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The Sih-Rozag in Zoroastrianism

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The Sih-Rozag in Zoroastrianism: A Textual and Historico-Religious Analysis

Author:
Enrico Raffaelli
Sihrozag

Focusing on the Avestan and Pahlavi versions of the Sih-rozag, a text worshipping Zoroastrian divine entities, this book explores the spiritual principles and physical realities associated with them.
Introducing the book is an overview of the structural, linguistic and historico-religious elements of the Avestan Sih-rozag. This overview, as well as reconstructing its approximate chronology, helps in understanding the original ritual function of the text and its relationship to the other Avestan texts.The book then studies the translation of the text in the Middle Persian language, Pahlavi, which was produced several centuries after its initial composition, when Avestan was no longer understood by the majority of the Zoroastrian community.
Addressing the lacuna in literature examining an erstwhile neglected Zoroastrian text, The Sih-Rozag in Zoroastrianism includes a detailed commentary and an English translation of both the Avestan and Pahlavi version of the Sih-rozag and will be of interest to researchers and scholars of Iranian Studies, Religion, and History.
Routledge – 2014 – 368 pages

The Blacks of Premodern China

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208 pages | 6 x 9 | 7 illus.
Cloth 2009 | ISBN 978-0-8122-4193-8 |
Ebook 2011 | ISBN 978-0-8122-0358-5 |
A volume in the Encounters with Asia series 

Premodern Chinese described a great variety of the peoples they encountered as "black." The earliest and most frequent of these encounters were with their Southeast Asian neighbors, specifically the Malayans. But by the midimperial times of the seventh through seventeenth centuries C.E., exposure to peoples from Africa, chiefly slaves arriving from the area of modern Somalia, Kenya, and Tanzania, gradually displaced the original Asian "blacks" in Chinese consciousness. In The Blacks of Premodern China, Don J. Wyatt presents the previously unexamined story of the earliest Chinese encounters with this succession of peoples they have historically regarded as black.
A series of maritime expeditions along the East African coastline during the early fifteenth century is by far the best known and most documented episode in the story of China's premodern interaction with African blacks. Just as their Western contemporaries had, the Chinese aboard the ships that made landfall in Africa encountered peoples whom they frequently classified as savages. Yet their perceptions of the blacks they met there differed markedly from those of earlier observers at home in that there was little choice but to regard the peoples encountered as free.
The premodern saga of dealings between Chinese and blacks concludes with the arrival in China of Portuguese and Spanish traders and Italian clerics with their black slaves in tow. In Chinese writings of the time, the presence of the slaves of the Europeans becomes known only through sketchy mentions of black bondservants. Nevertheless, Wyatt argues that the story of these late premodern blacks, laboring anonymously in China under their European masters, is but a more familiar extension of the previously untold story of their ancestors who toiled in Chinese servitude perhaps in excess of a millennium earlier.
Don J. Wyatt is Professor of History at Middlebury College.

Byzantine Gold Coin Found in Tomb of Emperor Jiemin of Northern Wei

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In November 2013 I posted this article:

1,500-year-old Roman gold coin unearthed at Chinese tomb


1,500-year-old Roman gold coin unearthed at Chinese tombThe coin found, like this one, is from the East Roman Empire era.
Archaeologists conducting excavations at an ancient tomb in Luoyang, Henan Province, China, found Monday a gold coin from the East Roman era estimated to be over 1,500 years old.
The finding, reports China National News, is yet another proof of a long history of exchange between the Eastern and the Western civilizations and suggests that the area was part of the ancient section of the “Silk Road,” used by merchants travelling between China and the Mediterranean cultures.
Though Western coins had been discovered at ancient tombs in China, the one unearthed yesterday preserved its original shape, to the point that —when found— reportedly glittered just like a brand new one would.
Minted during 491–518 AD, the gold coin was likely used as an amulet or an ornament, rather than as an accepted currency in China.
The tomb, discovered during road construction work last year, is located in an area believe to have host an imperial cemetery area from the Northern Wei Dynasty. Up to now, chinaware, bronze utensils and stoneware have been found there.

Recently I found this article from Gary Ashkenazy  which is more informative:


Byzantine Gold Coin Found in Tomb of Emperor Jiemin of Northern Wei

Chinese archaeologists recently completed their work excavating an ancient tomb located near Luoyang (洛阳), Henan Province (河南省), according torecent reports in the Chinese press.
Archaeologists believe the tomb belongs to Emperor Jiemin of Northern Wei
Archaeologists believe the tomb belongs to Emperor Jiemin of Northern Wei
The archaeologists from the Luoyang Municipal Institute of Cultural Relics and Artifacts (洛阳市文物考古研究院) can be seen working in the tomb in the image at the left.
The archaeologists believe that the tomb belongs toEmperor Jiemin (节闵帝) of the Northern Wei (北魏).  Emperor Jiemin is sometimes referred to by his personal name Yuan Gong (元恭).
The Northern Wei was a Mongolian dynasty and Emperor Jiemin ruled during the years 498-532 AD.
Historical sources reveal that after the capital was moved to Luoyang, six Northern Wei emperors died and were buried in the area.  Documents specifically mention the tombs of Emperor Xiaowen (孝文帝长陵), Emperor Xuanwu (宣武帝景陵), Emperor Xiaoming (孝明帝定陵) and Emperor Xiaozhuang (孝庄帝静陵).
The historical records are not clear in regard to the tombs of Yuan Ye (Prince of Changguang 长广王元晔) and Emperor Jiemin.
Because Yuan Ye reigned for only a few months (530-531), the archaeologist do not believe that a tomb of this magnitude could not have been built during his reign.
Given the scale of the tomb, its location and configuration, as well as the length of time it would have taken to build, the archaeologists have preliminarily concluded that the tomb must therefore belong to Jiemin.
This would be the fifth Northern Wei emperor tomb discovered in Luoyang.
The path leading down to the grave is 39.7 meters in length and 2.9 meters in width.  The tomb chamber is 19.2 meters in length and 12 meters in width.
While a number of artifacts were recovered, many had suffered damage.
Gold coin found in the tomb of Emperor Jiemin of Northern Wei and minted during the reign of Anastasius I of the Byzantine Empire.
Gold coin found in the tomb of Emperor Jiemin of Northern Wei and minted during the reign of Anastasius I of the Byzantine Empire.
However, the most important artifact discovered in the tomb was a gold coin (solidus) in excellent condition.
The coin, shown at the left, was minted during the reign of Anastasius I (阿纳斯塔修斯一世) who was the Byzantine Emperor during the period 491-518 AD.
The coin is 2.1-2.2 cm in diameter and is one of only a few Byzantine gold coins ever unearthed by archaeologists in China.
According to the archaeologists, the discovery of this Byzantine gold coin in a Chinese emperor’s tomb provides further evidence that Luoyang was the eastern terminus of the ancient Silk Road (丝绸之路).

Along the Ancient Silk Routes: Central Asian Art from the West Berlin State Museums and other catalogues

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The Metropolitan Museum has an excellent Tab on her  site under "Research", called MetPublications

Under this Tab are available a large collection of a.o. old exhibition catalogues, downloadable and/ or readable.

I selected two of them.
About MetPublications
MetPublications is a portal to the Met's comprehensive publishing program with 1,500 titles, including books, online publications, and Bulletins and Journals from the last five decades.
MetPublications includes a description and table of contents for most titles, as well as information about the authors, reviews, awards, and links to related Met titles by author and by theme. Current book titles that are in-print may be previewed and fully searched online, with a link to purchase the book. The full contents of almost all other book titles may be read online, searched, or downloaded as a PDF. Many of these out-of-print books will be available for purchase, when rights permit, through print-on-demand capabilities in association with Yale University Press. For the Met's Bulletin, all but the most recent issue can be downloaded as a PDF. For the Met'sJournal, all individual articles and entire volumes can be downloaded as a PDF.
Readers may also locate works of art from the Met's collections that are included in every book and periodical title and access the most recent information about these works in Collections.
Readers are also directed to every title located in library catalogues on WATSONLINE and WorldCat.

When Silk Was Gold: Central Asian and Chinese Textil




Description
Four thousand years ago a remarkable culture, that of the pastoral nomads, emerged in the Eurasian steppes north of the Great Wall of China, in the vast expanse of grasslands that stretches from Siberia into Central Europe. By the first millennium B.C., material prosperity among the nomads had brought about a flowering of creativity and the evolution of a new artistic vocabulary.
The pastoral peoples left no written record, but the artifacts that remain provide a key to understanding their culture and beliefs. Beautifully crafted and highly sophisticated and abstract in design, these objects are visual representations of the natural and supernatural worlds that guided their lives.
An equestrian people, the nomads produced many objects associated with horses and the paraphernalia of riding. These were embellished primarily with animal motifs. The figures that populate these small objects—ibex and hedgehogs, deer and camels, griffins and dragons—at time exhibit violence and aggression, at times an appealing charm, but always spirit and vitality. This "animal style" would remain a significant source of inspiration in the decorative arts of the Eurasian continent for centuries to come.
The artistic exchange between the pastoral peoples and their settled Chinese neighbors through trade, migration, marriage alliances, and warfare contributed to the cultural development of both groups. This book chronicles that exchange and tells of the legacy of their art, with iconographic analyses and detailed descriptions of nearly two hundred artifacts.
The objects, a recent gift to The Metropolitan Museum of Art, are drawn from the distinguished collection of Eugene V. Thaw, with additional works selected from other New York collections and from the holdings of the Metropolitan Museum.
Table of contents
About the authors
Press reviews
Tags

Ancient Buddhist casket found in north China

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A Jade casket containing relics of a prominent Buddhist has been found in north China's Hebei Province, local authorities said on Thursday.
 
A farmer accidentally found a cushion-sized "stone" when he was ploughing fields in the historic site of Yecheng, a 2,500-year-old ancient city located in what is now Linzhang County of Handan City, according to the county's cultural relics protection department.



 
The casket is 22 cm long, 19 cm wide and 9 cm high. It is believed to be an artifact of Hinayana, a branch of Buddhism that prevailed in Sri Lanka, Myanmar and Thailand, said He Liqun, an archaeologist with the Chinese Academy of Social Sciences.
 
He said the finding proves that Hinayana was introduced to China's middle and lower reaches of the Yellow River.
 
"Such a casket containing relics of a prominent Buddhist is often enshrined in an underground palace of a Buddhist temple," he added.
 
Yecheng, an ancient capital of many dynasties, was once a political, economic and cultural center in middle and lower reaches of the Yellow River.
 
Historical data showed that it has more than 80,000 monks and nuns in 900 temples in the Eastern Wei and Northern Qi dynasties (534-577). 

Buddha Bowl the real thing or not?

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The first article appeared in the Times of India, July 3, 2014, the second one in The Hindu, June 8, 2014


Buddha bowl the real thing: ASI report


The begging bowl in a museum in Afghanistan, which is believed to be that of Buddha's . File photo: Special Arrangement
The begging bowl in a museum in Afghanistan, which is believed to be that of Buddha's .

KOLKATA: Lord Buddha's begging bowl — one of Buddhism's most prized relics that currently finds pride of place at Kabul's National Museum — is authentic, a team of experts from Archaeological Survey of India has concluded.

According to ASI documents and a report by its first director-general, Sir Alexander Cunningham, the giant stone bowl weighing around 350-400 kg was Lord Buddha's 'bhikshapatra' that he donated to the people of Vaishali. In the second century, Kanishka took away the bowl to his capital Purushpura (Peshawar) and then to Gandhara (Kandahar). It was in Kandahar till the regime of former Afghan President Najibullah and thereafter shifted to Kabul museum.

The ASI team's visit to Kabul to inspect the bowl in the first week of May had evoked world-wide interest. The team finally submitted its report to the ministry of external affairs earlier this week. It was at the ministry's behest — after long discussions in Parliament and also with experts from four leading universities of the country — that the team had visited Kabul.

"The report has been sent to the MEA. The ministry is its custodian now," said Dr B R Mani, the additional director-general of ASI, refusing to divulge any details. 

The two experts who visited Kabul for the verification were Dr Phanikanta Mishra, director-east, Kolkata and G S Khwaja, director-Arabic and Persian epigraphy, Nagpur. On return, they conducted further rounds of painstaking research to develop on their findings. Both were, however, unavailable for comments. Dr Mishra was on leave, his Kolkata office told TOI.

The contention over the bowl rose because of six lines of Persian inscription on its outer wall. The inscriptions, probably verses from the Quran, led to the belief that the artefact could be of Islamic origin. But a closer scrutiny revealed that the inscriptions were of a later period.

Buddhist relics in Afghanistan have been a cause of concern for India and the world after the destruction of the Bamiyan Buddhas by the Taliban in 2001. The Taliban had ordered all Buddhist artefacts in the Kabul museum destroyed, but the bowl remained untouched, thanks to the Quranic verses.

Vaishali MP Raghuvansh Prasad Singh, who had relentlessly raised the issue in Parliament and urged the government to bring the relic to India, is happiest at the positive report from ASI. "I had urged experts of various universities —JNU, DU, PU and BHU — to find out the actual history and details of the ancient bowl. Celebrated Chinese travellers Fa Hien and Xuan Zang had made references to Vaishali's begging bowl in their travel accounts," Singh said. "Buddha attained Parinirvana in 483 BC and for six centuries after that, till the first century AD, the bowl was a prized possession of Vaishali."

The relic is not small, by any means. The solid stone hemisphere, made of greenish-grey granite, is about 5.7 feet in diameter and its rim is 18cm thick on an average. It's thicker in the middle and at the base. It has no cracks or abrasions, except for a palm-size area that has flaked away near the rim. The base is a delicately chiselled lotus, attesting to its Buddhist past. Inscribed in beautiful large calligraphic script along the rim of the bowl are six rows of verses from the Quran, reflecting its Islamic continuum and its status through the ages as an object of special religious interest. Traces of similar calligraphic script are visible on the inside of the bowl as well.

The ASI's documents apparently hints that 24 lotus petals, six of which remain unscathed, indicating that they were of an earlier period. These untouched petals evidently revealed that the original bowl had plain petals. Detailed descriptions by Fa Hien matched the bowl's descriptions, said highly placed sources, quoting the report.
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Buddha's begging Bowl

It’s not ‘Buddha’s’ begging bowl


A begging bowl on display in an Afghanistan museum is not associated with Lord Buddha, Indian officials have concluded belying the initial perception that it belonged to the founder of Buddhism.
The conclusion has been reached after a team of Archaeological Survey of India (ASI) officials studied the bowl, sources told PTI here on Sunday.
The bowl has Arabic characters etched on it and cannot be associated with Lord Buddha, they said.
“The reported claims of Lord Buddha’s association with the bowl is unlikely as the inscriptions on the vase are in Arabic script that never existed during his (Buddha) era. Moreover, Buddha’s messages were written in Pali language using Brahmi characters,” one of the sources said.
According to the sources, the inscriptions on the 400-kg bowl has been written in Persian language using Arabic script.
“Arabic script came into existence only during the fifth century AD, whereas Lord Buddha’s life dates back to second and third century BC. If at all the messages of Buddha would have been written, it would be inscribed only in Pali and not in Arabic,” the source underscored.
The sources further observed that the inscription on the mysterious bowl could have been made about 500 years ago, around 15th century AD or a century later.
The bowl created controversy after a strong demand for bringing it back and installing it at its original place at Vaishali in Bihar was made by former RJD MP Raghuvansh Prasad Singh in the Lok Sabha last year.
Raising the issue in Parliament, Mr. Singh had said that Buddha, who was on his way to attain nirvana(salvation), had presented the bhikshapatra (begging bowl) to the people of Vaishali.
The bowl was later taken away to the capital of Kanishka, Purushputra (now Peshawar), by invaders and then further to Kandahar (then Gandhar), Mr. Singh, who had represented Vaishali constituency, said, adding several noted historians have written about the historicity of the vase.
The huge greenish-grey granite bowl has a diameter of about 1.75 metres, height of almost four metres and thickness of 18 centimetre at its rim. The vessel is currently displayed at the National Museum of Afghanistan.
Mr. Singh had also urged the External Affairs Ministry and the ASI to take steps to bring it back to India and install it at its “original place in Vaishali.”
Against this backdrop, a team of ASI officials — P K Mishra, Director, Heritage Bye-laws, Kolkata and G.S. Khwaja, Director, In-charge, Epigraphy Branch, Nagpur (Arabic and Persian) — was sent.

Under the sands of time: Ancient Buddhist mound in Pakistan

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Under the sands of time: Ancient Buddhist mound discovered in Sector E-11

Published: June 16, 2014
The mound is located in Sector E-11, next to the Pakistan Medical Cooperative Housing Society, Islamabad. PHOTO: EXPRESS
ISLAMABAD: 
A group of researchers have discovered an ancient mound in Sector E-11 where they found a bovine terracotta pottery fragment that could date back to the Bronze Age. 
The mound, discovered during documentation work by the Potohar Research Group (PRG) and the National College of Arts (NCA), is in a precarious situation and needs preservation.
It lies at the northern end of Sector E-11 on Service Road North, a few yards from nearby houses and slums.
The PRG found the bovine figure on a terracotta potsherd during surface collection and without any excavation work.
NCA Rawalpindi Campus Director Dr Nadeem Omar Tarrar says that he sent a picture of one of the potsherds to Italian archaeologist Luca Olivieri, who reckoned it might date back to the Bronze Age.
Muhammad Bin Naveed, an archaeologist accompanying the researchers, said the mound is in extremely precarious condition and needs urgent excavation work for a detailed picture of the site.
Tarar called on the Federal Department of Archaeology and Museums preserve the site from encroachment and declare it a protected monument. “It is not unlikely that the mound is part of an ancient settlement that has a cemetery on top of it, but that will require careful investigation”.
He said they have sent relics to archaeologists to ascertain the age of the mound.
The researchers also said that in the nearby areas, there are signs of a historic graveyard which would date back to the dawn of civilisation. Tarrar said they have also found a rock formation which resembles Greek era work.
He said the Margalla foothills have been an important route and a hub of the Gandhara Civilisation, and the “discoveries are just a tip of the iceberg”.
Excavation work has been carried out in the vicinity of Islamabad in the past and the remnants of a Buddhist site were recovered from Sector G-12. All of the artifacts are on an ancient route that Buddhist caravans once used to reach Taxila.
Researchers hoped the authorities will carry out excavation at the site and protect the heritage site from further pillage. They suggested fencing off the mound to save it from further encroachment.
Capital Development Authority Spokesman Asim Khichi told The Express Tribune that a team of archeologists will visit the site soon.
Published in The Express Tribune, June 16th, 2014.


Neglect: Ancient cemetery in D-12 faces ‘development’ threat

The graveyard is next to the ancient Buddhist mound in Sector D-12. PHOTO: FILE
ISLAMABAD: 
A centuries-old cemetery in Sector D-12 faces destruction as the Capital Development Authority plans to flatten the area to develop the sector.
Situated on the northern strip of D-12, the graveyard, experts say, seems to be of a royal family as many graves are set in a huge single wall-like structure that has been buried under earth over the centuries and only the top is visible above ground.
Many of the graves have already been vandalised by the locals.
Remnants of animal bones have also been seen in abundance in the cemetery, which some researchers said might be part of magic or other such practices carried out in old graveyards.
National College of Arts Rawalpindi Campus Director Nadeem Omar Tarrar has been visiting the area with his research team for the last few weeks.
He told The Express Tribune that the age of the cemetery had yet to be determined, but one of the graves comprises three or four small graves, suggesting that it may have been a royal cemetery.
A number of ancient structures dating back to the Gandhara Civilisation have been uncovered in the foothills of Margallas. Most, if not all, face official neglect and badly need preservation.
The Buddhist remains lie on the ancient route once used by caravans to reach Taxila.
There are some newer graves near the ancient cemetery, but their alignment is not in sync with each other, suggesting different cultures.
Experts reckoned that this graveyard might be related to a pre-historic mound discovered recently by the same NCA team. There is also another series of graves some 300 yards from the cemetery.
There is a ridge in the cemetery which might have served as a wall or a water channel at some time in the past.
Tarrar says there are dozens of historical sites in the area which need urgent protection and further excavation.
Published in The Express Tribune, July 3rd, 2014.

Biblical and other Christian Sogdian texts from the Turfan Collection

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Biblical and other Christian Sogdian texts from the Turfan Collection

by Nicholas Sims- Williams


This new volume in the series Berliner Turfantexte contains the edition, with translation and detailed commentary, of a series of important Christian texts in Sogdian, most of them previously unpublished. The emphasis is on Biblical texts translated into Sogdian from the Syriac Peshitta version: a Psalter in Sogdian script, fragments of Gospel lectionaries, and a double-folio from a lectionary of the Pauline Epistles. Other texts edited in the volume include a retelling of the story of Daniel, a text on the Dormition of the Virgin Mary, and the "Wisdom of Ahiqar", all of them in recensions which differ significantly from any known Syriac version. Two analytical glossaries, one for the Psalter and other texts in Sogdian script and one for the texts in Syriac script, cover not only the works edited in this book but also a number of Christian Sogdian texts published by the author in scattered articles over the last twenty years or so. The volume concludes with a bibliography, an index of words discussed in the commentary, and seventeen plates. This work will be of interest to specialists in Iranian languages, mediaeval Central Asia, Biblical studies, Syriac literature, and the history of the "Church of the East".

Manichaean Texts in Syriac

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Manichaean Texts in Syriac 

This is the first major work devoted entirely to the Aramaic-Syriac roots of Manichaeism containing inter alia editiones principes of hitherto unknown Syriac-Manichaean texts as well as other editions, studies of the palaeography and origin of the earliest specimens of Manichaean script, interpretation of the texts in the context of Enochic Jewish literature and early Syriac literature, an art-historical study of the Mani seal, as well as photo plates of all the manuscripts edited in the volume.



Those texts classified as Liturgical, which are included in the present volume, always have as their framework or main theme some aspect of the conduct of services, rituals, liturgies, or worship, whether it be the act of Confession of sins or a related ritual, or the performance of Hymns of praise and Prayers of praise or appeal by individuals or within congregations engaged in private or public rituals. No sustained attempt has been made to assign texts to one or another known liturgy such as the Bema fest for several reasons, including that insufficient leaves survived of what appear to have been service books (like the Iranian "Prayer and Confession Book," M801) that would have provided a structure for supporting such judgments. Nonetheless, certain texts retain some narrative portions of liturgies, including several texts connected with the ritual of confession, one connected with the sacred meal, and several other segments belonging to unidentified rituals. Because liturgical texts written in Uygur were produced in the period of Uygur sponsorship of the religion (approximately from the middle of the 8th century through the first quarter of the 11th century), they may in instances reflect the participation of real people in real time during that period (e.g. those confessors whose names appear in copies of the Xwāstwānīft). However, the liturgical content of such texts is fundamentally religious and static, and does not incorporate dedications or references to contemporary secular or spiritual figures or events (the latter kinds of hymns, songs and appeals are edited as Benedictions in the Ecclesiastical volume).

Tang China in Multi-polar Asia

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Tang China in Multi-Polar Asia: 

A History of Diplomacy and War



Description
Using a synthetic narrative approach, this ambitious work uses the lens of multipolarity to analyze Tang China’s (618–907) relations with Turkestan; the Korean states of Koguryŏ, Silla, and Paekche; the state of Parhae in Manchuria; and the Nanzhao and Tibetan kingdoms. Without any one entity able to dominate Asia’s geopolitical landscape, the author argues that relations among these countries were quite fluid and dynamic—an interpretation that departs markedly from the prevalent view of China fixed at the center of a widespread “tribute system.” 

To cope with external affairs in a tumultuous world, Tang China employed a dual management system that allowed both central and local officials to conduct foreign affairs. The court authorized Tang local administrators to receive foreign visitors, forward their diplomatic letters to the capital, and manage contact with outsiders whose territories bordered on China. Not limited to handling routine matters, local officials used their knowledge of border situations to influence the court’s foreign policy. Some even took the liberty of acting without the court’s authorization when an emergency occurred, thus adding another layer to multipolarity in the region’s geopolitics. 

The book also sheds new light on the ideological foundation of Tang China’s foreign policy. Appropriateness, efficacy, expedience, and mutual self-interest guided the court’s actions abroad. Although officials often used “virtue” and “righteousness” in policy discussions and announcements, these terms were not abstract universal principles but justifications for the pursuit of self-interest by those involved. Detailed philological studies reveal that in the realm of international politics, “virtue” and “righteousness” were in fact viewed as pragmatic and utilitarian in nature.

Comprehensive and authoritative, Tang China in Multi-Polar Asia is a major work on Tang foreign relations that will reconceptualize our understanding of the complexities of diplomacy and war in imperial China. 

Reviews
This is a major work of Tang scholarship, such as we shall not see for a long time to come. It strives to reconceptualize our understanding of imperial China’s foreign relations in a way that neither privileges the tribute system nor dismisses it as an affront to Westphalian principles. In doing so, the book is in perfect sync with the flood of current interest in retheorizing the history of Chinese foreign policy in more recent centuries. It is also an engagingly written narrative about a fascinating time and place in human history.” —Timothy Brook, Republic of China Chair, Department of History, University of British Columbia

“Zhenping Wang’s volume, executed with enviable scholarly acumen, takes the reader away from the single-themed Tang ‘foreign-relations-as-tribute’ model by a consideration of multiple polarities. Incorporating terms and concepts of world history—multiple-polarity, interdependence, soft power, and hard power—the author deals with Tang relations and reactions, varied as they were, to the numerous political states and entities surrounding Tang China. This work appreciably expands our understanding of China-in-the-world and the world-in-China.” —D.W. Y. Kwok, professor emeritus of history, University of Hawaii

Author Bio
Wang Zhenping  is associate professor at the National Institute of Education, Nanyang Technological University, Singapore

Table of Contents
Read the contents (PDF) and an introduction (PDF





Murals found in Tang Dynasty tomb in Ningxia

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For video, click HERE
Located on the Silk Road, Guyuan County in Northwest China's Ningxia Hui Autonomous Region used to be an important town along the trade route. Many cultural relics have been discovered there, and now archeologists have found something new.
Red and white marks have been found on the walls of a large tomb from the Tang Dynasty. Archeologists believe they're part of murals hidden inside the walls. The marks were found during the excavation of a more than one-thousand year-old tomb.
This is the first time that murals on such a large scale have ever been found in Ningxia. The murals and the tomb will provide valuable clues for research on the history, economy, culture and religions of the Tang Dynasty.

Protecting the city ruins along the Silk Road

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CNTV.com 11 July 2014     For a video, click HERE

As it's become a UNESCO World Heritage Site, the protection of the Silk Road has become more urgent than ever. Among the 22 heritage sites on the Chinese segment of the road, some are city ruins that have been ravaged by time for thousands of years. 

The witnesses to dynasties, these city ruins are a testament to thousands of years of Chinese civilisation  The cities Jiaohe and Gaochang were built around two thousand years ago, as the capital and military posts of an ancient kingdom. Along with Beiting, they became major military towns during the Tang dynasty around 600 AD. Built simply with earth, the ruins have long been threatened by the elements. Protecting the city ruins along the Silk RoadProtecting the city ruins along the Silk Road

"Cracks can be found everywhere in these ruins, which might collapse at any time. Precipitation here is only 16 millimeters annually. But the evaporation volume amounts to over 4000 millimeters. When water is evaporating, it leaves salt in the earth, which then gets loose and unstable." said Liang Tao, Director, Relic Protection Center, Xinjiang.

Protection efforts have been ongoing in these areas for decades. Numerous tests have been carried out to determine what methods and what materials should be used to stabilize the ruins. Some waterproofing methods have proven effective.

"For eight years, all the ruins protected with this waterproof and anti-weathering method have not been further damaged. They're all in good shape so far." said Liang Tao, Director, Relic Protection Center, Xinjiang.

But Liang also says the fragility of the ruins and extreme weather continue to bring challenges. And further research and testing are needed to save these ancient ruins from fading into history forever. 

Protecting the city ruins along the Silk RoadProtecting the city ruins along the Silk Road
Protecting the city ruins along the Silk RoadProtecting the city ruins along the Silk RoadProtecting the city ruins along the Silk RoadProtecting the city ruins along the Silk Road

Protecting Silk Road heritage: the Bingling Temple Grottoes

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CNTV.com 12 July 2014   For a video, click HERE
Time and nature are not the only challenges facing the sites along the ancient silk road. Human activity can be a threat too. The question is how to keep the authenticity and completeness of the heritage sites in the course of urbanisation and economic development.
The Bingling Temple Grottoes in northwest China
The Bingling Temple Grottoes in northwest China's Gansu Province is one of five Grottoes in the country. The heritage site boasts a history of 1,600 years, and is filled with Buddhist sculptures carved into natural caves and caverns along the Yellow River.
The Bingling Temple Grottoes in northwest China's Gansu Province is one of five Grottoes in the country. The heritage site boasts a history of 1,600 years, and is filled with Buddhist sculptures carved into natural caves and caverns along the Yellow River. It lies about 35 kilometers north of where the Yellow River empties into a reservoir.
The reservoir, which was built in the 1960s, posed a serious threat to the heritage site. A Buddhist sculpture at a lower place was in danger of being flooded, before the authorities moved it to a museum.
Archaeologist Shi Jinsong said, "The original location of the Buddhist sculpture is 15 meters below us. We moved it before the water rose. Some 30 years later, we were able to repair it. And in 2001 we put the sculpture here. "
The Bingling Temple is both stylistically and geographically a midpoint between the monumental Buddhas of Bamiyan in Afghanistan, and the Buddhist Grottoes of central China. It is a good example of the communication among different cultures along the ancient silk road. The sculptures, carvings, and frescoes that remain are outstanding examples of Buddhist artwork. And there is much to be done to protect them.
Archaeologist Cai Chao said, "The reservoir nearby affects the humidity of the Bingling Temple Grottoes. We have examined some frescoes and found that the color has changed a lot from what it was 20 years ago. Something must be done before the situation worsens."
The good news is that local authorities are working with archaeologists to address the issue. A system has been set up to monitor the humidity of the environment and the condition of the Bingling Temple Grottoes.

Italian connection

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From: The News on Sunday (Pakistan)  June 29, 2014


 June 29, 20144 Comments

Almost six decades of close collaboration between scholars from Italy and Pakistan has resulted in the excavation of numerous Buddhist monuments in Swat
Italian connectionAmluk Dara StupaShare on emai
He was about to conclude his presentation when I entered the room. The last few slides of his presentation were enough to transport me back into the ancient world of Swat, a great centre of Buddhist culture, from where Buddhism spread to Baltistan, Tibet and Far East.
The presentation followed by a question-and-answer session brought to light the archaeological wealth of the picturesque Swat valley known in history as Uddiyana or ‘garden’ in Sanskrit.
The presenter, Dr Luca Maria Olivieri, head of the Italian Archaeological Mission in Swat, has dedicated 27 years of his life to archaeological research in Swat since 1984. Dr Olivieri belongs to the fourth generation of Italian scholars conducting research in Swat that began nearly 60 years ago with the signing of agreements between the Pakistan government and Italian Institute in 1955.
Credit goes to the visionary Walis (rulers of Swat) and the well-known Italian scholar Professor Giuseppe Tucci who, after signing the agreement, established a permanent Italian research mission in Swat in 1956, which works to this day.
It is the strategic location of Swat — between the great Hindu Kush and Karakorum and the plains of Gandhara — that made the valley prosperous and attractive for traders, conquerors and pilgrims. The region, at one point, was a key a centre for trade and Buddhist culture and holy places visited by numerous Chinese pilgrims. Following Alexander the Great in 327 BC, the region was conquered by the Indo-Greeks, Sakas, Parthians, Kushans, Sasanians and Hephthalites. Even after the conquests when economic activity declined, Swat maintained its status of “a place of transit not only for goods but also ideas”.
It was the birthplace of Padmasambhava, also known as the “Precious Master”, who introduced Buddhism to Tibet in the 8th century AD.
It was the accounts of this holy land of Buddhism in the Tibetan texts that brought Professor Tucci to Swat in 1955. By that time, Tucci had already made several trips to the Tibetan world, including Baltistan in modern day Pakistan.
In addition to excavation sites, the Italian Mission’s supported the establishment of Swat Museum in 1963, its reconstruction in 2013.
Following a brief survey of Buddhist rock reliefs, a collection of Gandhara art and a few selected places, including Udegram in 1955, Tucci returned to Swat in 1956 to conduct a decisive survey which, according to Dr Olivieri, provided the basis for the entire subsequent archaeological research in Swat.
Almost six decades of hard work, dedication and close collaboration between generations of scholars from Italy and Pakistan has resulted in the discovery and excavation of numerous Buddhist monuments, proto-historic graveyards, historic settlements and mosques.
In addition to excavation sites, the Italian Mission’s support to the establishment of Swat Museum in 1963, its reconstruction in 2013 and the work on the Swat Archaeological Map are everlasting contributions to heritage research and preservation in Pakistan.
Ghaznavid Mosque in Udegram
Ghaznavid Mosque in Udegram
In Swat, the Italian archaeologists feel at home. The people of Swat have accepted them warmly and often call Dr Luca Olivieri “an Italian Pathan” to express their love and gratitude to him.
Thanks to information campaigns run by the Tourism Corporation of Khyber-Pakhtunkhwa (TCKP) and Sustainable Tourism Foundation of Pakistan which motivated me and a group of friends and family members to get on our archaeological tour of Swat, the two-day trip, though a bit hectic, made us praise the marvels of Pakistan’s cultural heritage.
From Islamabad, we took the motorway to Peshawar and, after travelling for about one and half hour, exited through the Mardan Interchange to drive on the G.T. Road, leading to Malakand and Swat. Travelling by Shahbaz Garhi, famous for the Ashoka Pillars and the world heritage site of Takht-i-Bahi ruins, we reached the Malakand Pass in about three and a half hours.
Known for being Alexander’s route to attack the Indus plains, the Malakand Pass was also the pilgrimage route for Buddhists and Hindus to visit their holy sites. At one point, British India had its northern-most church built near the highest military post on the Malakand Pass. It took us one hour to cross the two famous passes Malakand and Chakdara, and reach our first stop at the historic site of Shingardar.
Remains of Butkara Stupas
Remains of Butkara Stupas
The large stupa, still intact and in a relatively good shape, is visible from the main road. Known as the Shingardar stupa, it has fascinating stories about its construction. One story tells that the elephant bearing Swat’s share of the relics of Buddha halted at Shingardar, died on the spot and miraculously turned into stone. Uttarasena, the king of Swat, ordered construction of a stupa at the site where the elephant had died. Scholars agree that the Buddhists of Swat received their share of the relics of Buddha but argue the stupa that enshrined the relics may be different from the present stupa at Shingardar.
Our next stopover was Udegram, the place Hungarian-British archaeologist Aurel Stein and Tucci identified as the ancient city of Ora. Tucci visited the village during his maiden trip in 1955 followed by his detailed study in 1956. Later, another Italian archaeologist Scerrato led the excavation of the site during the mid-1980s. By the year 1999, careful excavations resulted in the discovery of the famous Ghaznavid Mosque on Mount Raja Gira, together with the remains of a Buddhist sanctuary and a graveyard. The mosque, the oldest in the northern region of Pakistan, dates back to the 11th century.
It took us hardly 10 minutes to walk to the site from where the road ends. The mosque, built on an artificial terrace, is now open for prayers, courtesy the restoration work by the Italian and Pakistani archaeologists.
Swat Museum
Swat Museum
After driving for about five and a half hours and spending an hour at the Udegram site, we arrived at the hotel in Mingora in the afternoon. There are plenty of reasonably priced hotels and guesthouses in Mingora and Saidu Sharif. One can go as a walk-in customer but it is a good idea to seek guidance and information from the information centres of Tourism Corportion Khyber Pakhtunkhwa (TCKP) to get discounted rates. TCKP has information centres in Islamabad, Peshawar and other cities.
After resting for about an hour, we set out to visit the Swat Museum, re-instated by the Italian Archaeological Mission and the Khyber-Pakhtunkhwa Department of Archaeology after the 2008 blast near the old museum. The Museum Curator, Faiz-ur-Rahman, and tourism consultant, Saeed Akbar, greeted us at the elegantly designed entrance of the museum. They guided us through all the nine galleries and two courtyards of the museum housing thousands of objects collected by the Walis of Swat, and Italian and Pakistani researchers.
These galleries display the early human presence in the Swat valley in the third millennium BC, and the chronology of the Swat civilisation till the coming of Islam in the 11th century AD. The last gallery contains masterpieces of the breathtaking wood architecture of Swat. Exquisitely carved designs on wooden structures represent elements of Gandhara art, South Asian Islam, Central Asian and Dardic patterns.
Ancient City of Bazira, Swat
Ancient City of Bazira, Swat
The site of Butkara stupa complex was our last stop for the day. The site is hardly five minute drive from the Swat Museum. The structure, believed to have been built in the 2nd century BC, went through a number of expansions in the following centuries. The Italian and Pakistani teams, led by Faccenna, unearthed the stupas and recovered artifacts that are displayed in the Swat Museum.
The ancient city of Bazira and the magnificent stupa at Amluk Dara were on our day-two itinerary as well. Bazira, a key site located in Bir-kot-ghuwandai or the present Barikot, was mentioned by the historians of Alexander the Great and later identified by both Aurel Stein and Tucci. It took us about 50 minutes to reach there from Mingora. We were electrified to see a team of local excavators led by Dr Luca Olivieri, carefully scratching the surface of a site next to the fortified city. The city itself was unearthed as a result of excavations between 1984 and 2006.
Our group was delighted to see the site restored and well-protected through combined efforts of the Italian and Pakistani archaeologists.
Driving for about 20 minutes from Barikot, we reached the valley of Amluk Dara, famous for its beauty and Amluk Dara stupa. The stupa built on a triple base is located on one of the mountains sheltered by the sacred Mount Ilam. Aurel Stein discovered the site in 1926. The main stupa was built between the 3rd and 4th century AD, and remained a pilgrimage site for the devotees till 11th century.
Over a period of time, numerous votive stupas were also constructed near the main stupa, which stands at 31 metres above the ground. We walked for about 25 minutes to touch the stupa as the road to the site is not in good shape. The serenity, grandeur and energy emanating from the site was worth the walk.
Travelling back, I had no other thoughts but praise for the Italian and Pakistani scholars, who are making it possible to restore and protect Pakistan’s precious heritage. I was still thinking of the great Italian archaeologists G. Tucci, F. Bonardi, D. Faccenna, G. Gullini, G. Stacul, M. Taddei, C. Antonini, U. Scerrato, and L. Olivieri; and their Pakistani colleagues F.A. Khan, Rafique Mughal, Inayat-ur-Rahman, M.N. Khan, M. Ashraf Khan, Abdur Rahman, Shah Nazar Khan, Muhammad Naeem Qazi, and Faiz-ur-Rahman when the trip coordinator announced our arrival in Islamabad.

Han relics on show in Musee Guimet, Paris

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From: Ecns.cn  15 July 2014

A silver tiger, found in Shenmu county, Shaanxi province, is believed to date back to between the Warring States Period (475-221 BC) and the Han Dynasty.[Photo provided to China Daily]
A silver tiger, found in Shenmu county, Shaanxi province, is believed to date back to between the Warring States Period (475-221 BC) and the Han Dynasty.[Photo provided to China Daily]
Valuable Chinese relics are to be exhibited in France, giving European visitors a glimpse of the rich traditions of the Han Dynasty.
It is probably the largest exhibition of Chinese relics outside the country. Curators describe it as "an unrivaled show" as it explains why the majority of Chinese are called the Han people and why they speak the language of Han people and write Han characters. The exhibition, Han Dynasty, will open at the Musee Guimet in Paris in October, and will display about 457 artifacts that bear testimony to the dynamism of the Middle Kingdom.
The exhibition, which celebrates the 50th anniversary of the Sino-French diplomatic relations, will present a retrospective of the Han Dynasty (206 BC-AD 220), the empire that had profound and long-lasting influences on Chinese history. Antiquities, including dozens of national grade one collections, are on loan from 27 Chinese museums and cultural institutions. They provide various perspectives on the dynasty's administration system, its agriculture, its alliances with bordering countries and the start of Silk Road through which it communicated with the West.
"The exhibition will demonstrate the most complete and beautiful gems of the Han Dynasty, helping people to understand the foundation of Chinese civilization," says Sophie Makariou, director of the Musee Guimet.
"One of the highlights of the exhibition is the juxtaposition of archaeological discoveries made over the past five decades, which continue to renovate Chinese archaeology."
These breakthroughs have been largely achieved during burial excavations, with the objects found revealing the relationship between emperors and feudal princes. Terracotta warriors are some of the best examples of the imperial power, which come from the mausoleum of Liu Qi (188-141 BC), the empire's fourth emperor, which has been turned into a museum in Xi'an. Visitors will also see lamps and incense burners from the tomb of Liu Sheng (165-113 BC), son of Liu Qi and titled Prince Jing of Zhongshan.
A bronze pot unearthed from the tomb of Liu Sheng (165-113 BC), or, Prince Jing of Zhongshan, in Mancheng county, Hebei province.[Photo provided to China Daily]
A bronze pot unearthed from the tomb of Liu Sheng (165-113 BC), or, Prince Jing of Zhongshan, in Mancheng county, Hebei province.[Photo provided to China Daily]
The funeral objects formed an affluent underground world in which the tombs' owners hope their soul could live in luxury. A jade suit sewn with gold threads that is a national treasure is one of the items on display. The fragile suit, which is more than 2,000 years old, was found in an imperial tomb in the Lion Mountain of Jiangsu province in 1995. It features 4,248 pieces of high quality jade and is considered a magnificent example of Han's jade processing technique.
Makariou says that the excavation of Han emperors' mausoleums is rare, and by appreciating burial objects unearthed from princes' tombs, people can picture the extravagance of the imperial family and the rulers' belief in eternity.
The exhibition will also attest to the diverse civil life outside the imperial palace. People today can get a glimpse of the luxuries of times past through the display of wooden architectural models, silk fabrics and musical instrument. There are also examples of cultural life. As bamboo sheets were replaced by silk and paper, writing became an art form. Lishu, the script first written by clerks, was adopted by more people and eventually evolved into different styles.
"All the exhibits are intricately pulled together by a tomb, a city and a journey. The mausoleum of Liu Qi shows the empire's ruling system; Xi'an shows the prosperity of an ancient capital and the Silk Road realized the communications of trade and culture between two civilizations," says Yao An, deputy director of Art Exhibitions China. The body under the State Administration of Cultural Heritage has organized and toured about 200 Chinese relic exhibitions, Han Dynasty included, around the world ever since its establishment in 1971.
"The exhibition traces back to the root of how Chinese culture and the temperament of Chinese people have taken shape," she says.
Han Dynasty will run from Oct 22 to March 1, 2015, along with forums, film screenings and concerts that expose European viewers to the Han Dynasty from multiple perspectives.
Han relics on show in Paris
A jade mask unearthed from a Han Dynasty tomb in the Shuangru Mountain in Jinan, Shandongprovince.[Photo provided to China Daily]
Han relics on show in Paris
A jade suit sewn with gold threads was found in an imperial Han Dynasty tomb in the Lion Mountain of Jiangsu province.[Photo provided to China Daily]
Han relics on show in Paris
  The head of the jade suit.




The biggest ever exhibition of ancient Silk Road items is expected to go on display at NMC later this year

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National Museum of China (Xinhua/Chen Jianli)
National Museum of China (Xinhua/Chen Jianli)
The National Museum of China (NMC) located on Chang'an Avenue, Dongcheng district, has been declared the third most popular museum in the world, the China Youth Daily reported.
Announced in a recent report by the International Association of Amusement Parks, NMC comes third behind the Louvre Museum in Paris, France, and the American Museum of Natural History in Washington in the US.
The number of visitors to NMC rose by 38.7 percent last year. This growth in tourism was the largest among the most popular museums in the world in 2013.
The biggest ever exhibition of ancient Silk Road items is expected to go on display at NMC later this year.

8 Silk Road monuments in Kazakhstan added to UNESCO World Heritage List

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8 Silk Road monuments in Kazakhstan added to UNESCO World Heritage List
Photo courtesy of www.geopolitics.ru
Tengrinews.kz   15 July 2014
UNESCO has added eight settlements of the Great Silk Road located at the territory of Kazakhstan onto its World Heritage List, Tengrinews reports.

The decision to enter the section of the Great Silk Road onto the List was taken at the 38th session of the World Heritage Committee of UNESCO that took place in Qatar’s Doha. It iscalled the Routes Network of Chang'an-Tianshan Corridor and is a 5,000 kilometer section of the Silk Road that took shape between the 2nd century BC and the 1st century AD. It stretches from Chang’an/Luoyang, China’s capital during the Han and Tang Dynasties, to the Zhetysu region in Central Asia. It was used until the 16th century AD.

There are 33 objects of the Silk Road in the list altogether. These include trading settlements, tombs and religious buildings, Buddhist cave temples, fortifications, ancient paths, posthouses, capital cities, palace complexes of various empires and Khan kingdoms, passes, beacon towers and sections of The Great Wall.

8 of these are located in Kazakhstan: settlements Aktobe, Kostobe, Kulan, Kajalyk, Talgar, Ornek, Akyrtas and Karamergen.
The idea of including the Silk Road in the UNESCO World Heritage List originated back in 2005. Now, scientists and academics are working to include other monuments of the Great Silk Road in the UNESCO World Heritage List.

Kayalyk Settlement. © O. Belyalov/Archaeological Expertise Scientific- Research Organization
Talgar Settlement. © O. Belyalov/Archaeological Expertise Scientific- Research Organization
Ornek Settlement. © O. Belyalov/Archaeological Expertise Scientific- Research Organization
Karamergen Settlement. © O. Belyalov/Archaeological Expertise Scientific- Research Organization



Aktobe Settlement. © O. Belyalov/Archaeological Expertise Scientific- Research Organization
The Great Silk Road played a major role in the development of economic and cultural relations of the peoples of Asia Minor, Central Asia, the Caucasus and China. It served as a corridor for technological, cultural and religious exchange.

By Dinara Urazova


For more information see:http://en.tengrinews.kz/environment/8-Silk-Road-monuments-in-Kazakhstan-added-to-UNESCO-World-Heritage-List-254517/
Use of the Tengrinews English materials must be accompanied by a hyperlink to en.Tengrinews.kz

Mongol women: a miscellany, part 1

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From: Amgalant.com by Bryn Hammond
Wenji - wholeA miscellany on Mongol women. My topic in part one is the state of our ignorance about them. It was Socrates who said – more or less – your first step towards knowledge is to understand that you know nothing, and for the study of steppe women, I think he’s right. The false sense of knowledge is the danger; it means we’ve used a template familiar to us and assumed a similarity. So to start with, I want to talk about how much we don’t know.
An example is the difficulty I have in illustrating this post. I want primary source and it’s hard to get. For reconstructions, go to Zaya’s glorious gallery of Mongol queens and ladies. But where can I find images of steppe women from the time, and if I can’t, how can I know what they look like?
When Linda Cooke Johnson set out to study Jurchen women, she had a single rich image. In her book Women of the Conquest Dynasties she writes: “Jurchen tribal culture is best represented in the painting Wenji gui Han… Apart from the Wenji painting, most extant works of art reveal very little that is specific.” [57, 54]  Above and beneath is the painting; I’ll just have LCJ point you to the women and leave you to look at them: “Six women are shown in the painting: Wenji herself at the centre of the composition, two servants running beside her horse, a woman on the lead mare holding a flag, and two women among the group on horseback.” These last are centre-back in “round fur hats”. [57-8]
Wenji herself
This is a painting on an ancient historical subject. Here’s how the Met Museum captions a Song dynasty painting of the same story:
Represented here are scenes from the life of Lady Wenji, who was abducted by a horde of marauding barbarians about A.D. 195 and spent twelve years among the Xiongnu, a Mongol tribe, as wife of their chieftain. She bore him two children before she was finally ransomed and returned to China. The Southern Song emperor Gaozong (r. 1127–62) probably ordered the story illustrated as a reminder of the capture of his kinfolk by the Jurched Jin. In this scroll, the costumes of the nomad invaders are those of the Khitan people, who established the Liao dynasty (907–1125) in northeastern China. To the early Southern Song viewer, Eighteen Songs, which presents a historical drama in contemporary details, did not represent a mere historical romance but a true, pervasive national trauma. — at MetMuseum.org
It’s interesting, then, how the Jurchen Jin portray this story (Jurchen are the tribal people who established the Jin dynasty when they conquered north China from the Song). The Jin painter dresses these third-century steppe people in Jurchen costume. Linda Cooke Johnson on this: “To the Jin court of the early thirteenth century, the civilized south was Jin China and the sheng (wild) Jurchen have become stand-ins for the ‘barbarians’ who abducted Wenji.” [59-60]  They view the story in the costume of their own tribal past: “To members of the sophisticated Jin court, these figures would have seemed bizarre, an aberration from the past.” [57]  A recent past – within the century.
As an aside, the ‘horde of marauding barbarians’ only has a name in Chinese transcription: Xiongnu. It’s not their name for themselves, which cannot be certainly recovered from its Chinese disguise. When people call them by the perhaps simplified name of Huns, it’s to acknowledge that Xiongnu is not their original name. If you like you can just call them a horde of marauding barbarians. See the entry on them at Iranica Online, with discussion of the Xiongnu/Hun name.
LCJ has this note on the art she consults: “Because of questions of authenticity and interpretation, I am not making use of paintings depicting pastoralist life that are attributed to Song or later artists… I have previously identified the Kitan tribesmen depicted in [Eighteen Songs of a Nomad Flute – the Song painting of Wenji in the Met Museum, above] as ‘generic versions of barbarians’ because they are all dressed alike…” [190]  Chinese illustration of steppe life can often be classed as exotica. So the only authentic painting she has is from Jin, who at least depict their own old dress-style with antiquarian accuracy.
And as for me – who’d like to give you Mongol women on the steppe, as they lived before the Mongols conquered China – I have nothing for you. To quote LCJ, for the last time, “Liao and Jin women may not have been as unusual as the Liaoshi  [the Chinese history of the dynasty] claims. Liao, Mongol and Jin women alike drew their strength from steppe traditions. To make a firmer case, however, we need to know more about women in steppe society beyond the frontiers of China.” [139]  And we don’t. It’s important to know we don’t.
To that end I’ll also quote a statement by Bruno De Nicola, whose research has specialised in Mongol women. From the abstract of a seminar paper:
This paper is a section of a bigger project that seeks to analyse the status of Mongol women throughout the Mongol Empire. The main objective is to ‘incorporate’ the history of these women into the general history of the Mongols by looking at the role played by them in different aspects of medieval Mongol society… Mongol women should not be taken as anecdotic agents or placed at the margins of history; rather they are a constitutive element of pre and post Chinggiskhanid Mongolia. Understanding the role played by these women will allow a more comprehensive approach to the social history of the medieval Mongols and their interactions with the societies that later came under their domain. – this abstract on academic.edu
In other words there’s much more to do. We need to keep in mind that the above hasn’t been done yet. Socrates was right: acknowledgement of our ignorance is where to start – we can go forward from there.
Women in the Ilkhanlig are getting attention (another note on names: I prefer to say khanlig instead of khanate, which is an ugly amalgam of Latin onto Altaic. Let’s stay Altaic). Bruno De Nicola, just quoted, has a book in preparation on khatuns (ladies/queens) in the Ilkhanlig. A study by Yoni Brack, ‘A Mongol Princess Making hajj: The Biography of El Qutlugh Daughter of Abagha Ilkhan’, [on academic.edu]  retrieves the life and doings of a Chinggis great-great-granddaughter from a Mamluk biographical dictionary, where she rates an entry because she was the first notable from the Ilkhanlig to travel into Mamluk territory on hajj. This is a piece of luck, as al-Safadi records more detail on her than we have from Ilkhanid sources. Here are excerpts:
She was the aunt of Ghazan and Kharbanda  [Oljeitu Ilkhan]. Among the Mongols, she was greatly respected, often referred to, highly revered and her words were valued and appreciated. She was sharp-minded and skilled in furusiyyah [the knightly arts, centred on horsemanship]. She was married to Urab Ti  [Ghurbati]… When her husband died, she rode on her own and killed his killer, beheaded him and hanged his head on the collar of her horse. It stayed there for a long time until she was approached about it and she then got rid of it. Some say that she only got rid of it when instructed by a royal decree. She never married again after Urab Ti.
Then she comes on pilgrimage, in the year 1323, when she is estimated to be in her fifties:
The judge Shihab al-Dın Ahmad b. Fadl Allah said: ‘I was undertaking the hajj that same year and I saw that she was a woman deemed worthy among men for her resoluteness, decisiveness and honour. She had on her the expression of greatness and the gracefulness of majesty. She gave great sums of money to charity and it is said that she gave to charity in the two holy places thirty thousand dinars. She travelled the way on a palanquin and rode a horse, the quiver fastened to her waist and the parasol raised above her. She led ring hunts and hunted all along the way. She was greatly respected for countless good deeds. When she arrived at Damascus, the commander Sayf al-Dın Tankiz went out to meet her and he treated her with most kindness and honour so she entered Damascus without a parasol over her head.’  [parasol etiquette was different in the two states]
Yoni Brack’s study of this biography suggests that her vengeance for her husband may have been execution-style — for injured parties were allowed to perform an execution — and compares it to the vengeance recorded of a Chinggis daughter in Juvaini: she went into the reduced city of Nishapur and slew widely, after her husband had been killed in the fighting. That leads me to the question: how often were Mongol women present at the fighting? We don’t know. This Chinggis daughter is mentioned because of the incident at Nishapur – Juvaini hasn’t told us before that she was on campaign. Who else was on campaign, but didn’t happen to earn an anecdote in the histories? We don’t know. At battles in the Ilkhanlig – again my source is papers by Bruno De Nicola – high-status, high-profile women are mentioned as present. But do they rate a mention because they are Chinggisids? Or, were only Chinggisid women present? Unknown.
I’ll end with a celebration of life in the Ilkhanlig. This time I’m not going to predispose your mind with comment, even to point out the women. I wish I had found more images online, for there are other exhibits in The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256 – 1353.
In part two of this miscellany, we’ll visit the world of celluloid from Inner Mongolia; the complaint of a Mongolian princess in a 1935 newspaper; and ‘Monstrous Mongols’ – androgyny in European depictions of the Mongol Other.
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Book reviews John Man's The Mongol Empire: Genghis Khan, His Heirs and the Founding of Modern China

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This is the review in the Spectator of 12 July 2014

A review of The Mongol Empire: Genghis Khan, His Heirs and the Founding of Modern China, by John Man. The Mongols made China, argues this book, which means it’s unlikely to get a Chinese translation any time soon
SPECTATOR   by    12 July 2014
Close-up of Genghis towering 40 metres over his home pastures near the Mongol capital, Ulaanbaatar – the world’s biggest equestrian statue
Close-up of Genghis towering 40 metres over his home pastures near the Mongol capital, Ulaanbaatar – the world’s biggest equestrian statue
The Mongol Empire: Genghis Khan, His Heirs and the Founding of Modern China John Man
Bantam, pp.357, £20, ISBN: 9780593071243
Genghis Khan, unlike most Mongols in history, is a household name, regularly misappropriated as a right-wing totem. If we recall the genocidal killing sprees of, say, Stalin and Mao, perhaps it would be more historically accurate to say ‘to the left of Genghis Khan’. In the popular imagination he is the despot’s despot, a one-man killing machine who led his army of mounted archers to triumph after triumph, terrorising and slaughtering by the million to carve out an empire that stretched from the Caspian to the Pacific. His martial conquests place him in the top trio of world conquerors, alongside Alexander the Great and Tamerlane.
If you had the misfortune to live in Central Asia during Genghis’s rampages in the 1220s, you ran the very real risk of being cut in two, beheaded, disemboweled, perhaps even forced to swallow molten metal by his ferocious soldiers. Cities were razed and depopulated, prisoners slain or ordered to march as a shield before the army, in full battle formation. Mongol bloodlust was such that even cats and dogs were killed.
Yet the same man who is said to be responsible for the deaths of a world record 40 million is also noted — admittedly less widely — for his religious tolerance, enlightened diplomacy and championing of women’s rights. As Edward Gibbon noted,
The Catholic inquisitors of Europe who defended nonsense by cruelty, might have been confounded by the example of a barbarian, who anticipated the lessons of philosophy and established by his laws a system of pure theism and perfect toleration.
Gibbon went so far as to posit ‘a singular conformity’ between the religious laws of Genghis and those of John Locke.
Genghis was convinced of his divinely ordained calling to subdue and rule an unruly world, a view accepted by John Man and faithfully maintained by many Mongols today. During the past few months I have received more than 50 impromptu emails from an eccentric young Genghis disciple in Mongolia who told me how he had preserved some of his father’s ashes in fermented mare’s milk and travelled right across the country to sprinkle them over Genghis’s birthplace, honouring him as the father of the nation.
Unlike Tamerlane, whose empire collapsed in short order on his death in 1405, Genghis bequeathed an empire that would endure and expand, and this is Man’s great interest here. He is rightly fascinated by one descendant of the great tyrant in particular: Genghis’s grandson Kublai, generally remembered only as the mysterious potentate in Coleridge’s opium-enhanced poem ‘Kubla Khan’, resident of Xanadu and possessor of a ‘stately pleasure dome’.
Kublai hailed from a junior branch of the family and only managed to take supreme power as Great Khan thanks to his spirited mother and his own diplomatic and military prowess. The sudden and successive deaths of Kublai’s brothers Ariq, Hulagu, Berke and Alghu within the space of a few months from 1264 fortuitously opened the path to power, allowing him to settle and then expand his dominions in the east.
In short order Kublai became the richest and most powerful man on earth. His conquest of China and its deftly handled assimilation into a Mongol-Chinese empire was surely his greatest achievement. In 1271, only seven years after establishing his imperial capital at Xanadu, he shifted his headquarters to Beijing, where his taste for grandeur was given free rein in a remarkable building programme that gave birth to the Imperial City. Man clearly enjoys the delightful fact that China’s current borders were determined not by a Chinese ruler but by a Mongolian warlord.
He does a splendid job of conveying the sheer opulence and grandeur of Kublai’s court, not least the hunting. For 500 kilometres or 40 days’ journey from his new capital the entire countryside was dedicated to hunting. The large game belonged to the emperor: boar, deer, elk, wild asses and wildcats, expertly marshaled to their destruction by 2,000 dog handlers and 10,000 falconers. The figures are Marco Polo’s, and therefore extremely suspect, but you get the point.
Much of this is familiar material and may even be familiar to readers of Man’s earlier works, which include accessible biographies of both Genghis and Kublai. If Mongol history is your thing, David Morgan (The Mongols), Igor de Rachewiltz (The Secret History of the Mongols) or Henry Howorth (History of the Mongols) are surer guides. What Man does, however, is tell a rollicking good story, his historical narrative interspersed with high-spirited travel-writerly digressions, searching for Genghis’s secret burial place one minute, positing a slightly fanciful link between Genghis and Columbus the next. The personal tone is lively and engaging, Man’s wide travels recorded in a series of handsome illustrations.
Man leaves us with a final playful thought which suggests Beijing publishers may not be rushing to have this book translated. For the Chinese, Genghis and Kublai made Mongolia part of China. For Mongols, however, they were the great leaders who made China part of Mongolia.
Available from the Spectator Bookshop, £16. Tel: 08430 600033
This article first appeared in the print edition of The Spectator magazine, dated 
  • This the review in the Daily Mail of July 3, 2014


  • Genghis Khan has been a byword for barbarity for the last 800 years
  • Some historians estimate four million people were killed under his orders
  • As a boy Genghis believed God had decreed he should conquer the land
  • The name Genghis means 'fierce, hard, tough'
  • During Genghis's reign of terror the Mongol Empire took up most of Asia


THE MONGOL EMPIRE by John Man (Transworld £20)

As a byword for barbarity, Genghis Khan has come down to us 800 years later as the cruellest conqueror of all time. We preserve his name to compare the perpetrators of genocide today to him. 
Is this tradition justified? That is what a new biographer should tell us and this one, John Man, has every qualification. He even speaks Mongol and makes Mongolia his stamping ground. He has written a very lively and enjoyable book on a very complex and baffling story.
It is littered with names that you have never heard of and cannot pronounce, and the two you do know are not as you thought: Genghis starts a soft G — Chinghis — and his grandson was Kublai Khan, not Kubla as Coleridge had it. 
Barbaric: Genghis Khan's name has lived on for 800 years because of the mass killings that took place under his command
Barbaric: Genghis Khan's name has lived on for 800 years because of the mass killings that took place under his command
The first chapters tell how a poor, illiterate boy, originally called Temujin, got himself recognised as leader of the hitherto disunited Mongols. This near-pagan lad had one great conviction: that Tengri, the Mongol deity, had decreed that he was to conquer all the land in every direction. Why he believed this is a mystery. 
He set about it and every victory which he and his horsemen achieved confirmed his belief that God was on his side. In 1189 the Mongols decided he should have a new name: Genghis. It was unique and until recently no one could explain where it came from. Now, however, scholars believe it derives from an obsolete Turkish word, chingis, meaning ‘fierce, hard, tough’.
 
The Mongols took naturally to the idea that they were the master race. Under Genghis — The Fierce Ruler — their empire swelled like a pregnant pig, swallowing up most of central Asia from the Caspian Sea in the west to the China Sea in the east, and taking in the great cities of the Silk Road, Bukhara and Samarkand.
In the spring of 1211, he gathered an army some 100,000 strong and advanced across the Gobi to conquer the Chinese empire of Jin. The men took 300,000 horses and were armed with catapults which could lob rocks or firebombs 100 metres.
Great empire: Under Khan's reign of terror the Mongol empire encompassed most of Asia
Great empire: Under Khan's reign of terror the Mongol empire encompassed most of Asia
Behind this came herds of mares to provide the warriors with horse milk. Often this mass migration incorporated wives, families and sheep. The whole juggernaut probably ran to 250,000 with a million animals in tow. 
When they reached a fortified city their strategy was to surround it, starve it and invite its leaders to surrender or be annihilated. Those that refused were slaughtered to the last man, woman or child, but the same thing might easily happen to those which capitulated. 
Terror was the Mongols’ weapon — shock and awe. Genghis applied it ruthlessly. In 1219 he led his army westwards from China towards the ancient cities of Samarkand and Bukhara, the eastern outposts of Islam, which had a degree of civilisation undreamed of on the Mongol steppes. 
There they lay with domes, palaces, mosques, huge libraries and scores of scholars leading the rest of the world in maths, science, astronomy and general knowledge. Bukhara was stripped of its treasures, bombarded and burned until all the males ‘who stood higher than the butt of a whip’ had been killed.
The Mongol juggernaut rolled on towards Samarkand, defended by some 100,000 troops and 20 elephants, which panicked, trampled their drivers and made off into the plains. 
When the city’s merchant leaders and senior clergy invited the Mongols in, they looted their treasures, their wives and helped themselves to such survivors as would make slaves.
They moved on to lay siege to the remaining great city, Gurganj. By the time victory came, five months later, the invaders ‘were in no mood for mercy’. The figures recorded by Muslim historians are staggering: 50,000 soldiers killed 24 men each.

DID YOU KNOW?

There were 40 sacrificial virgins slaughtered at Genghis Khan's funeral
Genghis now turned his attention to Merv, an oasis city of mosques and mansions. Its ten libraries contained 150,000 volumes, the greatest collection in Central Asia. The Mongols entered the city and after separating 400 craftsmen and a crowd of children to act as slaves, drove the remaining population on to the plain.
‘Then,’ writes Man, ‘the killing started. The place was ransacked, the buildings mined, the books burned or buried. Merv lost almost everything and almost everyone.’
The Mongols ordered that no woman, man or child be spared. Each soldier in the 7,000-strong army was allotted around 300 people to kill. Most had their throats slit. Others were led out, 20 at a time, to be drowned in a trough of blood.
You might have thought even the most hard-hearted troops would baulk at having to slit the throats of so many victims, but it doesn’t seem to have troubled the Mongols who would have despatched them, says Man, as easily as sheep.
Merciless: Some historians estimate that as many as four million people were killed by Khan's soldiers
Merciless: Some historians estimate that as many as four million people were killed by Khan's soldiers
The fearsome leader remembered: A 16ft Genghis Khan statue in Marble Arch, London
The fearsome leader remembered: A 16ft Genghis Khan statue in Marble Arch, London
He points out that it takes only  seconds to slit a throat, and that  for 7,000 soldiers ‘the slaughter of a million would have been an easy two hours’ work’.
In the late 18th century the English historian Edward Gibbon placed the total slaughter at more than four million. The figure may be exaggerated, but it was certainly one of the biggest mass killings in history. Genghis then returned to northern China, which he had only partially conquered. By the second week of August 1227 he was on the verge of achieving an empire running from the Pacific almost to Baghdad. 
It was not to be. He became seriously ill — possibly with typhus — and just days later was dead. But not before having told his leading captives: ‘I am the punishment of God. If you had not committed great sins, God would not have sent me as your punishment’. 
Throat slitter supreme: Khan, whose real name was Temujin, was named Genghis by his troops because of his fierce personality
Throat slitter supreme: Khan, whose real name was Temujin, was named Genghis by his troops because of his fierce personality
His body was secretly taken back thousands of miles to Mongolia, where it was buried somewhere unknown on a sacred mountain. Today, a massive mausoleum shows its visitors colossal statues of him — but no body. They are still looking for it. 
Did Genghis achieve anything but the Guinness record in bloodshed? John Man believes he had redeeming features. He allowed toleration of all religions — perhaps because he didn’t have much of one himself, except as a mandate for conquest. He allowed women to play a more leading role than other dictators and he employed anyone of talent, irrespective of where they came from.
But he built nothing. He left no palaces, no writings, no philosophy, nothing but territories that owed allegiance to him. 
It is a relief to turn to his grandson, Kublai, for the rest of the book. Kublai had himself been recognised not only as the great Khan but as first emperor of a new Chinese dynasty, the Yuan. 
He built his new capital, known as Shang Du, which was mistranslated by Coleridge in his opium-inspired poem, Xanadu. Kublai’s normal palace there was called the Pavilion of Peace but for summer he built the pleasure dome that we all know.
It wasn’t much like Coleridge’s dream. The sunny pleasure dome was not made on caves of ice. It was made of bamboo rods laid in a circle and supported by carved wooden columns. 
One of his great innovations was paper money. He gave China a new legal system. He built pagodas and adopted Buddhism. Altogether he was a lenient dictator. 
He grew very fat (the drink was to blame) and died at the age of 80. At this point he ruled from the Black Sea in the west to the China Sea in the east, covering a sixth of the world’s known land mass. 
But within two years of his death this empire had split into its component parts, according to nationality. The Mongol Empire had vanished, leaving a legacy to the world of precisely nothing.

Archaeological and Visual Sources of Meditation in the Ancient Monasteries of Kuča

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