during the Bronze Age, it was small in scope and not involved in this trade.)
The ancient Cypriot copper industry produced relatively pure stuff, which was smelted into “oxhide ingots”. Oxhide ingots were not made of cow pelts. They were Bronze Age copper slabs that looked like nothing so much as stretched hides, with four extruding corners that were used to carry them. Corners to carry them would have been a great convenience because they were horribly heavy – about 37 kilos each.
Vast quantities of ingots have been found in Cyprus, Sardinia, mainland Greece and Crete. The biggest collection was found in the “Uluburun shipwreck,” that sank in the late 14th century BCE off Turkey. Underwater excavation shows that the ship carried 10 tons of ingots, all of which seem to have originated in Cyprus.
The copper trade around the Mediterranean Sea is evident from around 1550 BCE – but going by the bronze finds dating to about that same time in Scandinavia, it apparently began earlier. In any case, Gothenburg University researcher Dr. Johan Ling thinks however that Cypriot copper was not massively and purposefully imported to northern Europe, but trickled along the Bronze Age trade routes.
Isotope analysis of some 70 bronze daggers and axes from Bronze Age Sweden by scientists from Sweden’s University of Gothenburg, headed by Dr. Johan Ling, proved that at least some originated in Cypriot copper mines. Most probably, it was traded for amber.
“Bronze was as valuable a raw material as oil is today,” says Prof. Kristian Kristiansen of the University of Gothenburg´s archaeological department. It and amber were the twin engines of the Bronze Age economy, to the extent that marriage alliances are believed to have been forged between powerful families in ancient Europe in order to secure the amber trade.
Amber was used not only to pay for copper, which was turned into bronze weapons, but also for fripperies, such as glass beads imported from the Levant. A separate study recently found that 290 glass beads found in Danish Bronze Age graves dated to around 1400 BCE and not only originated in ancient Egypt – but were made by King Tut’s own glassmaker.
And now the archaeologists think they have recognized images of the ships that brought the copper north.
Thousands of elaborate rock carvings dating to the Bronze Age have been found in Scandinavia, mostly in the region of Bohuslän, on the Swedish west coast. A recurring motif on the rock carvings is ships – and intriguingly, most of these ship carving sites also have images that resemble Mediterranean oxhide ingots.



Metals in Bronze Age Weapons Discovered in Sweden Came from Distant Lands

Metals in Bronze Age Weapons Discovered in Sweden Came from Distant Lands

Researchers analyzing bronze daggers, swords, and axes found in bogs and graves at various places in Sweden over the years have made a surprising find. Some of the artifacts date as far back 3,600 years ago, and they say the objects were made with copper from southern Europe, Turkey, and Cyprus.
The researchers determined the place of the origin of the copper and tin in the tools by analyzing isotopes and comparing it to metals from places in Europe where there were mines in prehistoric times. 
Photo of two massive shaft-hole axes that match Cypriote ores - a shaft-hole axe of Valsømagle type, dated to 1600-1500 BC and a shaft-hole axe of Fårdup type, dated to 1600-1500 BC. The former axe was discovered in a bog together with horse bones and a stone paving with post holes.
Photo of two massive shaft-hole axes that match Cypriote ores - a shaft-hole axe of Valsømagle type, dated to 1600-1500 BC and a shaft-hole axe of Fårdup type, dated to 1600-1500 BC. The former axe was discovered in a bog together with horse bones and a stone paving with post holes. (Photo by L Granding) 
Copper, which is a pure element, when mixed with tin or other metals becomes an alloy called bronze. The mixing of the two metals makes bronze stronger than copper alone. This development revolutionized tool- and weapon-making. 
Some peoples around the world fashioned copper into tools and weapons before the Bronze Age, but those implements were not as strong. 
The production of bronze allowed for more intensive farming, a population increase, and, unfortunately, more widespread and devastating warfare. The Bronze Age lasted from the 3rd to 1st millennium BC in Eurasia. 
Early Bronze Age ('Beaker') metal-worker about 2000 BC; by Paul Jenkins, about 1980.
Early Bronze Age ('Beaker') metal-worker about 2000 BC; by Paul Jenkins, about 1980. ( National Museum Wales )
Researchers also believe that rock carvings near where a few of the copper tools were found, in Bohuslän, Sweden, depict ships that were trading from the Mediterranean region. 
The distance from Cyprus to Sweden is about 3,000 kilometers or 1,865 miles as the crow flies. The actual route would have taken traders across the Mediterranean Sea and up the Atlantic coast of Europe or the reverse route from Sweden. Or, traders could have carried it overland, through thick forests and sparsely populated areas. 
Rock carving with the shape of a flock of birds and other features at Tanun, near Tanumshede, Bohuslän, Sweden.
Rock carving with the shape of a flock of birds and other features at Tanun, near Tanumshede, Bohuslän, Sweden. ( Legumvra/ CC BY 2.5 )
No matter how the copper from which the knives and axes got to Sweden, the journey was sure to have been an adventure for the traders and crew. 
Dr. Johan Ling of Sweden’s Gothenburg University and his team did isotope analysis on 70-some bronze daggers, swords and axes and proved that some came from Cypriot copper mines. Cyprus is at the far eastern end of the Mediterranean, off the coasts of Syria and Turkey. 
Lead isotope ratios of five bronzes from Sweden compared with the copper ores from Cyprus and Bronze Age Cypriot copper based artefacts.
Lead isotope ratios of five bronzes from Sweden compared with the copper ores from Cyprus and Bronze Age Cypriot copper based artefacts. Not all Bronze Age metals found on Cyprus are made of Cypriot copper: some of them are made of metal from the Taurus Mountains in south Turkey, and some of copper brought from the Western Mediterranean (After Ling et al 2014). 
The copper may have been traded for amber—another key element of Bronze Age trade. 
“Some of the axes and not least the swords were made for combat,” Dr. Ling told Ancient Origins via e-mail. “There exists some concrete evidence of wounded skeletons. Some of the artefacts are from graves with other items and features.  Most of the artefacts derive from hoards from a wet environment or from graves.” 
Most of the artifacts that dated to 2000 to 1500 BC were made with copper ore mined in North Tyrol and apparently traded north to Sweden. Many of the artifacts during the period of 1500 to 1100 BC were from copper mined in the Italian Alps. During the period of 1100 to700 BC, the ores came from southern Iberia and North Tyrol. Some tin came from Cornwall, England, and from southern Germany, Dr. Ling said in the email. “Well, it should be stressed that the Cypriote copper was rather limited,” he wrote. 
Mining archaeological research gap in the western part of North Tyrol (top left) and mapping of surveyed and sampled copper mineralizations during a 2013 study of Copper mineralizations in western north Tyrol in prehistoric times.
Mining archaeological research gap in the western part of North Tyrol (top left) and mapping of surveyed and sampled copper mineralizations during a 2013 study of Copper mineralizations in western north Tyrol in prehistoric times. ( Grutsch, Martinek & Krismer )
There is no evidence for copper indigenous to Bronze Age Scandinavia, he added. 
Professor Kristian Kristiansen, Dr. Ling’s colleague at the university’s department of archaeology, told In.Cyprus.com that “Bronze was as valuable a raw material as oil is today.”

First evidence of tea consumed by a Han Dynasty emperor

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World's oldest tea on display in NW China

 Xinhua 16 may 2016
World's oldest tea on display in NW China
World's oldest tea will go on display starting on May 18 at a museum in Hanyangnorthwest China'sShaanxi province. [Photo/Xinhua]
Tea unearthed from the 2,100-year-old tomb of an emperor will be displayed at a museum in northwest China next week.
Zhang Yundeputy director of the Hanyang Mausoleum Museum in Xi'ancapital of Shaanxi provincesaid that small bits of the tearecently recognized by the Guinness World Record as the world's oldestwill be exhibited at the museum starting May 18.
He said the tea was mixed with grains when it was first discovered in 2005 at the Hanyang MausoleumThe site was the graveyard of Emperor Jing (188-141 BC), also father of Emperor Wuwhose reign ushered in one of the most prosperous periods in Chinese history.
Howeverit was not until 2015 when archaeologists from the Shaanxi Provincial Archeological Research Institute were able to ascertain the fossilized plant remains were teaExperts with the Chinese Academy of Sciences used new microfossil plant analysis techniques to examine the samples.
"The analysis results showed that the remains were all dried tea sprouts when they were buried," said Yang Wuzhana research fellow with the institute.
It was the first evidence of tea consumed by a Han Dynasty (202 BC-220 ADemperorhe saidadding that the findings are of great importance to research on the history of Chinese tea culture.
Rowan Simonsattestation officer from the Guinness World Recordon May 6 conferred the certificate to recognize the discovery as the world's oldest tea.
He said it has long been known that China is the home of teaand the world record gives us deeper understanding of China.
In ancient Chinatea had more and different uses than we have nowIt was drunk as abeveragecooked in mealsand even used as herbal medicine.
Ancient Chinese liked to be buried with their favorite things so they could enjoy them in thenext worldOther items found at Emperor Jing's burial site include pottery figurinesan armyof ceramic animals and several chariots as well as animal remainsincluding cowssheepdogspigsdeerrabbits and birds.

Roman Views of the Chinese in Antiquity

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Roman Views of the Chinese in Antiquity

André Bueno1

Rio de Janeiro State University




Abstract: How did the ancient Romans view the Chinese? In this short essay I briefly analyze Roman imaginings of the “Seres,” as the Romans of the ancient Mediterranean world called the natives of China. During the Roman Empire, in the first to third centuries AD, intense commercial and cultural contacts were maintained between East and West through the Silk Road. It is a portrait of the Chinese as they were seen in the Western world that I build here. 


In the field of classical studies, there is recently new interest in the relationship of the West and the Far East in antiquity. Obviously this field is vast, yet it has been little and sporadically explored. India and China represent two challenging civilizations, each with its own historical models, and therefore the study of their older historical periods requires a certain degree of specialized knowledge. But there is a good amount of Greco-Roman documentation of observations of these cultures that allows us to reconstruct the imagery regarding them that existed in the Mediterranean world.
In this discussion I seek to collect and analyze fragments of literature and history concerning the Chinese that survive in the Classic Greco-Roman documentation, during the first to the third centuries AD, when a Eurasian axis formed along the Silk Road. This axis joined the four great empires of the time — Rome, Parthia, Kushan, and China — in an extensive commercial and cultural network, responsible for the formation of a rich and fertile exchange. Writings conveying the Roman imaginary about China reveal that the ancient world was much wider and more open than we usually believe, offering an interaction among societies to which most experts in classical studies pay insufficient attention.


1) André Bueno is Adjunct Professor, Department of Ancient History, Rio de Janeiro State University (Universidade do Estado do Rio de Janeiro), Brazil. E-mail: antigauerj@gmail.com.

For the complete story, click HERE 


Buddhist Cave Art in the Getty

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Cave temples of Dunhuang: Art, History and Conservation


Exploring the history of the Mogao cave temple site—from its founding to abandonment, and its revitalization in the 20th century—“Cave Temples of Dunhuang” offers visitors the opportunity to experience the wonders of this UNESCO World Heritage Site.


More about the exhibition “Cave Temples of Dunhuang: Buddhist Art on China's Silk Road,” on view at the Getty Center from May 7 to September 4, 2016: 
https://www.getty.edu/CaveTemples 

Learn more about the Getty Conservation Institute’s work to conserve wall paintings at the Mogao Grottoes: http://www.getty.edu/conservation/our... 

Creating Replicas of Buddhist Cave Temples at the Mogao Grottoes




Three full-size replica caves at the Getty Center provide visitors with a deeper understanding of the Mogao cave temple site. 

The replica caves, created by artists from the Dunhuang Academy’s Fine Arts Institute, were constructed through a multiyear process. Initially, the purpose of replicating the caves was to understand the art and to document it as a means of preservation, but over time the goal became to share this art with people around the world unable to visit the caves themselves. 

More about the exhibition “Cave Temples of Dunhuang: Buddhist Art on China's Silk Road,” on view at the Getty Center from May 7 to September 4, 2016: 
https://www.getty.edu/CaveTemples 



Creating the Immersive Experience of Cave 45 (Cave Temples of Dunhuang)



Immersive 3D technology enables visitors to “Cave Temples of Dunhuang” to examine the magnificent sculpture and painting of Cave 45. 

This 8th-century cave exemplifies the artistic brilliance of Chinese art of the High Tang period (705¬–781).

More about the exhibition “Cave Temples of Dunhuang: Buddhist Art on China's Silk Road,” on view at the Getty Center from May 7 to September 4, 2016: 
https://www.getty.edu/CaveTemples 


Lecture Victor Mair "Dunhuang as Nexus of the Silk Road during the Middle Ages"

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Symposium Keynote Lecture by Victor H. Mair


Foreign dignitaries, Cave 85, Tang dynasty
 
Thursday, May 19, 2016
7:00 p.m.
Museum Lecture Hall, Getty Center

Get Tickets 

During the Tang dynasty (618–907 CE), Dunhuang played a vital role in linking diverse civilizations across Eurasia. Situated at the western end of the Gansu Corridor, this center of Buddhist religion and art facilitated the flow of economic goods and cultural influences among peoples of many different ethnic and linguistic backgrounds. Like a funnel, it led to the heartland of China in one direction and spread out through Central Asia in the other.

Victor H. Mair, professor of Chinese Language and Literature at the University of Pennsylvania, specializes in Buddhist popular literature as well as the vernacular tradition of Chinese fiction and the performing arts. He began visiting Dunhuang in 1981 and made dozens of trips there in the succeeding decades. Mair is the author of Tun-huang Popular Narratives(Cambridge, 1983), Painting and Performance (Hawaii, 1988), T'ang Transformation Texts (Harvard, 1989), and scores of articles pertaining to Dunhuang.
This lecture complements the exhibition Cave Temples of Dunhuang: Buddhist Art on China's Silk Road, on view at the Getty Center from May 7 to September 4, 2016.

Jade and gold clothes of a prince's wife

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Jade and gold clothes unearthed from the tomb of Prince Jin of Zhongshan of the Han Dynasty. [Photo/Atron.Net] 

An exhibition featuring gold and silver wares, jade wares and weapons unearthed from tombs of the Western Han Dynasty (206 BC- 220AD) launched in Changsha in Hunan province today.
Among the showpieces, the jade and gold clothes of Dou Wan, the wife of Prince Jin of Zhongshan, attracted much attention. With 2,160 jade pieces held together by 700g of gold wire, the 1.72m long clothing is a rare national cultural relic.
Also called yuxia, gold-woven clothes were the finest garb for dead emperors and high ranking nobles in the Han Dynasty.
A complete suit consists of six parts: a head covering, upper clothes, sleeves, gloves, trousers and shoes. Each part was made by various shapes of jade pieces. On the jade pieces, there are many small holes, through which the pieces can be "woven" into a suit or clothing using fine gold, silver or bronze wire.

Jade face decorations from the Western Zhou Dynasty (c.11th century-771 BC).  [Photo/Artron.Net]
Evolution of jade and gold clothes
The clothes were developed from jade decorations that covered the faces of the dead. These jade pieces made in the shape of eyebrows, noses, mouths and eyes were sewed onto cloth. The earliest jade face decorations were excavated from a tomb dating to the late Western Zhou Dynasty (c.11th century-771 BC).
By the Warring States Period (475-221 BC), the decorations had become very popular. Emperors and nobles often had jade face decorations as funeral objects.
In the early period of the Han Dynasty, the jade decorations extended to the areas of the head, hands and feet. The change prepared for the coming of a full body suit of made of jade and gold.
Later, with the formation of the Silk Road, large quantities of hetian jade came to China and provided enough material for emperors and nobles to cover their whole bodies when they died. The most beautiful and earliest jade and gold clothes unearthed in a tomb in Xuzhou in Jiangsu province were made of 4,248 pieces of white hetian jade and 1,600g of gold wire.

Jade and gold clothes unearthed in a tomb in Xuzhou in Jiangsu province. [Photo/Artron. Net]
Happy posthumous life
Jade and gold clothes were thought to prevent a dead body from decaying. Moreover, people in the Han Dynasty believed in the immortality of the soul. In their mind, as long as the soul was protected well, dead people could still enjoy their posthumous lives as much as when they were alive.
Since the soul can only exist with the body, the emperors and nobles in the Han Dynasty endeavored to find ways to keep the body unchanged when they passed away. They believed that jade and gold are two essences of nature, which have magical functions to protect the human body.
To keep the soul in the body, they also intended to use jade to block the nine holes on the human body: eyes, ears, nostrils, mouth, sexual organs and anus.
Undoubtedly, only emperors and high rank nobles could enjoy such a luxury.






A Tang Dynasty Tomb (C.740), Boy Bands and the Spice Girls

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Han Xiu


Legendary Chinese artist Han Huang is best known for the "The Painting of Five cows", one of ten most significant scroll paintings in Chinese history.
The tomb of Han's father, who was a scholar and prime minister during the Tang dynasty, was recently discovered in the suburbs of Xi'an. Inside it was a vast collection of exquisitely painted murals that is shedding new light on the life of someone who was often left in the shadow of his legendary son.
The tomb, belonged to Han Xiu, a writer and prime minister during the eighth century. Filled with a vast treasure trove of exquisite art, the works enclosed in the tomb fit the title of someone as powerful as Han Xiu. Archaeologists say one of the landscape murals marks the rise of Tang dynasty ink paintings.
"On the mural, there's rivers, mountains, a pavilion and the sun," said Liu Daiyun,a scholar from Shanxi Institute of Archaeology.
"Seen from the layout and the strokes, we can say landscape painting had achieved maturity during Tang dynasty."
It was previously believed that Chinese ink painting did not achieve maturity until the Northern Song dynasty some 200 years later.
But this discovery has shown that the art form had reached maturity two centuries earlier than previously thought. Another mural inside the tomb, depicting singing and dancing scenes, also presents a vivid image of China's ancient art world.
"Normally, we found murals inside a tomb with only one band performing or one person dancing," Liu said. "But this time we've found two bands depicted on one mural, one female and one male band. And there's two people dancing opposite of each other."





The Monk of the Mines- Mes Aynak

5,000-Year-Old Chinese Beer Recipe Had Secret Ingredient

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5,000-Year-Old Chinese Beer Recipe Had Secret Ingredient
A stove fragment from the Mijiaya site that was probably used to heat the fermenting grain mash during the beer-brewing process.
Credit: Fulai Xing

Barley might have been the "secret ingredient" in a 5,000-year-old beer recipe that has been reconstructed from residues on prehistoric pots from China, according to new archaeological research.
Scientists conducted tests on ancient pottery jars and funnels found at the Mijiaya archaeological site in China's Shaanxi province. The analyses revealed traces of oxalate — a beer-making byproduct that forms a scale called "beerstone" in brewing equipment — as well as residues from a variety of ancient grains and plants. These grains included broomcorn millets, an Asian wild grain known as "Job's tears," tubers from plant roots, and barley.
Barley is used to make beer because it has high levels of amylase enzymes that promote the conversion of starches into sugars during the fermenting process. It was first cultivated in western Asia and might have been used to make beer in ancient Sumer and Babylonia more than 8,000 years ago, according to historians. [See Photos of Ancient Beer Brewing in China's 'Cradle of Civilization']
The researchers said it is unclear when beer brewing began in China, but the residues from the 5,000-year-old Mijiaya artifacts represent the earliest known use of barley in the region by about 1,000 years. They also suggest that barley was used to make beer in China long before the cereal grain became a staple food there, the researchers noted.
The prehistoric brewery at the Mijiaya site consisted of ceramic pots, funnels and stoves found in pits that date back to the Neolithic (late Stone Age) Yangshao period, around 3400 to 2900 B.C., said Jiajing Wang, a Ph.D. student at Stanford University in California and lead author of a new paper on the research, published today (May 23) in the journal Proceedings of the National Academy of Sciences.
Wang told Live Science that the discovery of barley in such early artifacts was a surprise to the researchers.
Barley was the main ingredient for beer brewing in other parts of the world, such as in ancient Egypt, she said, and the barley plant might have spread into China along with the knowledge of its special use in making beer.
"It is possible that when barley was introduced from western Eurasia into the Central Plain of China, it came with the knowledge that the grain was a good ingredient for beer brewing," Wang said. "So it was not only the introduction of a new crop, but also the knowledge associated with the crop."
A map of the location of the Mijiaya archaeological site in the Shaanxi province of northern China.
A map of the location of the Mijiaya archaeological site in the Shaanxi province of northern China.
Credit: PNAS 
The Mijiaya site was discovered in 1923 by Swedish archaeologist Johan Gunnar Andersson, Wang said. The site, located near the present-day center of the city of Xi'an, was excavated by Chinese archaeologists between 2004 and 2006, before being developed for modern residential buildings.
After the full excavation report was published in 2012, Wang's co-author on the new paper, archaeologist Li Liu of Stanford, noticed that the pottery assemblages from two of the pits could have been used to make alcohol, mainly because of the presence of funnels and stoves. 
Wang said that some Chinese scholars had suggested several years ago that the Yangshao funnels might have been used to make alcohol, but there had been no direct evidence until now. [Raise Your Glass: 10 Intoxicating Beer Facts]
In the summer of 2015, the Stanford researchers traveled to Xi'an and visited the Shaanxi Institute of Archaeology, where the artifacts from the Mijiaya site are now stored.
The scientists extracted residues from the artifacts, and their analysis of the residues turned out to prove their hypothesis: that "people in China brewed beer with barley around 5,000 years ago," Wang said.
The researchers found yellowish remnants in the wide-mouthed pots, funnels and amphorae that suggested the vessels were used for beer brewing, filtration and storage. The stoves in the pits were probably used to provide heat for mashing the grains, according to the archaeologists.
The beer recipe used a variety of starchy grains, including barley, as well as tubers, which would have added starch for the fermentation process and sweetness to the flavor of the beer, the researchers said.
Wang and her co-authors wrote that barley had been found in a few Bronze Age sites in the Central Plain of China, all dated to around or after 2000 B.C. However, barley did not become a staple crop in the region until the Han dynasty, from 206 B.C. to A.D. 220, the researchers said.
"Together, the lines of evidence suggest that the Yangshao people may have concocted a 5,000-year-old beer recipe that ushered the cultural practice of beer brewing into ancient China," the archaeologists wrote in the paper. "It is possible that the few rare finds of barley in the Central Plain during the Bronze Age indicate their earlier introduction as rare, exotic food."
"Our findings imply that early beer making may have motivated the initial translocation of barley from western Eurasia into the Central Plain of China before the crop became a part of agricultural subsistence in the region 3,000 years later," the researchers wrote.
It's even possible that beer-making technology aided the development of complex human societies in the region, the researchers said. "Like other alcoholic beverages, beer is one of the most widely used and versatile drugs in the world, and it has been used for negotiating different kinds of social relationships," the archaeologists wrote.
"The production and consumption of Yangshao beer may have contributed to the emergence of hierarchical societies in the Central Plain, the region known as 'the cradle of Chinese civilization,'" they added.

Archaeologists have reconstructed a 5,000-year-old beer recipe from residues on pottery fragments found in northern China. Scientific analyses have revealed that barley may have been the "secret ingredient" in the ancient beer-making process. 

Pictured here is a map of the Mijiaya archaeological site in China's Shaanxi province, where the artifacts were discovered. 


The researchers speculated that the pottery assemblages at the Mijiaya site could have been used to make alcohol, mainly because of the presence of funnels (such as the one pictured here) and stoves. 

A stove fragment from the Mijiaya site that was probably used to heat the fermenting grain mash during the beer-brewing process. 

Archaeologists don't know when beer brewing began in China, but the residues from the 5,000-year-old Mijiaya artifacts represent the earliest known use of barley in the region by about 1,000 years. 

Gelatinized starch grains from the funnel used for brewing beer at the Mijiaya site. 


Chinese and Indian archaeologists mull exploring birthplace of Buddhism

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Chinese, Indian archaeologists mull exploring birthplace of Buddhism
Dhamek Stupa at Sarnath. [Photo/CRI/travel.india.com]

China Daily Europe 24 May 2016

Chinese and Indian archaeologists are currently discussing a cultural cooperation project in the birthplace of Buddhism.
The Institute of Archaeology under the Chinese Academy of Social Sciences will collaborate with Indian archaeologists at key sites in Sarnath, India. The project is expected to include excavations, cultural relics protection, and safety monitoring and control, Wang Wei, director of the institute, told Xinhua Monday.
Sarnath, in Northeast India, is where Buddha gave his first sermon and is considered one of the most important holy sites by Buddhists.
"We are very excited because our archaeologists will be finally able to look for, and may later touch and protect Indian relics that they have only seen in books," said Wang.
Sanjay Kumar Manjul, director of the Institute of Archaeology under the Archaeological Survey of India, voiced strong support for the project, which is expected to begin in November and last until 2020.
Another project, focusing on relics at Rakhigarhi, west of New Delhi, the site of one of the largest Indus Valley Civilization settlements, will also be launched.
"We are two neighbors with a long history of cultural, spiritual and economic ties, and I believe this project will strengthen our connection," he said.
The director explained that during the first millennium, many Chinese scholars and monks traveled to India, including Xuan Zang and Yi Jing, who attended Nalanda University in Bihar, north India.
"The detailed accounts of their journeys are an important resource for historians, archaeologists, Buddhologists and those interested in studying cross-cultural interactions in the pre-modern world. On the basis of these records, archaeologists have explored several Buddhist sites in India," he said.
Indian archaeologists have been excavating at Sarnath since the late 19th century, and a considerable number of temple relics and statues have been discovered. However, they have yet to be dated.
Another mystery Wang is interested in is the connection between Buddha statues from the Gupta Dynasty, discovered in Sarnath, and similar items made in China during the Beiqi Dynasty (550-577).
"The relationship between these relics may tell us something new about the spread of Buddhism in China," said Wang.
The project will feature some of the world's leading archeological technology, including three-dimensional remote sensing and three-dimensional imaging systems, as well as advanced indoor testing and analysis techniques, said Wang.

Mystery of Mongol Retreat from Hungary Solved

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Tree rings hold a record of annual growth, which researchers can use to extrapolate weather. This is fir timber from a historical building in southern Poland. Credit: Ulf Büntgen

In 1241, the Mongol army marched into Hungary, defeating the Polish and Hungarian armies and forcing the Hungarian king to flee. In 1242, despite meeting no significant military resistance, the Mongols abruptly packed up and left.
Now, a new study of the climate in Eastern Europe that year suggests a reason for this mysterious military retreat: The Mongols got bogged down. Literally.
A cold and snowy winter yielded to a particularly wet spring in Hungary in 1242, according to data from tree rings. As a result, the grasslands of Hungary turned to marsh, said study researcher Nicola Di Cosmo, a historian at Princeton University. The Mongols, dependent on their horses, wouldn't have been able to move effectively across the squishy land, and their steeds would have had few fields to graze.
"This is one of the very few cases in which we can identify a minor climatic change on just one winter and link it to a particularly important historical event," Di Cosmo told Live Science. [10 Surprising Ways Weather Has Changed History]


Oak tree rings, viewed through a microscope, were among the natural records that helped researchers find that the Mongols faced wet, marshy conditions in their attempt to invade Hungary.
Oak tree rings, viewed through a microscope, were among the natural records that helped researchers find that the Mongols faced wet, marshy conditions in their attempt to invade Hungary.
Credit: Willy Tegel 

The invasion of Hungary happened well after the death of notorious Mongol leader Genghis Khan in 1227. His successor, his son Ogodei, led the Mongols into Russia in 1235 and into Eastern Europe by 1240.
Multiple Mongol commanders brought at least 130,000 troops and perhaps as many as half a million horses into Hungary in the spring of 1241, Di Cosmo wrote in the journal Scientific Reports. They won key battles in April of that year, beating both the Polish and Hungarian armies and setting up an administrative system in eastern Hungary.
In the early months of 1242, the Danube and other rivers in the region froze solid, according to contemporaneous reports. This allowed the Mongols to move into western Hungary, where they spent several months fighting until their sudden retreat.
Di Cosmo's co-author Ulf Büntgen, a climate researcher at the Swiss Federal Research Institute WSL, examined tree-ring data from northern Scandinavia, the Polar Ural, the Romanian Carpathians, the Austrian Alps and the Russian Altai to untangle the climate factors that might have led to the Mongol army's actions. Previous theories had held that perhaps Ogodei's death in December 1241 prompted the main Mongol commander to head home; but that's unsatisfying, Di Cosmo said, because the commander never went back to Mongolia to take part in the politics there — he ended up back in Russia.  
Tree rings hold a record of the tree's summer growth and winter quiescence, which researchers can use to extrapolate what the weather might have been like in a particular year. The record that Büntgen examined told a tale of above-average temperatures in Hungary between 1238 and 1241, followed by a sudden spate of cool summers between 1242 and 1244. In 1242, the region encompassing southern Poland, the Czech Republic, western Slovakia, northwestern Hungary and eastern Austria was exceptionally wet, the researchers report today (May 26) in the journal Scientific Reports.





A microscopic view of four oak rings that were used to help reconstruct the weather of 1241 and 1242 in Eastern Europe, when the Mongols invaded Hungary and then abruptly retreated. Credit: Willy Tegel


The finding that spring flooding probably stymied the Mongols makes sense, Di Cosmo said, because the grasslands of Hungary were notoriously marshy until major draining projects in the 1700s and 1800s. The Mongols also retreated via different routes than their initial invasion, skirting through the Carpathian foothills and other high ground, Di Cosmo said.
"All of this, I think, is evidence that they were not happy with the terrain where they were operating," he said.
Di Cosmo and his colleagues have previously found that a stretch of warm, wet weather between 1211 and 1225 probably helped fuel the Mongols' initial expansion by giving them ample fodder for their horses. And other climate researchers have found that the Mongols may have influenced the climate as well: In 2011, researchers reported that the Mongol invasion of the 1200s hadtiny but perceptible effect on global carbon dioxide levels because the amount of death and destruction their expansion caused slowed deforestation for agriculture.

Hwajeong Museum, treasure trove of Asian art

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The museum showcases highlights of its collection to mark the 10th anniversary of the reopening

Hwajeong Museum, nestled on the edge of Bugaksan Mountain, northern Seoul, is an unexpected place to discover a rare extensive collection of Asian art.

It is a treasure trove of more than 13,000 pieces of East Asian artifacts, including Tibetan Buddhist paintings called Thangka, for which the museum is well-known internationally. The comprehensive collection of Asian art was amassed by Han Kwang-ho, the late former president of Boehringer Ingelheim Korea and an avid art collector for 54 years.

Hwajeong Museum (Hwajeong Museum)

In celebration of the 10th anniversary of its reopening, Hwajeong Museum is holding the exhibition “Luxurious Pleasure of Hwajeong” that showcases Korean, Chinese and Japanese art as well as its prized collection of Thangka, through Feb. 28, 2017. The museum is currently located in the quiet residential neighborhood of Pyeongchang-dong, Jongno-gu and was previously located in Itaewon where it opened in 1999.

Major Thangka pieces are on view on the first floor of the museum, attesting to the central position that Tibetan Buddhist artwork occupies in the museum’s collection. They were selected from more than 3,000 pieces of Tibetan Buddhist paintings, sculptures and scriptures, spanning from the 15th century to the present.

White Tara, 18th century Tibet (Hwajeong Museum)

“The founder of the museum began collecting Thangka in 1988 when he learned about the value of Thangka from the Japanese archaeologist Namio Egami,” said Kim Oak-in, a curator at the museum.

Most of the Thangka works in the museum’s collection were acquired in France and Germany, the countries where many Tibetan Buddhist artifacts were sheltered from the violence of China’s Cultural Revolution, during which Tibet’s temples were destroyed, Kim explained.

Under dim lighting, the paintings exude the flamboyant colors used to depict Buddha and the female bodhisattva Tara, Tibet’s popular Buddhist icon to this day.

Padmasambhava, 19th-20th century Tibet (Hwajeong Museum)

Han’s Thangka collection is one of the world’s largest and rarest. In 2003, it was exhibited at the British Museum. Han also made a generous contribution to the opening of the Korean gallery at the British Museum in 2000 by providing a 1 million-pound ($1.46-million) fund toward the purchase of Korean artifacts that would be exhibited permanently at the gallery.

“His Tibetan Buddhist painting collection tops other collections in terms of size and quality,” Kim said.

The East Asian art exhibition, on the second and third floors of the museum, is divided into three sections that show Korean, Chinese and Japanese art.

“Bamboo on a Rainy Day” by Lee Jeong, Joseon period (Hwajeong Museum)

Highlights of the Korean art collection include a bamboo painting by Lee Jeong, one of the most acclaimed bamboo painters of the Joseon Era and a book written by Han Ho, who was known for his exceptional calligraphy technique in the 16th century.

Chinese artifacts boast the glamor and sophistication of Chinese craft. An 18th century glazed enamel bottle features colorful images of dragon and phoenix, delicately drawn on the pottery surface.

Here, sculptures carved in extreme detail and with great precision capture viewers’ attention. Pieces on view include an ivory carving of a sponge gourd and grasshopper from the 19th century Qing Dynasty and a brush holder sculpted from bamboo from the 18th century Qing Dynasty.

Silver-mounted overglazed enamel bottle, 18th century Qing Dynasty (Hwajeong Museum)

“The Beauty” by Teisai Hokuba, Edo period (Hwajeong Museum)

The exhibition also features Japanese porcelains that represent the Kakiemon style, which stems from enameled ceramics that emerged in the mid-17th century in Japan. Meanwhile, Japanese story books with printed images offer a detailed glimpse of life and culture during the Edo period (1603-1868).

For more information, visit www.hjmuseum.or.kr, or call (02) 2075-0114.

By Lee Woo-young (wylee@heraldcorp.com)

    The Mongols' Middle East

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    Continuity and Transformation in Ilkhanid Iran

    Edited by Bruno De Nicola, University of St. Andrews (UK) and Charles Melville, University of Cambridge

    ISBN13: 
    9789004311992
    Expected Date: 
    June 2016
    Format: 
    Hardback
    Publication Type: 
    Pages, Illustr.: 
    Approx. 300 pp., 8 illus., 4 maps
    Imprint: 
    Language: 


    China ancient Buddhist caves face new threat - tourists

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    The Washington Post by Simon Denyer  18 May 2016

    The Great Buddha in cave 96, dating from China's early Tang Dynasty.
    GILLES SABRIE/WASHINGTON POST
    The Great Buddha in cave 96, dating from China's early Tang Dynasty.
     At the heart of the ancient Silk Road, on the edge of the Gobi Desert, lies a centuries-old place of pilgrimage: hundreds   of caves hewn from a sandstone cliff containing some of the most exquisite Buddhist frescoes and figures in the world.
    Abandoned for centuries, the Mogao Grottoes somehow survived everything that nature and man could throw at them, including earthquakes, floods and sandstorms. Marauding Muslim rebels, plundering European explorers and White Russian soldiers all left their mark. Rampaging Red Guards were turned away at the height of China's Cultural Revolution.
    Today, the caves outside Dunhuang, in western China, enjoy a new stature, at the heart of Communist China's efforts to revitalise and rebuild the Silk Road as a testament to its growing power in Asia. They also stand as a symbol of Sino-American cooperation in China's cultural preservation, thanks to pioneering work by the Getty Conservation Institute.
    In a Mogao cave, lit by the flashlight of a guide, a Buddha statue surrounded by disciples dating from the China's Tang ...
    GILLES SABRI/WASHINGTON POST
    In a Mogao cave, lit by the flashlight of a guide, a Buddha statue surrounded by disciples dating from the China's Tang Dynasty.
    But the fragile wall paintings, some of which date to the 4th century and show stories from Buddha's life and visions of the afterlife, face another threat - from a new army of tourists and the lure of profit.
    "In the past 100 years, most of the damage has been done by nature, but visits by more tourists will break the original balance inside the caves," said Wang Xudong, president of Dunhuang Academy, which runs, preserves and restores the site. "Constant entrance and exit changes the temperature and humidity inside the caves. Human bodies also carry microorganisms, and if they start to grow inside the caves, it would be very scary."
    More than 1.1 million tourists visited the caves in 2015, a rise of 40 percent in just a year and a roughly 20-fold jump in the past two decades.
    A technician working at the restoration of wall paintings in cave 98 of the Mogao grottoes.
    GILLES SABRIE/WASHINGTON POST
    A technician working at the restoration of wall paintings in cave 98 of the Mogao grottoes.
    The vast majority are Chinese, as the country's growing wealth fuels a huge boom in domestic tourism and as interest is renewed in China's Buddhist past.
    With advice from Getty's experts, the Dunhuang Academy initially tried to cap the number of tourists at 3000 a day but later realised "that limit just would not stop people from coming," Wang said. The limit was then raised to 6000 a day, but demand regularly exceeds that in the peak July-to-October season.
    To relieve the pressure, tourists are asked to register in advance and, before visiting the site, watch two 20-minute movies in a sweeping new visitors' centre on the history of Dunhuang and the caves themselves.
    China
    GILLES SABRIE/WASHINGTON POST
    Tourists visit the Crescent Lake, one of Dunhuang?s major tourist sites along with the Mogao caves. 
    Later, they are guided through a selection of the 40 caves that are open to the public, forbidden to take photographs in case their camera flash damages the frescoes.
    Register too late, above the 6000 cutoff, and you'll miss the movies and get to see only four caves. By giving these latecomers "a very bad experience," Wang said he hopes to encourage more people to come during the low season, when ticket prices are halved.
    The question is whether Wang can stem the tide. Beside the visitors' centre, 14 kilometres from the caves, construction workers are building a privately funded tourist complex, including a theatre and hotels.
    A couple poses during a wedding photo shoot in front of the nine-story tower built around cave 96, China.
    GILLES SABRIE/WASHINGTON POST
    A couple poses during a wedding photo shoot in front of the nine-story tower built around cave 96, China. 
    In the city of Dunhuang, a US$250 million (NZ$368m) conference centre and a bigger, 2000-seat theatre are being built to house an annual Silk Road Cultural Expo. The large modern airport is being expanded, with a US$150 million (NZ$221m) upgrade.
    "There is enormous commercial pressure," said Neville Agnew, who has been visiting and working in the caves for 28 years for the Getty Conservation Institute. "The growth of the city of Dunhuang depends ultimately on the Mogao Grottoes. They are going to have their work cut out to control visitation, and, of course, I think you'd find many people who are interested in development of the region want more visitors."
    Yet there is also state-of-the-art restoration work going on here, thanks to a long-standing collaboration between the Dunhuang Academy, Getty and other foreign experts.
    Painstakingly, the restorers start in each cave by taking hundreds of high-resolution photographs, in colour and black-and-white. Then the frescoes are examined to see what materials were used - and the causes of deterioration diagnosed - before experts decide on the best materials and methods to restore them.
    Some of the paintings, rendered on a base of mud and grass, are partly detached from the rock face, and enormously vulnerable to humidity or earthquakes. Different kinds of grout were extensively tested before one was chosen to fill the gaps.
    The project has produced guidelines that have been applied to other grottoes across China as well as principles that have helped the country better manage its heritage sites. It has also spawned a major new exhibition at the Getty Research Institute in Los Angeles that runs from May until September and includes full-size replicas of three of the caves.
    It is a much happier example of Sino-Western collaboration than the caves experienced a century ago. In 1907, Hungarian British archaeologist Aurel Stein persuaded a local monk to sell him 24 trunks packed with ancient Buddhist scriptures and five trunks of paintings, embroideries and other artworks that had only recently been discovered in a small walled-up cave. He paid the equivalent of 130 pounds.
    French, Japanese and Russian explorers took thousands more priceless documents in subsequent years before American Langdon Warner showed up in 1923 to find the portable treasures gone. Determined not to leave empty-handed, he took some of the sculptures and used adhesive glue to rip a dozen paintings off the walls.
    The official history calls them the "despicable treasure hunters."
    Others who weren't seeking relics inflicted their own sorts of damage. In 1870, Muslim rebels turned up at the caves, burning down many of the wooden ladders that gave access. They may also have been responsible for scratching off the faces from some of the paintings.
    In 1921, White Russian soldiers who had retreated into China during the war against the Bolsheviks were detained by the Chinese government and temporarily jailed in the caves. The damage from their fires, and their graffiti, is still visible in several caves.
    But history was kinder during China's Cultural Revolution, when, on orders from Premier Zhou Enlai, People's Liberation Army soldiers and police were dispatched to protect the caves from gangs of Red Guards intent on destroying them.
    Today, 735 caves remain, hewn from the cliff over a period of 1000 years. Nearly 500 have paintings on the walls - undecorated caves were for meditation - while more than 2000 sculptures have survived.
    With partners all over the world, the Dunhuang Academy is working on a major digital archiving project, photographing the caves and everything that was once contained within them. Wang said that more than 40,000 artworks or scriptures are scattered around the world but that this is a way to unite them and preserve them forever.
    "Of course, we hope that when the world truly becomes a big family, they can come back to Mogao caves and unite with the other relics here," he said. "But reality is quite cruel sometimes. If we can get them back to the Internet family through digitalisation, that is a target we can achieve for now."

     - The Washington Post

    Princess Ukok on display in Altai Rep. (Russia)

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    2,500 year old tattooed 'ice princess' wears 'fur' to go on public display at next new moon
    By The Siberian Times reporter
    03 June 2016
    Ancient mummy preserved by permafrost dressed up for her debut 21st century appearance despite calls for solemn reburial from native peoples.

    The 'ice princess' will be dressed in a stylised cover made to resemble her real life marmot fur coat, discreetly draped over the mummy, who experts says was  an elite member of her ancient culture. Picture: Alexander Tyryshkin
    The well-preserved 25 year old woman - who probably died from breast cancer - was dug from her ice-clad tomb in 1993 by Russian archeologists, but this is the first time her remains will be publicly displayed. 
    Analysis of her body and the artifacts in her elite tomb brought modern scientists unprecedented knowledge of the ancient Pazyryk culture which once held sway in southern Siberia. 
    Among the remarkable discoveries were 'modern-looking' artistic tattoos on her skin. 
    Her body art - seen in our pictures - has won acclaim around the world, and will be visible on her shoulders and fingers despite a decision to cover her modesty in a 'fur coat-style blanket'. 
    The move to display the mummy in the Anokhin National Museum in Gorno-Altaisk is seen as controversial, even though the remains in a specially built sarcophagus will be viewed only twice a week for a maximum of three hours on each day to ensure she is not damaged. Earlier museum officials appeared to give assurances she would not be displayed. 
    Ukok mummy exhibited

    Ukok mummy exhibited

    Ukok mummy exhibited
    Leading researcher of the All-Russian Research Institute of Medicinal and Aromatic Plants (Moscow), Dr Yuri Abramov, said: told: 'We made sure of the absolute safety of the mummy.' Pictures: Alexander Tyryshkin
    The 'ice princess' will be dressed in a stylised cover made to resemble her real life marmot fur coat, discreetly draped over the mummy, who experts says was  an elite member of her ancient culture.
    The Moscow institute which preserves the remains of Bolshevik revolutionary Vladimir Lenin - who died in 1924 - is ensuring the remains stay in a good condition.
    Rimma Erkinova, museum director, said lunar considerations would determine when the mummy - known as Princess Ukok after the plateau where archeologists opened her burial chamber - goes on display for the first time. 'The Altai people try to do all great things at the time of the new moon,' she explained. 
    Despite this, native ethnic groups in the Altai Republic have demanded that the tattooed remains should be reburied at the site where they were dug up, warning that a failure to do so will inflict terrible natural disasters on the world. 
    Detailed scientific analysis has shown that the 'princess' - who lived five centuries before Christ - almost certainly died from breast cancer, and that her illness may have caused a fall, probably from a horse, which compounded her health problems. She is believed to have taken cannabis to ease her suffering.
    Tattoed 2,500 year old Siberian princess 'to be reburied to stop her posthumous anger which causes floods and earthquakes'

    Tattoed 2,500 year old Siberian princess 'to be reburied to stop her posthumous anger which causes floods and earthquakes'

    Tattoed 2,500 year old Siberian princess 'to be reburied to stop her posthumous anger which causes floods and earthquakes'
    The mummy is getting inside a sarcophagus of Anokhin museum, Gorno-Altaisk, under a watchful eye of Irina Salnikova, head of the Siberian Branch of Russian Academy of Sciences Museum of Archeology and Ethnography. Pictures: Alexander Tyryshkin
    Buried around her were six horses, saddled and bridled as her spiritual escorts to the next world, along with a meal of sheep and horse meat.
    Archaeologists also found ornaments made from felt, wood, bronze and gold as well as a small container of cannabis and a stone plate on which coriander seeds were burned.
    From her clothes and possessions including a 'cosmetics bag', scientists were able to recreate her fashion and beauty secrets. Her head was completely shaved, and she wore a horse hair wig on top of which was a carving of a wooden deer. The ancient woman's face and neck skin was not preserved, but the skin of her left arm survived.
    The most exciting discovery was her elaborate body art, which many observers said bore striking similarities to modern-day tattoos.
    On her left shoulder was a fantastical mythological animal made up of a deer with a griffon's beak and a Capricorn's antlers. The antlers themselves were decorated with the heads of griffons. The mouth of a spotted panther with a long tail could also be seen, and she had a deer's head on her wrist.
    Princess Ukok

    Princess Ukok

    princess Ukok

    Princess Ukok
    Her body art - seen in our pictures - has won acclaim around the world, and will be visible on her shoulders and fingers despite a decision to cover her modesty. The drawings made by Elena Shumakova, Institute of Archeology and Ethnography, Siberian Branch of Russian Academy of Science 
    Leading researcher of the All-Russian Research Institute of Medicinal and Aromatic Plants (Moscow), Dr Yuri Abramov, said: told: 'We made sure of the absolute safety of the mummy.'
    Earlier, Akai Kine, leader of the Teles ethnic group and president of the Spiritual Centre of the Turks, Kin Altai, went to court in a failed attempt to demand reburial of the mummy. Her removal from her burial chamber flouted ancient and local beliefs, he said.
    'The dead cannot be disturbed, and especially they cannot be held on public display and carried around the world. After she was dug out, we immediately saw earthquakes, floods, and hail which were not known previously.'
    He described her as the White Lady, a priestess guarding 'the umbilical cord of the Earth'. 'She stood as a guard at the gates of the underworld, preventing the penetration of evil from the lower worlds. 
    'However, after archaeologists removed the mummy, it has lost its strength and can no longer perform its protective function. So evil started to penetrate, natural disasters and human conflicts began.'
    Princess Ukok

    Ukok 'Princess'
    Reconstruction of Pazyryk woman's costume. Right, Pazyryk man's costume. Reconstruction by D. Pozdnyakov, Institute of Archeology and Ethnography, Siberian Branch of Russian Academy of Science. 
    Collection keeper Sergey Kireev said Moscow scientists had given approval to display the mummy and also the use of the 'fur' cover. Earlier this year he was quoted saying: 'The mummy will be safely kept in our museum, without going to public display.' 
    The mummy's lavish grave suggests she was someone of singular importance. 
    An MRI, conducted in Novosibirsk by eminent academics Andrey Letyagin and Andrey Savelov, showed  that the 'princess' suffered from osteomyelitis, an infection of the bone or bone marrow, from childhood or adolescence.
    Close to the end of her life, she was afflicted, too, by injuries consistent with a fall from a horse: but the experts also discovered evidence of breast cancer.
    'When she was a little over 20 years old, she became ill with another serious disease - breast cancer.  It painfully destroyed her' over perhaps five years, said a summary of the medical findings in 'Science First Hand' journal by archeologist Professor Natalia Polosmak, who first found these remarkable human remains in 1993. 
    Ukok mummy in MRI scanner

    Altai mummy MRI scan
    Eminent academics Andrey Letyagin: 'I am quite sure of the diagnosis - she had cancer.' Pictures: 'Science First Hand', The Siberian Times
    'During the imaging of mammary glands, we paid attention to their asymmetric structure and the varying asymmetry of the MR signal,' stated Dr Letyagin in his analysis. 'We are dealing with a primary tumour in the right breast and  right axial lymph nodes with metastases.'
    'The three first thoracic vertebrae showed a statistically significant decrease in MR signal and distortion of the contours, which may indicate the metastatic cancer process.'
    He concluded: 'I am quite sure of the diagnosis - she had cancer. 
    'She was extremely emaciated. Given her rather high rank in society and the information scientists obtained studying mummies of elite Pazyryks, I do not have any other explanation of her state. Only cancer could have such an impact.' 
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